#: locale=en

## Action

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## Media

### Audio
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### Description
photo_900F45F3_49E8_99C5_41C2_9CF90B3DB3EF.description = Adam Hamid (artist in photo). Photo by Doc Reggae. 
photo_900F45F3_49E8_99C5_41C2_9CF90B3DB3EF.description = Adam Hamid (artist in photo). Photo by Doc Reggae. 
photo_DA349200_C936_118A_41DC_A24BF2521799.description = Agness Buya Yombwe, b. Zambia. Elephant Totem - it is a taboo to eat an elephant if it is your totem, 2018, charcoal powder, tea Leaves and acrylic on hardboard.  
photo_DA349200_C936_118A_41DC_A24BF2521799.description = Agness Buya Yombwe, b. Zambia. Elephant Totem - it is a taboo to eat an elephant if it is your totem, 2018, charcoal powder, tea Leaves and acrylic on hardboard.  
photo_DA348566_C936_1397_41E0_716FD6049B20.description = Agness Buya Yombwe, b. Zambia. Increase in gender based violence cases during Covid 19 pandemic - call for help(I), 2020, acrylic on canvas.
photo_DA348566_C936_1397_41E0_716FD6049B20.description = Agness Buya Yombwe, b. Zambia. Increase in gender based violence cases during Covid 19 pandemic - call for help(I), 2020, acrylic on canvas.
photo_DA2BFB4D_C936_779A_41DB_613D40515181.description = Agness Buya Yombwe, b. Zambia. It is a taboo for a pregnant woman to eat chicken crawls, 2017, mixed media (chitenge and acrylic on canvas).
photo_DA2BFB4D_C936_779A_41DB_613D40515181.description = Agness Buya Yombwe, b. Zambia. It is a taboo for a pregnant woman to eat chicken crawls, 2017, mixed media (chitenge and acrylic on canvas).
photo_DA34B31D_C936_17BA_418C_50B336BA3F5E.description = Agness Buya Yombwe, b. Zambia. It is a taboo to use same toilet with opposite sex, 2018, paper, bark and acrylic on canvas.
photo_DA34B31D_C936_17BA_418C_50B336BA3F5E.description = Agness Buya Yombwe, b. Zambia. It is a taboo to use same toilet with opposite sex, 2018, paper, bark and acrylic on canvas.
photo_DA34B02D_C936_119A_41D4_066E64C6FBA4.description = Agness Buya Yombwe, b. Zambia. Kenyan woman removed from parliament for bringing baby, 2019, acrylic on canvas. 
photo_DA34B02D_C936_119A_41D4_066E64C6FBA4.description = Agness Buya Yombwe, b. Zambia. Kenyan woman removed from parliament for bringing baby, 2019, acrylic on canvas. 
photo_DA34FE02_C936_718E_41E2_F9C1894DF670.description = Agness Buya Yombwe, b. Zambia. Snake taboo - it is a taboo for a pregnant woman to kill a snake, 2019, acrylic on canvas.
photo_DA34FE02_C936_718E_41E2_F9C1894DF670.description = Agness Buya Yombwe, b. Zambia. Snake taboo - it is a taboo for a pregnant woman to kill a snake, 2019, acrylic on canvas.
photo_DA343C9E_C936_72B6_41E0_514FD98115C1.description = Agness Buya Yombwe, b. Zambia. Taboo to discuss what has been taught at Mukanda, 2017, mixed media (chitenge and acrylic on canvas).
photo_DA343C9E_C936_72B6_41E0_514FD98115C1.description = Agness Buya Yombwe, b. Zambia. Taboo to discuss what has been taught at Mukanda, 2017, mixed media (chitenge and acrylic on canvas).
photo_DD437A07_C936_7195_41DE_B8B1B9B33A00.description = Agness Buya Yombwe, b. Zambia. Taboo to eat a banana in the presence of in-Laws, 2017, mixed media (chitenge and acrylic on canvas).
photo_DD437A07_C936_7195_41DE_B8B1B9B33A00.description = Agness Buya Yombwe, b. Zambia. Taboo to eat a banana in the presence of in-Laws, 2017, mixed media (chitenge and acrylic on canvas).
album_2BFEB2E7_16A7_2F25_41A5_68434ACC85F9_0.description = Alaa Satir, b. Sudan. A womans place is in the resistance, 2019, acrylic (mural), photographed by Ahmed Mahmoud.
album_2BFEB2E7_16A7_2F25_41A5_68434ACC85F9_3.description = Alaa Satir, b. Sudan. A woman’s revolution, 2019, digital illustration.
album_2BFEB2E7_16A7_2F25_41A5_68434ACC85F9_4.description = Alaa Satir, b. Sudan. Freedom, peace, freedom, 2019, acrylic (mural).
album_2BFEB2E7_16A7_2F25_41A5_68434ACC85F9_1.description = Alaa Satir, b. Sudan. Freedom, peace, justice, 2018, digital illustration.
album_2BFEB2E7_16A7_2F25_41A5_68434ACC85F9_5.description = Alaa Satir, b. Sudan. Revolt!, 2019, acrylic (mural).
album_2BFEB2E7_16A7_2F25_41A5_68434ACC85F9_6.description = Alaa Satir, b. Sudan. The revolution continues, 2019, acrylic (mural), photographed by Ahmed Mahmoud.
album_2BFEB2E7_16A7_2F25_41A5_68434ACC85F9_2.description = Alaa Satir, b. Sudan. We are the revolution, 2019, digital illustration.
photo_ECD631A8_AF98_C9D5_41D4_53E97D666E8F.description = Aliou Diack, b. Senegal. Prophétie, 2019, Mixed media on canvas.
photo_ECD631A8_AF98_C9D5_41D4_53E97D666E8F.description = Aliou Diack, b. Senegal. Prophétie, 2019, Mixed media on canvas.
album_2AC7D825_16AD_3ADA_4171_1BAA1F9C10C0_0.description = Ally Jape, b. Tanzania. Screenshot from Zanzibar Daily Life Impressions, 2020, video. 
photo_BE443C25_49B8_8E4D_41D3_237120B565BE.description = Alun Be, b. Senegal. Absolution, (Edification series), 2017, digital photograph. 
photo_BE443C25_49B8_8E4D_41D3_237120B565BE.description = Alun Be, b. Senegal. Absolution, (Edification series), 2017, digital photograph. 
photo_8E9C328F_49B8_BA5D_41BC_7B7227040C34.description = Alun Be, b. Senegal. Cultivation, (Edification series), 2017, digital photograph.  
photo_8E9C328F_49B8_BA5D_41BC_7B7227040C34.description = Alun Be, b. Senegal. Cultivation, (Edification series), 2017, digital photograph.  
photo_8E825975_49B8_B6CD_41CB_873B155ED419.description = Alun Be, b. Senegal. Ethos, (Edification series), 2017, digital photograph.
photo_8E825975_49B8_B6CD_41CB_873B155ED419.description = Alun Be, b. Senegal. Ethos, (Edification series), 2017, digital photograph.
photo_58C4E86A_4AA8_B6C7_41C3_DFC69F1CF5FB.description = Amina Weira, b. Niger. Amina Weira Filming in the Desert, photo by Ousmane Bianoi, 2021, digital photograph.
photo_58C4E86A_4AA8_B6C7_41C3_DFC69F1CF5FB.description = Amina Weira, b. Niger. Amina Weira Filming in the Desert, photo by Ousmane Bianoi, 2021, digital photograph.
photo_58C4E0A2_4AA8_B647_41D4_B4E3AD62CF3F.description = Amina Weira, b. Niger. Amina Weira, photo by Hassane Mezine, 2016, digital photograph. 
photo_58C4E0A2_4AA8_B647_41D4_B4E3AD62CF3F.description = Amina Weira, b. Niger. Amina Weira, photo by Hassane Mezine, 2016, digital photograph. 
photo_58C4F0CA_4AA8_97C7_41BD_634C7286A52F.description = Amina Weira, b. Niger. La colere dans le vent (Wrath in the Wind) film poster, 2017.
photo_58C4F0CA_4AA8_97C7_41BD_634C7286A52F.description = Amina Weira, b. Niger. La colere dans le vent (Wrath in the Wind) film poster, 2017.
photo_9F92F0B3_A7F9_1B7A_41E1_3C57AAD729BE.description = Anataban Musicians L.U.A.L and Crazy Fox pose in front of street art, 2016
photo_9F92F0B3_A7F9_1B7A_41E1_3C57AAD729BE.description = Anataban Musicians L.U.A.L and Crazy Fox pose in front of street art, 2016
album_2B8FC8EB_16A5_5B2D_41AC_8F13BD799FED_0.description = Anataban Street Art in Juba, 2016
photo_811CC703_A7F9_651A_41C8_55D766D8A3F6.description = Anataban Street Theatre, 2016
photo_811CC703_A7F9_651A_41C8_55D766D8A3F6.description = Anataban Street Theatre, 2016
album_2B8FC8EB_16A5_5B2D_41AC_8F13BD799FED_1.description = Anataban Team Photo, 2016
photo_BE74DB9D_4A69_8A7D_41AC_6BD35A7288AE.description = Apollinaire Guidimbaye (Doff), b. Chad. Egoiste I (Serie: L’homme africain), 2020, mixed media.
photo_BE74DB9D_4A69_8A7D_41AC_6BD35A7288AE.description = Apollinaire Guidimbaye (Doff), b. Chad. Egoiste I (Serie: L’homme africain), 2020, mixed media.
photo_8240924E_4A69_BADF_41D5_2512CD1FC25C.description = Apollinaire Guidimbaye (Doff), b. Chad. Guerre (Serie: L’homme africain), 2020, mixed media.
photo_8240924E_4A69_BADF_41D5_2512CD1FC25C.description = Apollinaire Guidimbaye (Doff), b. Chad. Guerre (Serie: L’homme africain), 2020, mixed media.
photo_827E693E_4A69_B6BF_41C8_9F0E5566D25E.description = Apollinaire Guidimbaye (Doff), b. Chad. La Famille (Serie: L’homme africain), 20219, mixed media. 
photo_827E693E_4A69_B6BF_41C8_9F0E5566D25E.description = Apollinaire Guidimbaye (Doff), b. Chad. La Famille (Serie: L’homme africain), 20219, mixed media. 
photo_827FDFB5_4A69_8A4D_41D0_4AF9A8CFBC1B.description = Apollinaire Guidimbaye (Doff), b. Chad. Violence fait aux femmes, 2020, mixed media.
photo_827FDFB5_4A69_8A4D_41D0_4AF9A8CFBC1B.description = Apollinaire Guidimbaye (Doff), b. Chad. Violence fait aux femmes, 2020, mixed media.
photo_58B02C9A_4AE7_8E47_41D2_EDA8C925957C.description = Architectural model of the Gambia Academy campus, 2017. Photo courtesy of the Gambia Academy. 
photo_58B02C9A_4AE7_8E47_41D2_EDA8C925957C.description = Architectural model of the Gambia Academy campus, 2017. Photo courtesy of the Gambia Academy. 
photo_C08ECBB6_5AB8_8A4F_41B5_E1882E930AC1.description = Armand Boua, b. Cote d’Ivoire. Kpȇkpȇkos (Children) III, 2020, mixed media.
photo_C08ECBB6_5AB8_8A4F_41B5_E1882E930AC1.description = Armand Boua, b. Cote d’Ivoire. Kpȇkpȇkos (Children) III, 2020, mixed media.
photo_F7C5376B_5AB8_9AC5_41CF_E7A38C51DF0B.description = Armand Boua, b. Cote d’Ivoire. Kpȇkpȇkos (Children) V, 2020, mixed media.
photo_F7C5376B_5AB8_9AC5_41CF_E7A38C51DF0B.description = Armand Boua, b. Cote d’Ivoire. Kpȇkpȇkos (Children) V, 2020, mixed media.
photo_C17D40C7_5ABB_77CE_41D0_662298DA83DD.description = Armand Boua, b. Cote d’Ivoire. Kpȇkpȇkos (Children) VII, 2020, mixed media.
photo_C17D40C7_5ABB_77CE_41D0_662298DA83DD.description = Armand Boua, b. Cote d’Ivoire. Kpȇkpȇkos (Children) VII, 2020, mixed media.
photo_FC045C95_AAC9_ACE1_41E1_33020ADCB7BB.description = Barbara Wildenboer, b. South Africa. An Encyclopedia of World History, 2021, altered book. 
photo_FC045C95_AAC9_ACE1_41E1_33020ADCB7BB.description = Barbara Wildenboer, b. South Africa. An Encyclopedia of World History, 2021, altered book. 
photo_F3F5A75B_AAC9_BC62_41CE_30DC7B3D477B.description = Barbara Wildenboer, b. South Africa. Cosmos, 2020, hand-cut paper sculpture with clock mechanism.  
photo_F3F5A75B_AAC9_BC62_41CE_30DC7B3D477B.description = Barbara Wildenboer, b. South Africa. Cosmos, 2020, hand-cut paper sculpture with clock mechanism.  
photo_EF0317E7_AF8B_495B_41D4_F1964BDBA80B.description = Barbara Wildenboer, b. South Africa. Moksha Patam, 2020, hand-cut analogue collage. 
photo_EF0317E7_AF8B_495B_41D4_F1964BDBA80B.description = Barbara Wildenboer, b. South Africa. Moksha Patam, 2020, hand-cut analogue collage. 
photo_90ACBC29_AF8B_BED7_41B5_22B33041C963.description = Barbara Wildenboer, b. South Africa. Spoils of War, 2021, hand-cut analogue collage. 
photo_90ACBC29_AF8B_BED7_41B5_22B33041C963.description = Barbara Wildenboer, b. South Africa. Spoils of War, 2021, hand-cut analogue collage. 
photo_8A1E3C87_49E8_8E4D_41C0_340603961CCD.description = CD cover. Photo by Thomas Dorn.
photo_8A1E3C87_49E8_8E4D_41C0_340603961CCD.description = CD cover. Photo by Thomas Dorn.
photo_DCDC9D29_C4C6_5338_41D1_6729B22C308D.description = Calema performing live. Image courtesy of Calema. 
photo_DCDC062B_C4C6_5138_41E7_A74DCFDE0489.description = Calema performing live. Image courtesy of Calema. 
photo_DCDD6602_C4C6_30E8_41E2_52918F9201F1.description = Calema performing live. Image courtesy of Calema. 
photo_DF5C743A_C4C6_3118_41C5_2030AD4691EB.description = Calema performing live. Image courtesy of Calema. 
photo_DF5C743A_C4C6_3118_41C5_2030AD4691EB.description = Calema performing live. Image courtesy of Calema. 
photo_DCDC9D29_C4C6_5338_41D1_6729B22C308D.description = Calema performing live. Image courtesy of Calema. 
photo_DCDC062B_C4C6_5138_41E7_A74DCFDE0489.description = Calema performing live. Image courtesy of Calema. 
photo_DCDD6602_C4C6_30E8_41E2_52918F9201F1.description = Calema performing live. Image courtesy of Calema. 
photo_DA3AD367_C93A_7796_41E0_D7DBB7FC8EF0.description = Cedric Mizero, b. Rwanda. From the series Beauty in the Heart, 2018, digital print, original styling and fashion.
photo_DA3AD367_C93A_7796_41E0_D7DBB7FC8EF0.description = Cedric Mizero, b. Rwanda. From the series Beauty in the Heart, 2018, digital print, original styling and fashion.
photo_DD10F8F7_C93A_1276_41E8_BFFF9D0640C5.description = Cedric Mizero, b. Rwanda. From the series Beauty in the Heart, 2018, digital print, original styling and fashion.  
photo_DD10F8F7_C93A_1276_41E8_BFFF9D0640C5.description = Cedric Mizero, b. Rwanda. From the series Beauty in the Heart, 2018, digital print, original styling and fashion.  
photo_DA3B6F9D_C93A_2EBA_41CE_908174DD4854.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3AC3EB_C93A_169E_41D8_4246B9E7D9D3.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3A0D25_C93A_3395_41D9_CF50046FED97.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3B6F9D_C93A_2EBA_41CE_908174DD4854.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3A3B54_C93A_178A_41DE_99647FD00992.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3AE689_C93A_3E9A_4178_C2F004E121D8.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3A0D25_C93A_3395_41D9_CF50046FED97.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3AC3EB_C93A_169E_41D8_4246B9E7D9D3.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3AE689_C93A_3E9A_4178_C2F004E121D8.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
photo_DA3A3B54_C93A_178A_41DE_99647FD00992.description = Cedric Mizero, b. Rwanda. From the series Strong Women, 2017, digital print, original styling and fashion. 
album_3B70D838_116E_D3BD_41AE_A536BDD1CFD3_0.description = Christine Chetty, b. Seychelles. African Sun, 2015, mixed media.
album_3B70D838_116E_D3BD_41AE_A536BDD1CFD3_1.description = Christine Chetty, b. Seychelles. Emigrant 1, 2015, fabric and paint.
photo_63B77490_4FD9_BE42_41C1_EBB35B343804.description = Christine Chetty, b. Seychelles. Untitled, 2004, mixed media.
photo_63B77490_4FD9_BE42_41C1_EBB35B343804.description = Christine Chetty, b. Seychelles. Untitled, 2004, mixed media.
album_3B70D838_116E_D3BD_41AE_A536BDD1CFD3_3.description = Christine Chetty, b. Seychelles. Vannsi Vanndan, 2016, mixed media.
photo_58BCFC7B_4AD8_8EC5_41BC_156AEC6307F0.description = Clipse Teean, b. Madagascar.
photo_58BCF4C7_4AD8_9FCD_41CA_A3D41A94051F.description = Clipse Teean, b. Madagascar.
photo_58BCFC7B_4AD8_8EC5_41BC_156AEC6307F0.description = Clipse Teean, b. Madagascar.
photo_58BCF4C7_4AD8_9FCD_41CA_A3D41A94051F.description = Clipse Teean, b. Madagascar.
photo_58BCE34E_4AD8_BADF_41C3_83F5CEBDFEC5.description = Clipse Teean, b. Madagascar.
photo_58BCE34E_4AD8_BADF_41C3_83F5CEBDFEC5.description = Clipse Teean, b. Madagascar.
photo_58BCEC42_4AD8_8EC7_41B6_EE3D9C29C4D2.description = Clipse Teean, b. Madagascar.
photo_58BCEC42_4AD8_8EC7_41B6_EE3D9C29C4D2.description = Clipse Teean, b. Madagascar.
album_2BF4969D_16A5_57EA_41A2_8A8B67E6BA61_0.description = Collin Sekajugo, b. Uganda. Boda Boda Opportunity, ??, street art performance.
album_2BF4969D_16A5_57EA_41A2_8A8B67E6BA61_1.description = Collin Sekajugo, b. Uganda. Caretaker, ??, photo print on synthetic cloth pasted on polypropylene, mixed media on canvas.
album_2BF4969D_16A5_57EA_41A2_8A8B67E6BA61_2.description = Collin Sekajugo, b. Uganda. Emergency Room, ??, photo print on synthetic cloth pasted on polypropylene, mixed media on canvas.
album_2BF4969D_16A5_57EA_41A2_8A8B67E6BA61_3.description = Collin Sekajugo, b. Uganda. Girl's Threat, ??, photo print on synthetic cloth pasted on polypropylene, mixed media on canvas.
album_2BF4969D_16A5_57EA_41A2_8A8B67E6BA61_4.description = Collin Sekajugo, b. Uganda. Knapsack, ??, photo print on synthetic cloth pasted on polypropylene, mixed media on canvas.
album_31583CE0_1175_ECCD_41A2_A7003B92DD92_0.description = Daniella Charissa Iradukunda, b. Burundi. Ciza Jérôme (M)assis sur sa chaise roulante devant sa maison a Kinama en mairie de Bujumbura , Burundi, 2019, digital photograph.
album_31583CE0_1175_ECCD_41A2_A7003B92DD92_6.description = Daniella Charissa Iradukunda, b. Burundi. Ciza Jérôme assis sur sa chaise roulante ,les enfants du voisinage jouent dans la cour de sa maison à Kinama, en mairie de Bujumbura, Burundi, 2019, digital photograph.
album_31583CE0_1175_ECCD_41A2_A7003B92DD92_4.description = Daniella Charissa Iradukunda, b. Burundi. Ciza Jérôme(M) et ses amis après la messe du soir à la paroisse de Kinama en Marie de Bujumbura, Burundi, 2019, digital photograph.
album_31583CE0_1175_ECCD_41A2_A7003B92DD92_5.description = Daniella Charissa Iradukunda, b. Burundi. La communauté aide Ciza Jérôme(M)à monter les escaliers à la paroisse de Kinama, en marie Bujumbura, Burundi, 2019, digital photograph. 
album_31583CE0_1175_ECCD_41A2_A7003B92DD92_1.description = Daniella Charissa Iradukunda, b. Burundi. Le neveu (G)de Ciza Jérôme (M) l'aide à se laver le visage dans sa maison a Kinama en Marie de Bujumbura, Burundi, 2019, digital photograph.
album_31583CE0_1175_ECCD_41A2_A7003B92DD92_2.description = Daniella Charissa Iradukunda, b. Burundi. Un homme(D) aide Ciza Jérôme (G)à quitter le salon vers la chambre le soir dans sa maison à Kinama en Marie de Bujumbura, Burundi, 2019, digital photograph.
photo_FF4EE404_AAC8_93E7_41AE_67FC75843A3B.description = Dieudonné Sana Wambeti, b. Central African Republic. Champs des Illusions, 2019, oil on canvas. 
photo_FF4EE404_AAC8_93E7_41AE_67FC75843A3B.description = Dieudonné Sana Wambeti, b. Central African Republic. Champs des Illusions, 2019, oil on canvas. 
photo_FF4E3FA0_AAC8_ACDF_41C9_DA00309D986F.description = Dieudonné Sana Wambeti, b. Central African Republic. L'Homme et la nature n°4, 2017, oil on canvas. 
photo_FF4E3FA0_AAC8_ACDF_41C9_DA00309D986F.description = Dieudonné Sana Wambeti, b. Central African Republic. L'Homme et la nature n°4, 2017, oil on canvas. 
photo_F23B1B10_AAC8_B5FE_41E0_DF9DF3A10F49.description = Dieudonné Sana Wambeti, b. Central African Republic. Le Regret, 2015, oil on canvas. 
photo_F23B1B10_AAC8_B5FE_41E0_DF9DF3A10F49.description = Dieudonné Sana Wambeti, b. Central African Republic. Le Regret, 2015, oil on canvas. 
photo_FF4E284A_AAC8_9463_41E0_AD7DF985CF1E.description = Dieudonné Sana Wambeti, b. Central African Republic. Sans défense, 2020, oil on canvas.
photo_FF4E284A_AAC8_9463_41E0_AD7DF985CF1E.description = Dieudonné Sana Wambeti, b. Central African Republic. Sans défense, 2020, oil on canvas.
photo_6DCA3604_23E8_6498_41BD_7E18A2C81995.description = Elisia Nghidishange, b. Namibia. Alms Woman, 2022, mixed media: fabric, round bar and plaster of paris
photo_6DCA3604_23E8_6498_41BD_7E18A2C81995.description = Elisia Nghidishange, b. Namibia. Alms Woman, 2022, mixed media: fabric, round bar and plaster of paris
photo_65A009F5_23E8_6F78_41B5_4CBDAF1F7F4D.description = Elisia Nghidishange, b. Namibia. Hope, 2022, mixed media: fabric, round bar and plaster of paris
photo_65A009F5_23E8_6F78_41B5_4CBDAF1F7F4D.description = Elisia Nghidishange, b. Namibia. Hope, 2022, mixed media: fabric, round bar and plaster of paris
photo_65A45D69_23E8_6768_41B5_1A24E3C0E0A0.description = Elisia Nghidishange, b. Namibia. Horns of False Power, 2017, mixed media (papier mache, wood). 
photo_65A45D69_23E8_6768_41B5_1A24E3C0E0A0.description = Elisia Nghidishange, b. Namibia. Horns of False Power, 2017, mixed media (papier mache, wood). 
photo_65A43480_23E8_6598_41AB_DDB76BEF0080.description = Elisia Nghidishange, b. Namibia. Persistent, 2022, mixed media: fabric, round bar and plaster of paris
photo_65A43480_23E8_6598_41AB_DDB76BEF0080.description = Elisia Nghidishange, b. Namibia. Persistent, 2022, mixed media: fabric, round bar and plaster of paris
photo_65A42857_23E8_6CB8_41AC_071F6E1C867E.description = Elisia Nghidishange, b. Namibia. The Ancestors, 2020, cardboard block print on fabriano paper
photo_65A42857_23E8_6CB8_41AC_071F6E1C867E.description = Elisia Nghidishange, b. Namibia. The Ancestors, 2020, cardboard block print on fabriano paper
photo_D214F920_5A5F_9643_41B0_E9D19EA1CC10.description = Emmanuelle Laté, b. Gabon. Untitled (Tournesol) I, 2019, digital photograph.
photo_D214F920_5A5F_9643_41B0_E9D19EA1CC10.description = Emmanuelle Laté, b. Gabon. Untitled (Tournesol) I, 2019, digital photograph.
photo_D09D9249_5A5F_7AC5_41AA_D76EC493647F.description = Emmanuelle Laté, b. Gabon. Untitled (Tournesol) III, 2019, digital photograph.
photo_D09D9249_5A5F_7AC5_41AA_D76EC493647F.description = Emmanuelle Laté, b. Gabon. Untitled (Tournesol) III, 2019, digital photograph.
photo_D09DCA60_5A58_8AC2_41BC_5E3A110BBEB5.description = Emmanuelle Laté, b. Gabon. Untitled (Tournesol) V, 2019, digital photograph.
photo_D09DCA60_5A58_8AC2_41BC_5E3A110BBEB5.description = Emmanuelle Laté, b. Gabon. Untitled (Tournesol) V, 2019, digital photograph.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_3.description = Eva Chikabadwa, b. Malawi. From the series The Mourners, 2018, clay.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_4.description = Eva Chikabadwa, b. Malawi. From the series The Mourners, 2018, clay.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_2.description = Eva Chikabadwa, b. Malawi. From the series The Mourners, 2018, clay.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_1.description = Eva Chikabadwa, b. Malawi. From the series The Mourners, 2018, clay.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_0.description = Eva Chikabadwa, b. Malawi. From the series The Mourners, 2018, clay.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_8.description = Eva Chikabadwa, b. Malawi. Makewana (mother of children) as Salima, 2018, clay.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_7.description = Eva Chikabadwa, b. Malawi. The Judeo-Christian Spectacles, 2017, oil on canvas.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_5.description = Eva Chikabadwa, b. Malawi. The Killing of M'bona, 2016, acrylic on canvas.
album_2D22F984_16AD_DDDA_412B_A1E048827A70_6.description = Eva Chikabadwa, b. Malawi. The Whites were more cunning than the Blacks, 2016, oil on canvas.
photo_87FC8389_8663_F007_41C9_E7E4062AC5C3.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #11, 2016. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812011H. 
photo_87FC8389_8663_F007_41C9_E7E4062AC5C3.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #11, 2016. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812011H. 
photo_87FC89E7_8663_F00B_41CA_20A7DED53E4D.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #12 / Ngaï, 2017. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812012. 
photo_87FC89E7_8663_F00B_41CA_20A7DED53E4D.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #12 / Ngaï, 2017. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812012. 
photo_87FC6F7E_8663_30FD_41D4_B3993F6604A2.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #6, 2014. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812006. 
photo_87FC6F7E_8663_30FD_41D4_B3993F6604A2.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #6, 2014. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812006. 
photo_87FC762A_8663_1005_41E0_0A94A25F9F2F.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #8, 2013. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812008H. 
photo_87FC762A_8663_1005_41E0_0A94A25F9F2F.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #8, 2013. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812008H. 
photo_87FC7CDF_8663_103B_41D0_D83D8FBBCA0A.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #9, 2015. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812009. 
photo_87FC7CDF_8663_103B_41D0_D83D8FBBCA0A.description = Fabrice Monteiro, b. Benin. The Prophecy Untitled #9, 2015. © Fabrice Monteiro, Galerie MAGNIN-A, Paris INV Nbr. FM1812009. 
photo_900F59EA_49E8_89C7_41D3_2BE509B8C42D.description = Faytingha (artist in the photo). Photo by Thomas Dorn. 
photo_900F59EA_49E8_89C7_41D3_2BE509B8C42D.description = Faytingha (artist in the photo). Photo by Thomas Dorn. 
photo_DE256241_C4DA_5168_41C8_20DE6C961DE6.description = Gael Maski, b. Democratic Republic of Congo. Big man, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DE256241_C4DA_5168_41C8_20DE6C961DE6.description = Gael Maski, b. Democratic Republic of Congo. Big man, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD7A5E7_C4DA_5328_41E3_2B080C194D68.description = Gael Maski, b. Democratic Republic of Congo. Breath, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD7A5E7_C4DA_5328_41E3_2B080C194D68.description = Gael Maski, b. Democratic Republic of Congo. Breath, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD7A943_C4DA_5368_41DA_1280D967DBF8.description = Gael Maski, b. Democratic Republic of Congo. Last corona love, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD7A943_C4DA_5368_41DA_1280D967DBF8.description = Gael Maski, b. Democratic Republic of Congo. Last corona love, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD78CAA_C4DA_5138_41B4_2B03E866D2B4.description = Gael Maski, b. Democratic Republic of Congo. Le désert du Touareg, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD78CAA_C4DA_5138_41B4_2B03E866D2B4.description = Gael Maski, b. Democratic Republic of Congo. Le désert du Touareg, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD950E8_C4DA_7138_41C4_66F0F3A0A9DB.description = Gael Maski, b. Democratic Republic of Congo. Masque off, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
photo_DCD950E8_C4DA_7138_41C4_66F0F3A0A9DB.description = Gael Maski, b. Democratic Republic of Congo. Masque off, 2020. Photocollage and acrylic on canvas. Image by PCP courtesy of Gael Maski and Angalia Gallery. 
album_25664DD4_16BD_557A_41B1_3612B9D3FAA5_2.description = Hawa Jane Bangura, b. Sierra Leone. African Empires: Bassa, 2019, acrylic on hardboard.
album_25664DD4_16BD_557A_41B1_3612B9D3FAA5_3.description = Hawa Jane Bangura, b. Sierra Leone. In Black We Trust V, 2020, acrylic on canvas.
album_25664DD4_16BD_557A_41B1_3612B9D3FAA5_4.description = Hawa Jane Bangura, b. Sierra Leone. In Black We Trust, 2020, acrylic on canvas.
album_25664DD4_16BD_557A_41B1_3612B9D3FAA5_0.description = Hawa Jane Bangura, b. Sierra Leone. Know Thyself II, 2020, acrylic on canvas.
album_25664DD4_16BD_557A_41B1_3612B9D3FAA5_1.description = Hawa Jane Bangura, b. Sierra Leone. Know Thyself III, 2021, acrylic on canvas.
album_3B56FFAA_1113_2D5D_4197_64759DF7A4DC_0.description = Hem Matsi, b. Namibia. Young Bride, 2014, cotton, satin, and paint.
photo_DD69AD31_C4DE_D329_41D3_B49FDE341C4F.description = Hyacinthe Ouattara, b. Burkina Faso. Figure Assise, 2019, twisted and knitted fabric and threads. 
photo_DD69AD31_C4DE_D329_41D3_B49FDE341C4F.description = Hyacinthe Ouattara, b. Burkina Faso. Figure Assise, 2019, twisted and knitted fabric and threads. 
photo_DCD43726_C4DE_FF2B_41DB_986D3BFB2B0C.description = Hyacinthe Ouattara, b. Burkina Faso. L’Anatomie des Tissus #1, 2019, twisted and knitted fabric and threads.  
photo_DCD43726_C4DE_FF2B_41DB_986D3BFB2B0C.description = Hyacinthe Ouattara, b. Burkina Faso. L’Anatomie des Tissus #1, 2019, twisted and knitted fabric and threads.  
photo_DCD46F37_C4DE_EF28_41D9_E81FFFAAFD31.description = Hyacinthe Ouattara, b. Burkina Faso. L’Anatomie des Tissus #2, 2019, twisted and knitted fabric and threads.  
photo_DCD46F37_C4DE_EF28_41D9_E81FFFAAFD31.description = Hyacinthe Ouattara, b. Burkina Faso. L’Anatomie des Tissus #2, 2019, twisted and knitted fabric and threads.  
photo_DCD4666F_C4DE_D138_41E8_197E11A6F0E9.description = Hyacinthe Ouattara, b. Burkina Faso. L’Anatomie des Tissus #3, 2019, twisted and knitted fabric and threads. 
photo_DCD4666F_C4DE_D138_41E8_197E11A6F0E9.description = Hyacinthe Ouattara, b. Burkina Faso. L’Anatomie des Tissus #3, 2019, twisted and knitted fabric and threads. 
photo_F48D2681_5AE8_9A45_41AA_FCA33CA6902F.description = Jean David Nkot, b. Cameroon. #Mentalmirage@yohoo.space, 2019, ink, acrylic and screenprint on canvas. 
photo_F48D2681_5AE8_9A45_41AA_FCA33CA6902F.description = Jean David Nkot, b. Cameroon. #Mentalmirage@yohoo.space, 2019, ink, acrylic and screenprint on canvas. 
photo_CA997FAF_5AE8_8A5D_419B_9DED67CFCAAB.description = Jean David Nkot, b. Cameroon. #Wum's child#.org., 2020, acrylic, indian ink and screenprint on canvas.
photo_CA997FAF_5AE8_8A5D_419B_9DED67CFCAAB.description = Jean David Nkot, b. Cameroon. #Wum's child#.org., 2020, acrylic, indian ink and screenprint on canvas.
photo_CA995661_5AE8_FAC5_41D3_EC2A4644A442.description = Jean David Nkot, b. Cameroon. Po.Box Mille@pourune.fr., 2021, acrylic, posca and screenprint on canvas. 
photo_CA995661_5AE8_FAC5_41D3_EC2A4644A442.description = Jean David Nkot, b. Cameroon. Po.Box Mille@pourune.fr., 2021, acrylic, posca and screenprint on canvas. 
photo_CA997EB6_5AE8_8A4E_41A3_2A3F25FF5009.description = Jean David Nkot, b. Cameroon. www.un millier@pour_une poignée d'or bleu, 2021, acrylic, posca and screenprint on canvas.
photo_CA997EB6_5AE8_8A4E_41A3_2A3F25FF5009.description = Jean David Nkot, b. Cameroon. www.un millier@pour_une poignée d'or bleu, 2021, acrylic, posca and screenprint on canvas.
photo_B0E61ACA_4AAF_8BC7_41B2_07AD818E60FA.description = Joseph Obanubi, b. Nigeria. A lopsided Tale III, Water Aid (Techno Head Series), 2020, inkjet print.
photo_B0E61ACA_4AAF_8BC7_41B2_07AD818E60FA.description = Joseph Obanubi, b. Nigeria. A lopsided Tale III, Water Aid (Techno Head Series), 2020, inkjet print.
photo_A3D8D3DF_4AAF_99FD_41A7_A14A596FC7CF.description = Joseph Obanubi, b. Nigeria. A lopsided Tale IV, Water Aid (Techno Head Series), 2020, inkjet print. 
photo_A3D8D3DF_4AAF_99FD_41A7_A14A596FC7CF.description = Joseph Obanubi, b. Nigeria. A lopsided Tale IV, Water Aid (Techno Head Series), 2020, inkjet print. 
photo_B0C0878E_4AAF_BA5F_41C3_87CBEFFE96F9.description = Joseph Obanubi, b. Nigeria. Faux petit Jeté and a stance, (Techno Head Series), 2020, inkjet print.
photo_B0C0878E_4AAF_BA5F_41C3_87CBEFFE96F9.description = Joseph Obanubi, b. Nigeria. Faux petit Jeté and a stance, (Techno Head Series), 2020, inkjet print.
photo_B0C0E789_4AAF_9A42_41C4_CD3C5A54C416.description = Joseph Obanubi, b. Nigeria. Religion BFF III, (Techno Head Series), 2020, inkjet print. 
photo_B0C0E789_4AAF_9A42_41C4_CD3C5A54C416.description = Joseph Obanubi, b. Nigeria. Religion BFF III, (Techno Head Series), 2020, inkjet print. 
photo_B0C053DF_4AAF_79FD_41D1_CFC102B98EA3.description = Joseph Obanubi, b. Nigeria. Self-Portrait III (Techno Head Series), 2018, inkjet print. 
photo_B0C053DF_4AAF_79FD_41D1_CFC102B98EA3.description = Joseph Obanubi, b. Nigeria. Self-Portrait III (Techno Head Series), 2018, inkjet print. 
photo_23282F78_5BDB_8AC2_41D0_F468052C6153.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23282303_5BDB_FA45_41CA_D986D28D56C9.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_2328668C_5BDB_FA43_41C4_7A9722A7E144.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23282F78_5BDB_8AC2_41D0_F468052C6153.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_232864BF_5BDB_9FBD_4196_8D6E82DDFB09.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23282303_5BDB_FA45_41CA_D986D28D56C9.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23288813_5BDB_9645_41AF_88349A768572.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_2328668C_5BDB_FA43_41C4_7A9722A7E144.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23282A13_5BDB_8A46_4184_2D5889DB9E7F.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_2328213C_5BDB_9642_41B1_28016778CB13.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23286D97_5BDB_8E4D_41C1_D3070AA76D55.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_2328213C_5BDB_9642_41B1_28016778CB13.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_232864BF_5BDB_9FBD_4196_8D6E82DDFB09.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_2C9E139F_5BDB_9A7D_41CB_C83C8A615E00.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23282833_5BDB_9645_41CD_6C29CB776EC8.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23284C11_5BDB_8E45_41B1_A489ECDF7DCB.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23282833_5BDB_9645_41CD_6C29CB776EC8.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23288813_5BDB_9645_41AF_88349A768572.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23284C11_5BDB_8E45_41B1_A489ECDF7DCB.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23282A13_5BDB_8A46_4184_2D5889DB9E7F.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_23286D97_5BDB_8E4D_41C1_D3070AA76D55.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_2C9E139F_5BDB_9A7D_41CB_C83C8A615E00.description = Juan Pablo and team shooting the film Milu. Image courtesy of Juan Pablo. 
photo_D304A416_C91A_11B6_41E7_C9B2F0E07724.description = Juliette Zelime, b. Seychelles. Free Birds Also Cry, 2017, digital photomontage. 
photo_D304A416_C91A_11B6_41E7_C9B2F0E07724.description = Juliette Zelime, b. Seychelles. Free Birds Also Cry, 2017, digital photomontage. 
album_8042A9D5_9B8B_F403_41E0_FFC3EA1A5159_1.description = Juliette Zelime, b. Seychelles. Last, 2021, digital photomontage. 
album_8042A9D5_9B8B_F403_41E0_FFC3EA1A5159_2.description = Juliette Zelime, b. Seychelles. Progenitor, 2021, digital photomontage. 
album_8042A9D5_9B8B_F403_41E0_FFC3EA1A5159_0.description = Juliette Zelime, b. Seychelles. Sound of Silence, 2018, digital photomontage. 
album_8042A9D5_9B8B_F403_41E0_FFC3EA1A5159_3.description = Juliette Zelime, b. Seychelles. Virtuous, 2017, digital photomontage. 
photo_C6B36D9B_5AA9_8E45_41B0_08E8105A7788.description = Kani Sissoko, b. Mali. When the Walls Speak 10, 2020, digital photograph.
photo_C6B36D9B_5AA9_8E45_41B0_08E8105A7788.description = Kani Sissoko, b. Mali. When the Walls Speak 10, 2020, digital photograph.
photo_DBE232CF_5AA9_BBDD_41CC_E4D64165B11B.description = Kani Sissoko, b. Mali. When the Walls Speak 6, 2019, digital photograph. 
photo_DBE232CF_5AA9_BBDD_41CC_E4D64165B11B.description = Kani Sissoko, b. Mali. When the Walls Speak 6, 2019, digital photograph. 
photo_DCD7D49F_C4DE_3119_41E0_DC0402526134.description = Kavinash Thomoo, b. Mauritius. Rest in Place, 2020, Laminated print on aluminium board. 
photo_DCD7D49F_C4DE_3119_41E0_DC0402526134.description = Kavinash Thomoo, b. Mauritius. Rest in Place, 2020, Laminated print on aluminium board. 
photo_DCD788DE_C4DE_3118_4165_C61CBF4A35BF.description = Kavinash Thomoo, b. Mauritius. Sullied, 2020, Laminated print on aluminium board. 
photo_DCD788DE_C4DE_3118_4165_C61CBF4A35BF.description = Kavinash Thomoo, b. Mauritius. Sullied, 2020, Laminated print on aluminium board. 
photo_DDCA70AC_C4DE_3138_41DF_7D8E9C2FC3B9.description = Kavinash Thomoo, b. Mauritius. maNature Revisits, 2020, Laminated print on aluminium board. 
photo_DDCA70AC_C4DE_3138_41DF_7D8E9C2FC3B9.description = Kavinash Thomoo, b. Mauritius. maNature Revisits, 2020, Laminated print on aluminium board. 
album_2DB527FE_16AF_5526_419B_695267DACA4C_0.description = Kim Karabo Makin, b. Botswana.  _ _ _ _ _ bag, 2018, pantyhose, plastic, checkered, woven mesh bag, steel round bar, steel cable. Image by Thero Makepe.
album_2DB527FE_16AF_5526_419B_695267DACA4C_1.description = Kim Karabo Makin, b. Botswana. Colour Theory (in progress), 2020, pantyhose, wood and canvas.
album_2DB527FE_16AF_5526_419B_695267DACA4C_2.description = Kim Karabo Makin, b. Botswana. Molenza (Shield) (in progress), 2020, pantyhose and mixed media.
album_2DB527FE_16AF_5526_419B_695267DACA4C_3.description = Kim Karabo Makin, b. Botswana. Molenza (Shield) detail (in progress), 2020, pantyhose and mixed media.
album_2DB527FE_16AF_5526_419B_695267DACA4C_4.description = Kim Karabo Makin, b. Botswana. Racialism, 2017 - 2019, wood and pantyhose. Image taken by Thero Makepe.
album_2BF873F7_16A7_2D26_417A_166982531FF2_4.description = Kresiah Mukwazhi, b. Zimbabwe. Choices became chains, 2020, fabrics, petticoat, satin, cotton, mattress, paint, acrylic, lipstick, fabric dyes.
album_2BF873F7_16A7_2D26_417A_166982531FF2_1.description = Kresiah Mukwazhi, b. Zimbabwe. Kudyiswa uchishamirira, 2020, petticoat material, canvas, sequin fabric, cotton fabrics, paint, acrylic, puff, chalk.
album_2BF873F7_16A7_2D26_417A_166982531FF2_0.description = Kresiah Mukwazhi, b. Zimbabwe. Kwadzinorohwa matumbu ndikokwadzinomhanyira, 2020, fabrics, petticoat, cotton, sequin, satin, paint, acrylic, puff paint, fabric dyes. 
album_2BF873F7_16A7_2D26_417A_166982531FF2_3.description = Kresiah Mukwazhi, b. Zimbabwe. Not everything that glitters is gold, 2020, petticoat material, sequin fabric, cotton fabrics, canvas, acrylic, fabric dyes, puff paint.
album_2BF873F7_16A7_2D26_417A_166982531FF2_2.description = Kresiah Mukwazhi, b. Zimbabwe. Zviratidzo zvenguva, 2020, mattress fabric, petticoat material, canvas, acrylic, fabric dyes, puff paint.
photo_B1FC445D_4A7F_7EFD_41C7_ADB3911A29E4.description = Lola Keyezua, b. Angola. Fortia (1), 2017, giclee print.
photo_B1FC445D_4A7F_7EFD_41C7_ADB3911A29E4.description = Lola Keyezua, b. Angola. Fortia (1), 2017, giclee print.
photo_832CD154_4A7F_96C3_41D5_B83682736C9D.description = Lola Keyezua, b. Angola. Fortia (2), 2017, giclee print. 
photo_832CD154_4A7F_96C3_41D5_B83682736C9D.description = Lola Keyezua, b. Angola. Fortia (2), 2017, giclee print. 
photo_83522DFC_4A7F_89C3_41D3_691397CE233F.description = Lola Keyezua, b. Angola. Fortia (4), 2017, giclee print. 
photo_83522DFC_4A7F_89C3_41D3_691397CE233F.description = Lola Keyezua, b. Angola. Fortia (4), 2017, giclee print. 
photo_8351EBA1_4A7F_8A45_41D4_37FE87E9E5F4.description = Lola Keyezua, b. Angola. Fortia – Sailing Back to AFrica as a Dutch Woman (3), 2017, giclee print. 
photo_8351EBA1_4A7F_8A45_41D4_37FE87E9E5F4.description = Lola Keyezua, b. Angola. Fortia – Sailing Back to AFrica as a Dutch Woman (3), 2017, giclee print. 
album_2FE0C48A_16A5_6BEE_41B1_6D066987FA60_1.description = Longinos Nagila, b. Kenya. A Saint in Louis Vuitton, 2016, mixed media on paper.
album_2FE0C48A_16A5_6BEE_41B1_6D066987FA60_2.description = Longinos Nagila, b. Kenya. Saints and the City, 2016, mixed media on canvas.
album_2FE0C48A_16A5_6BEE_41B1_6D066987FA60_0.description = Longinos Nagila, b. Kenya. Suited Man 2, 2016, mixed media on paper.
photo_B7F150BB_4A59_9645_41B5_F6B661653670.description = Mampuya Mayimona (Massy), b. Republic of the Congo, Génération ya mado, 2019, oil on canvas. 
photo_B7F150BB_4A59_9645_41B5_F6B661653670.description = Mampuya Mayimona (Massy), b. Republic of the Congo, Génération ya mado, 2019, oil on canvas. 
photo_8386173C_4A59_9A43_41CD_A6EBE21BE5CF.description = Mampuya Mayimona (Massy), b. Republic of the Congo, La perte, 2020, mixed media.
photo_8386173C_4A59_9A43_41CD_A6EBE21BE5CF.description = Mampuya Mayimona (Massy), b. Republic of the Congo, La perte, 2020, mixed media.
photo_83847DC7_4A59_89CD_4175_3549A68465F0.description = Mampuya Mayimona (Massy), b. Republic of the Congo, L’égoïsme, 2020, oil on canvas.
photo_83847DC7_4A59_89CD_4175_3549A68465F0.description = Mampuya Mayimona (Massy), b. Republic of the Congo, L’égoïsme, 2020, oil on canvas.
photo_83854447_4A59_7ECE_4193_02911BA53C92.description = Mampuya Mayimona (Massy), b. Republic of the Congo, Si la jeunesse savait, 2020, oil on canvas.
photo_83854447_4A59_7ECE_4193_02911BA53C92.description = Mampuya Mayimona (Massy), b. Republic of the Congo, Si la jeunesse savait, 2020, oil on canvas.
album_2C017048_16A7_6B6A_41A8_B928B9B2E514_0.description = Mario Macilau, b. Mozambique. Two Boys with Fish, 2018, Hahnemuhle Photo rag paper.
album_2C017048_16A7_6B6A_41A8_B928B9B2E514_2.description = Mario Macilau, b. Mozambique. Untitled 1 (Nelson), 2015, Hahnemuhle Photo rag paper.
album_2C017048_16A7_6B6A_41A8_B928B9B2E514_1.description = Mario Macilau, b. Mozambique. Untitled 2, 2015, Hahnemuhle Photo rag paper.
album_2029EB91_16BF_5DFA_41A0_019FEFE1A575_0.description = Mia Collis and Cynara Vetch, b. UK-Kenya. Alberta Wambua – Executive Director for the Gender Violence Recovery Centre, 2015, digital print.
photo_A6A9EDED_ED6B_3B10_41A9_C65FD36A3972.description = Mia Collis and Cynara Vetch, b. UK-Kenya. Catherine Wanjohi – Advocate for Sex Workers, 2015, digital print.
photo_A6A9EDED_ED6B_3B10_41A9_C65FD36A3972.description = Mia Collis and Cynara Vetch, b. UK-Kenya. Catherine Wanjohi – Advocate for Sex Workers, 2015, digital print.
album_2029EB91_16BF_5DFA_41A0_019FEFE1A575_2.description = Mia Collis and Cynara Vetch, b. UK-Kenya. Muthoni Ndonga - The Drummer Queen, 2015, digital print.
album_2029EB91_16BF_5DFA_41A0_019FEFE1A575_3.description = Mia Collis and Cynara Vetch, b. UK-Kenya. Theresa Njoroge – Champion for Female Convicts, 2015, digital print.
album_2D54062F_16A3_D726_41A9_8D5540E48677_0.description = Michael Tsegaye, b. Ethiopia. Future Memories I, 2011, scan from medium-format negative digital print on rag paper.
album_2D54062F_16A3_D726_41A9_8D5540E48677_1.description = Michael Tsegaye, b. Ethiopia. Future Memories II, 2011, scan from medium-format negative digital print on rag paper.
album_2D54062F_16A3_D726_41A9_8D5540E48677_2.description = Michael Tsegaye, b. Ethiopia. Future Memories III, 2011, scan from medium-format negative digital print on rag paper.
album_2D54062F_16A3_D726_41A9_8D5540E48677_3.description = Michael Tsegaye, b. Ethiopia. Future Memories IV, 2011, scan from medium-format negative digital print on rag paper.
album_2D54062F_16A3_D726_41A9_8D5540E48677_4.description = Michael Tsegaye, b. Ethiopia. Future Memories VI, 2011, scan from medium-format negative digital print on rag paper.
album_2D54062F_16A3_D726_41A9_8D5540E48677_5.description = Michael Tsegaye, b. Ethiopia. Future Memories XII, 2011, scan from medium-format negative digital print on rag paper.
album_2D54062F_16A3_D726_41A9_8D5540E48677_6.description = Michael Tsegaye, b. Ethiopia. Future Memories XIV, 2011, scan from medium-format negative digital print on rag paper.
photo_58B0244E_4AE7_BEDF_41D1_8C50B2718E9C.description = Miss Jobarteh leading a Physical Education session, 2021. Photo courtesy of the Gambia Academy. 
photo_58B0244E_4AE7_BEDF_41D1_8C50B2718E9C.description = Miss Jobarteh leading a Physical Education session, 2021. Photo courtesy of the Gambia Academy. 
photo_D2C315B9_5A58_9E45_4150_1558F7944EEC.description = Modupeola Fadugba, b. Nigeria. Game element in The People’s Algorithm, 2016, metal, wood, acrylic and print. On the one side of the coin is the face of Dr. Stella Adadevoh and on the other side is The Nigeria Coat of Arms. 
photo_D2C315B9_5A58_9E45_4150_1558F7944EEC.description = Modupeola Fadugba, b. Nigeria. Game element in The People’s Algorithm, 2016, metal, wood, acrylic and print. On the one side of the coin is the face of Dr. Stella Adadevoh and on the other side is The Nigeria Coat of Arms. 
photo_D09DB126_5A5F_764F_41C6_84CAC3894256.description = Modupeola Fadugba, b. Nigeria. “The People’s Algorithm”, showcased in Dakar, Senegal, 2016, wood, acrylic, metal, foam.  
photo_D09D757A_5A5F_7EC7_41AE_38838F496A51.description = Modupeola Fadugba, b. Nigeria. “The People’s Algorithm”, showcased in Dakar, Senegal, 2016, wood, acrylic, metal, foam.  
photo_D09D757A_5A5F_7EC7_41AE_38838F496A51.description = Modupeola Fadugba, b. Nigeria. “The People’s Algorithm”, showcased in Dakar, Senegal, 2016, wood, acrylic, metal, foam.  
photo_D09DB126_5A5F_764F_41C6_84CAC3894256.description = Modupeola Fadugba, b. Nigeria. “The People’s Algorithm”, showcased in Dakar, Senegal, 2016, wood, acrylic, metal, foam.  
photo_D09A7C80_5A58_8E42_41AC_2F3AA0CC7936.description = Modupeola Fadugba, b. Nigeria. “The People’s Algorithm”, showcased in Paris, France, 2017, Perspex, aluminum, foam, wood, acrylics. 
photo_D09A7C80_5A58_8E42_41AC_2F3AA0CC7936.description = Modupeola Fadugba, b. Nigeria. “The People’s Algorithm”, showcased in Paris, France, 2017, Perspex, aluminum, foam, wood, acrylics. 
photo_58B01C40_4AE7_8EC3_41C1_8C30DCCA3CD5.description = Mohammed A Suso Kora student during music class, 2019. Photo courtesy of the Gambia Academy. 
photo_58B01C40_4AE7_8EC3_41C1_8C30DCCA3CD5.description = Mohammed A Suso Kora student during music class, 2019. Photo courtesy of the Gambia Academy. 
photo_976F9DC4_A129_15DF_41DD_9D89569F635B.description = Najma Ahmed (Nujuum) Hashi, b. Somalia. Alarm! Social distancing, 2020, digital artwork.
photo_976F9DC4_A129_15DF_41DD_9D89569F635B.description = Najma Ahmed (Nujuum) Hashi, b. Somalia. Alarm! Social distancing, 2020, digital artwork.
album_2B792934_16A5_3D3B_41A5_0D15411E096B_0.description = Najma Ahmed (Nujuum) Hashi, b. Somalia. Giving voice to voiceless!, 2019, watercolor on paper.
album_2B792934_16A5_3D3B_41A5_0D15411E096B_2.description = Najma Ahmed (Nujuum) Hashi, b. Somalia. Lets fight corona, 2020, digital artwork.
album_2B792934_16A5_3D3B_41A5_0D15411E096B_1.description = Najma Ahmed (Nujuum) Hashi, b. Somalia. Somali cultural girl, 2021, acrylic on canvas.
photo_FAF0256E_5AD9_BEDE_41C0_543000750C09.description = Nebay Abraha, b. Eritrea. The Silence Room 2, 2019, collage and acrylic on canvas. Image courtesy of Art By Habeshas.
photo_FAF0256E_5AD9_BEDE_41C0_543000750C09.description = Nebay Abraha, b. Eritrea. The Silence Room 2, 2019, collage and acrylic on canvas. Image courtesy of Art By Habeshas.
photo_FA917BBE_5AD9_89BF_41C8_891C73EAA508.description = Nebay Abraha, b. Eritrea. The Silence Room, 2019, collage and acrylic on canvas. Image courtesy of Art By Habeshas.
photo_FA917BBE_5AD9_89BF_41C8_891C73EAA508.description = Nebay Abraha, b. Eritrea. The Silence Room, 2019, collage and acrylic on canvas. Image courtesy of Art By Habeshas.
photo_EEC61F13_5AD9_8A45_41D1_F5D6BD6DB6DC.description = Nebay Abraha, b. Eritrea. Untitled, 2020, collage and acrylic on canvas. Image courtesy of Art By Habeshas.
photo_EEC61F13_5AD9_8A45_41D1_F5D6BD6DB6DC.description = Nebay Abraha, b. Eritrea. Untitled, 2020, collage and acrylic on canvas. Image courtesy of Art By Habeshas.
album_28A71E80_16AD_37DA_41B0_E2634BED6481_2.description = Ngadi Smart, b. Sierra Leone. From the series Vlisco&Co Fashion Illustrations, 2017, mixed media.
album_28A71E80_16AD_37DA_41B0_E2634BED6481_0.description = Ngadi Smart, b. Sierra Leone. Untitled Artwork 8, 2020, mixed media. 
album_28A71E80_16AD_37DA_41B0_E2634BED6481_1.description = Ngadi Smart, b. Sierra Leone. Valentines, 2019, mixed media.
album_28A71E80_16AD_37DA_41B0_E2634BED6481_3.description = Ngadi Smart, b. Sierra Leone. Waiting, 2018, mixed media.
photo_DDAA95C2_C4CA_736B_41E3_C38275972FAD.description = Nú Barreto, b. Guinea - Bissau. La Chute, 2021, collages (cardboard, paper, fabric), ceramic pencil, semi-fatpastel, recycled paper. Photo credit: Bertrand Huet. Image courtesy of the artist and Galerie Nathalie Obadia Paris / Brussels. 
photo_DDAA95C2_C4CA_736B_41E3_C38275972FAD.description = Nú Barreto, b. Guinea - Bissau. La Chute, 2021, collages (cardboard, paper, fabric), ceramic pencil, semi-fatpastel, recycled paper. Photo credit: Bertrand Huet. Image courtesy of the artist and Galerie Nathalie Obadia Paris / Brussels. 
photo_D353AC37_C4CA_7128_41CE_329FBD0CF786.description = Nú Barreto, b. Guinea - Bissau. Le Jeu, 2021, collages (cardboard, paper, fabric), ceramic pencil, semi-fatpastel, recycled paper. Photo credit: Bertrand Huet. Image courtesy of the artist and Galerie Nathalie Obadia Paris / Brussels. 
photo_D353AC37_C4CA_7128_41CE_329FBD0CF786.description = Nú Barreto, b. Guinea - Bissau. Le Jeu, 2021, collages (cardboard, paper, fabric), ceramic pencil, semi-fatpastel, recycled paper. Photo credit: Bertrand Huet. Image courtesy of the artist and Galerie Nathalie Obadia Paris / Brussels. 
photo_D356B20A_C4CA_50FB_41B9_334FFD59AE8C.description = Nú Barreto, b. Guinea- Bissau. Moi autrement, 2021, collages (cardboard, paper, fabric), ceramic pencil, semi-fatpastel, recycled paper. Photo credit: Bertrand Huet. Image courtesy of the artist and Galerie Nathalie Obadia Paris / Brussels. 
photo_D356B20A_C4CA_50FB_41B9_334FFD59AE8C.description = Nú Barreto, b. Guinea- Bissau. Moi autrement, 2021, collages (cardboard, paper, fabric), ceramic pencil, semi-fatpastel, recycled paper. Photo credit: Bertrand Huet. Image courtesy of the artist and Galerie Nathalie Obadia Paris / Brussels. 
photo_F31F74B2_5AD8_BE46_41D1_A57952D1208E.description = Omar Diaw Chimere, b. Guinea. 
photo_C82E7BB4_5AD8_8A43_41A7_F6368EF8632A.description = Omar Diaw Chimere, b. Guinea. 
photo_C82EE0FE_5AD8_97BF_41CE_68F2D0B1D127.description = Omar Diaw Chimere, b. Guinea. 
photo_C82EEBA2_5AD8_8A47_4175_A38968ACDFA7.description = Omar Diaw Chimere, b. Guinea. 
photo_F31F74B2_5AD8_BE46_41D1_A57952D1208E.description = Omar Diaw Chimere, b. Guinea. 
photo_C82EE0FE_5AD8_97BF_41CE_68F2D0B1D127.description = Omar Diaw Chimere, b. Guinea. 
photo_C82EA658_5AD8_9AC2_41C3_81F350BA34D4.description = Omar Diaw Chimere, b. Guinea. 
photo_C82EA658_5AD8_9AC2_41C3_81F350BA34D4.description = Omar Diaw Chimere, b. Guinea. 
photo_C82E7BB4_5AD8_8A43_41A7_F6368EF8632A.description = Omar Diaw Chimere, b. Guinea. 
photo_C82EEBA2_5AD8_8A47_4175_A38968ACDFA7.description = Omar Diaw Chimere, b. Guinea. 
photo_E866E7C9_AA49_9C61_41E1_9C931457961B.description = Oumar Ball, b. Mauritania. Cormorant (Volatile series), 2020, recycled metal.
photo_E866E7C9_AA49_9C61_41E1_9C931457961B.description = Oumar Ball, b. Mauritania. Cormorant (Volatile series), 2020, recycled metal.
photo_EB78FC4A_AA49_EC63_41E5_42FE5A1FF871.description = Oumar Ball, b. Mauritania. Marabou (Volatile series), 2020, recycled metal.
photo_EB78FC4A_AA49_EC63_41E5_42FE5A1FF871.description = Oumar Ball, b. Mauritania. Marabou (Volatile series), 2020, recycled metal.
photo_EB7BCFC7_AA49_EC62_41C4_DF3ECFE70436.description = Oumar Ball, b. Mauritania. Pelican (Volatile series), 2020, recycled metal. 
photo_EB7BCFC7_AA49_EC62_41C4_DF3ECFE70436.description = Oumar Ball, b. Mauritania. Pelican (Volatile series), 2020, recycled metal. 
album_22511EB5_16BD_F73A_41A3_81E00293650A_0.description = Phindile Mamba, b. Eswatini. Happiness, 2020, acrylic on canvas.
album_22511EB5_16BD_F73A_41A3_81E00293650A_2.description = Phindile Mamba, b. Eswatini. The Leader, 2020, acrylic on canvas.
album_22511EB5_16BD_F73A_41A3_81E00293650A_1.description = Phindile Mamba, b. Eswatini. The husband must shut up and listen!, 2020, acrylic on canvas.
photo_900F6FA5_49E8_8A4D_41B0_6708E2613FF0.description = Photo by Thomas Dorn.
photo_900F6FA5_49E8_8A4D_41B0_6708E2613FF0.description = Photo by Thomas Dorn.
photo_900E143B_49E8_BE45_4180_80C8BA9D0644.description = Photo by Thomas Dorn. 
photo_900E143B_49E8_BE45_4180_80C8BA9D0644.description = Photo by Thomas Dorn. 
photo_C3B09699_5A67_9A42_41C2_04BE3830B34E.description = Puno Selesho, b. South Africa. Puno performs ‘How to Wear Africa’ on local TV show SABC1 Mzansi Insider. Image courtesy of Puno Selesho.
photo_C3B09699_5A67_9A42_41C2_04BE3830B34E.description = Puno Selesho, b. South Africa. Puno performs ‘How to Wear Africa’ on local TV show SABC1 Mzansi Insider. Image courtesy of Puno Selesho.
album_36097FAB_1177_2D53_4172_86BCE271166E_0.description = R. Canon Griffin, b. Uganda. All Hands on Deck / Building Better Babel, 2018, digital collage.
album_36097FAB_1177_2D53_4172_86BCE271166E_3.description = R. Canon Griffin, b. Uganda. Far Away So Close / You Can('t) Go Anywhere, 2020, digital collage.
album_36097FAB_1177_2D53_4172_86BCE271166E_1.description = R. Canon Griffin, b. Uganda. In Existence: Seeing Ourselves from a Distance, 2020, digital collage.
album_36097FAB_1177_2D53_4172_86BCE271166E_2.description = R. Canon Griffin, b. Uganda. Learning Spaces / Welcome to the Wider World, 2018, digital collage.
album_36097FAB_1177_2D53_4172_86BCE271166E_4.description = R. Canon Griffin, b. Uganda. Trader Don't Be a Stranger / Gods of Smaller Things, 2018, digital collage.
album_8DD1884A_9A8C_B401_41CE_B02CBC3C9DC4_4.description = Ravneesh Hans, b. Tanzania. Shirt with Stone Town Motifs, 2019, hand-painted cotton and kitenge cloth.
album_8DD1884A_9A8C_B401_41CE_B02CBC3C9DC4_2.description = Ravneesh Hans, b. Tanzania. Tribal Fusion 1, 2018, digital print and embroidery on cotton.
album_8DD1884A_9A8C_B401_41CE_B02CBC3C9DC4_3.description = Ravneesh Hans, b. Tanzania. Tribal Fusion 2, 2018, digital print and embroidery on cotton.
photo_DD5221A4_C4DE_5328_41DC_E9B18AB98C89.description = Rijasolo, b. France. A patient severely infected with COVID-19 coronavirus, is on life support at the Andohatapenaka University Hospital in Antananarivo on July 20, 2020, 2020, digital photograph. ©️ Rijasolo 
photo_DD5221A4_C4DE_5328_41DC_E9B18AB98C89.description = Rijasolo, b. France. A patient severely infected with COVID-19 coronavirus, is on life support at the Andohatapenaka University Hospital in Antananarivo on July 20, 2020, 2020, digital photograph. ©️ Rijasolo 
photo_DCD7E46C_C4DE_513F_41E2_5B368B3E8561.description = Rijasolo, b. France. Covid-19 Coronavirus Crisis in Madagascar, 15, April 2020., 2020, digital photograph. ©️ Rijasolo 
photo_DCD7E46C_C4DE_513F_41E2_5B368B3E8561.description = Rijasolo, b. France. Covid-19 Coronavirus Crisis in Madagascar, 15, April 2020., 2020, digital photograph. ©️ Rijasolo 
photo_DCD7F6CE_C4DE_5178_41E5_ED02685EFAD3.description = Rijasolo, b. France. Madagascar  - Terminus f Cyclones, 5, 2015, 2015, digital photograph. ©️ Rijasolo 
photo_DCD7D996_C4DE_53E8_41C5_15EF4DCF324F.description = Rijasolo, b. France. Madagascar  - Terminus f Cyclones, 5, 2015, 2015, digital photograph. ©️ Rijasolo 
photo_DCD7D996_C4DE_53E8_41C5_15EF4DCF324F.description = Rijasolo, b. France. Madagascar  - Terminus f Cyclones, 5, 2015, 2015, digital photograph. ©️ Rijasolo 
photo_DCD7F6CE_C4DE_5178_41E5_ED02685EFAD3.description = Rijasolo, b. France. Madagascar  - Terminus f Cyclones, 5, 2015, 2015, digital photograph. ©️ Rijasolo 
photo_8F375118_49A8_9642_41CF_0DAE6ACD34B6.description = Serge Attukwei Clottey, b. Ghana. Chairman, 2021, plastics and copper wires.
photo_8F375118_49A8_9642_41CF_0DAE6ACD34B6.description = Serge Attukwei Clottey, b. Ghana. Chairman, 2021, plastics and copper wires.
photo_8F349A46_49A8_8ACE_41D3_C1A123B2CF92.description = Serge Attukwei Clottey, b. Ghana. Deidei, 2021, plastics and copper wires.
photo_8F349A46_49A8_8ACE_41D3_C1A123B2CF92.description = Serge Attukwei Clottey, b. Ghana. Deidei, 2021, plastics and copper wires.
photo_BB88602C_49A8_9643_419B_7040CBA262D7.description = Serge Attukwei Clottey, b. Ghana. His Highness, 2020-2021, oil and acrylic paint on canvas. 
photo_BB88602C_49A8_9643_419B_7040CBA262D7.description = Serge Attukwei Clottey, b. Ghana. His Highness, 2020-2021, oil and acrylic paint on canvas. 
photo_8F35FD1B_49A8_8E45_41A6_EDDE027D043D.description = Serge Attukwei Clottey, b. Ghana. James Baldwin, 2020-2021, oil paint, paper posters, duct tape on cork.
photo_8F35FD1B_49A8_8E45_41A6_EDDE027D043D.description = Serge Attukwei Clottey, b. Ghana. James Baldwin, 2020-2021, oil paint, paper posters, duct tape on cork.
photo_8F349807_49A8_964E_41CD_B053EDA4D3C4.description = Serge Attukwei Clottey, b. Ghana. Klortei, 2021, plastics and copper wires. 
photo_8F349807_49A8_964E_41CD_B053EDA4D3C4.description = Serge Attukwei Clottey, b. Ghana. Klortei, 2021, plastics and copper wires. 
photo_58B03DB8_4AE7_8E43_41CB_E2DFE597D9E8.description = Sona Jobarteh performance at the Brave Festival, Poland, 2016. Photo courtesy of Sona Jobarteh. 
photo_58B03DB8_4AE7_8E43_41CB_E2DFE597D9E8.description = Sona Jobarteh performance at the Brave Festival, Poland, 2016. Photo courtesy of Sona Jobarteh. 
photo_58B03517_4AE7_9E4D_41CE_F844D7638C8A.description = Sona Jobarteh performing at Hollywood Bowl, 2018. Photo courtesy of Sona Jobarteh.
photo_58B03517_4AE7_9E4D_41CE_F844D7638C8A.description = Sona Jobarteh performing at Hollywood Bowl, 2018. Photo courtesy of Sona Jobarteh.
photo_58B04551_4AE7_FEC5_41D1_7C708F83704D.description = Sona Jobarteh, 2015. Photo courtesy of Sona Jobarteh.
photo_58B04551_4AE7_FEC5_41D1_7C708F83704D.description = Sona Jobarteh, 2015. Photo courtesy of Sona Jobarteh.
photo_E7667849_AF99_C757_41DC_8AE4405C4BED.description = Taki Gold, b. Liberia. Airplanes on the Ground, 2021, acrylic on metal, airplane fairings.
photo_E7667849_AF99_C757_41DC_8AE4405C4BED.description = Taki Gold, b. Liberia. Airplanes on the Ground, 2021, acrylic on metal, airplane fairings.
photo_EDFCFE65_AF99_FB5F_41DE_7553A2816F1A.description = Taki Gold, b. Liberia. Lease, 2021, acrylic on canvas. 
photo_EDFCFE65_AF99_FB5F_41DE_7553A2816F1A.description = Taki Gold, b. Liberia. Lease, 2021, acrylic on canvas. 
photo_EDF084DD_AF99_CF6F_41E1_D3FAC9E0E763.description = Taki Gold, b. Liberia. The Boy Wo Killed God, 2021, acrylic on canvas.
photo_EDF084DD_AF99_CF6F_41E1_D3FAC9E0E763.description = Taki Gold, b. Liberia. The Boy Wo Killed God, 2021, acrylic on canvas.
photo_EDF35A89_AF99_DBD7_41C4_899CC34CEE6A.description = Taki Gold, b. Liberia. This Will Destroy You, 2021, acrylic on canvas. 
photo_EDF35A89_AF99_DBD7_41C4_899CC34CEE6A.description = Taki Gold, b. Liberia. This Will Destroy You, 2021, acrylic on canvas. 
photo_EDF08E63_AF99_DB5B_41C1_2F75BD50ADCA.description = Taki Gold, b. Liberia. Untrained Eye, 2021, acrylic on canvas. 
photo_EDF08E63_AF99_DB5B_41C1_2F75BD50ADCA.description = Taki Gold, b. Liberia. Untrained Eye, 2021, acrylic on canvas. 
photo_EDF3320C_AF99_CAED_41C8_79A220E77028.description = Taki Gold, b. Liberia. White Wash, 2021, acrylic canvas.
photo_EDF3320C_AF99_CAED_41C8_79A220E77028.description = Taki Gold, b. Liberia. White Wash, 2021, acrylic canvas.
photo_A0A844B9_4AAB_7E45_41AD_01C0F84AD3E7.description = Tcharo, Makinz, and Socrome, Artists exchange with the youth during the Fuka Festival in Mirontsy, Island of Anjouan, Comoros, December 2019, photograph by Muzdalife House.
photo_A0A844B9_4AAB_7E45_41AD_01C0F84AD3E7.description = Tcharo, Makinz, and Socrome, Artists exchange with the youth during the Fuka Festival in Mirontsy, Island of Anjouan, Comoros, December 2019, photograph by Muzdalife House.
photo_AEC4ACDA_4AAB_8FC7_41BB_F56DCD4FACE9.description = Tcharo, Makinz, and Socrome, Renaître des brisures de Lune, 2019, acrylic on concrete.
photo_AEC4ACDA_4AAB_8FC7_41BB_F56DCD4FACE9.description = Tcharo, Makinz, and Socrome, Renaître des brisures de Lune, 2019, acrylic on concrete.
photo_AEC4B0CB_4AAB_B7C5_41D1_80449AE14C5B.description = Tcharo, Makinz, and Socrome, b. Comoros. Yaheya Mdri Gudjo Yeza Mdjusa mural in Casablanca, Morocco, 2019, spray paint and acrylics.
photo_AEC473ED_4AAB_99DD_41D3_500B2FA99FF5.description = Tcharo, Makinz, and Socrome, b. Comoros. Yaheya Mdri Gudjo Yeza Mdjusa mural in Casablanca, Morocco, 2019, spray paint and acrylics.
photo_AEC473ED_4AAB_99DD_41D3_500B2FA99FF5.description = Tcharo, Makinz, and Socrome, b. Comoros. Yaheya Mdri Gudjo Yeza Mdjusa mural in Casablanca, Morocco, 2019, spray paint and acrylics.
photo_AEC4B0CB_4AAB_B7C5_41D1_80449AE14C5B.description = Tcharo, Makinz, and Socrome, b. Comoros. Yaheya Mdri Gudjo Yeza Mdjusa mural in Casablanca, Morocco, 2019, spray paint and acrylics.
photo_BF47BB7A_49A8_8AC7_41D1_6055AE848CB9.description = Tete Azankpo, b. Togo. Free men, 2020, mixed media. Image courtesy of African Art Beats Contemporary Art Gallery. 
photo_BF47BB7A_49A8_8AC7_41D1_6055AE848CB9.description = Tete Azankpo, b. Togo. Free men, 2020, mixed media. Image courtesy of African Art Beats Contemporary Art Gallery. 
photo_8C4102D9_49A8_BBC5_41D2_09AFA8CD8235.description = Tete Azankpo, b. Togo. Portrait Manager, 2021, mixed media. Image courtesy of African Art Beats Contemporary Art Gallery.
photo_8C4102D9_49A8_BBC5_41D2_09AFA8CD8235.description = Tete Azankpo, b. Togo. Portrait Manager, 2021, mixed media. Image courtesy of African Art Beats Contemporary Art Gallery.
photo_8BBEBB56_49A8_8ACF_41D2_CD36CBD9CF8C.description = Tete Azankpo, b. Togo. Rideau, 2017/2018, mixed media. Image courtesy of African Art Beats Contemporary Art Gallery. 
photo_8BBEBB56_49A8_8ACF_41D2_CD36CBD9CF8C.description = Tete Azankpo, b. Togo. Rideau, 2017/2018, mixed media. Image courtesy of African Art Beats Contemporary Art Gallery. 
photo_58B00AF0_4AE7_8BC3_41C3_4E75780A70DF.description = The Gambia Academy Dance students during practice, 2020. Photo courtesy of the Gambia Academy.
photo_58B00AF0_4AE7_8BC3_41C3_4E75780A70DF.description = The Gambia Academy Dance students during practice, 2020. Photo courtesy of the Gambia Academy.
photo_58B01353_4AE7_9AC5_41C5_7C63CA5C9BCB.description = The Gambia Academy Dance students during practice, 2020. Photo courtesy of the Gambia Academy. 
photo_58B01353_4AE7_9AC5_41C5_7C63CA5C9BCB.description = The Gambia Academy Dance students during practice, 2020. Photo courtesy of the Gambia Academy. 
album_28D8C6E5_16A3_375A_41A4_EE7E55B7A60A_0.description = Valerie Amani, b. Tanzania. Pendo the Sunswallower, 2019, photograph and digital collage.
album_28D8C6E5_16A3_375A_41A4_EE7E55B7A60A_1.description = Valerie Amani, b. Tanzania. Pumzi the Moonjuggler, 2019, photograph and digital collage.
album_28D8C6E5_16A3_375A_41A4_EE7E55B7A60A_2.description = Valerie Amani, b. Tanzania. Shukuru the Firebloomer, 2019, photograph and digital collage.
photo_0CE85F20_AA59_ADDE_41E3_1772D13865B7.description = Zé Pereira, b. Cape Verde. Climate Change – Save Future Generations, 2014, digital photograph. 
photo_0CE85F20_AA59_ADDE_41E3_1772D13865B7.description = Zé Pereira, b. Cape Verde. Climate Change – Save Future Generations, 2014, digital photograph. 
photo_07D8C588_AA59_9CEF_41DF_FCDC5BC401E9.description = Zé Pereira, b. Cape Verde. Fisherman from Tarrafal de S. Nicolau, 2019, digital photograph. 
photo_07D8C588_AA59_9CEF_41DF_FCDC5BC401E9.description = Zé Pereira, b. Cape Verde. Fisherman from Tarrafal de S. Nicolau, 2019, digital photograph. 
photo_0CED86FF_AA59_BC21_41DF_80D7444D0FFA.description = Zé Pereira, b. Cape Verde. Ubuntu Soul, 2019, digital photograph. 
photo_0CED86FF_AA59_BC21_41DF_80D7444D0FFA.description = Zé Pereira, b. Cape Verde. Ubuntu Soul, 2019, digital photograph. 
photo_F1A39B7D_AF88_D92F_41DB_800448B816C2.description = ‘Matlali Matabane, b. Lesotho. Head Space, 2021, digital collage. 
photo_F1A39B7D_AF88_D92F_41DB_800448B816C2.description = ‘Matlali Matabane, b. Lesotho. Head Space, 2021, digital collage. 
photo_F1A1EFBF_AF88_D92B_41E0_ADD8528F9505.description = ‘Matlali Matabane, b. Lesotho. Ngoale, 2021, digital collage. 
photo_F1A1EFBF_AF88_D92B_41E0_ADD8528F9505.description = ‘Matlali Matabane, b. Lesotho. Ngoale, 2021, digital collage. 
photo_F1A1D420_AF88_CED5_41C0_85BA41868FC1.description = ‘Matlali Matabane, b. Lesotho. Scarface, 2021, digital collage. 
photo_F1A1D420_AF88_CED5_41C0_85BA41868FC1.description = ‘Matlali Matabane, b. Lesotho. Scarface, 2021, digital collage. 
photo_C8AA5338_AF88_C935_41D7_55B7DEE4A6BA.description = ‘Matlali Matabane, b. Lesotho. Titled, 2021, digital photograph. 
photo_C8AA5338_AF88_C935_41D7_55B7DEE4A6BA.description = ‘Matlali Matabane, b. Lesotho. Titled, 2021, digital photograph. 

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album_2FE0C48A_16A5_6BEE_41B1_6D066987FA60.label = t3_artist2
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album_F3CFE517_5AA8_9E4D_41D5_1EEE3867B781.label = t3_new_artist3_Jean David
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album_2B8FC8EB_16A5_5B2D_41AC_8F13BD799FED.label = t5_artist5
album_8DD1884A_9A8C_B401_41CE_B02CBC3C9DC4.label = t5_artist6_Ravneesh
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album_58A1B116_4AE8_964F_41D4_209B8F3535CD.label = t5_new_artist1_Taki
album_58A2662E_4AEB_BA5E_41B0_679412FAE8DE.label = t5_new_artist2_Sona
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album_EFEB2CF4_AA58_EC27_41D5_5C46DBA1A3DC.label = t6_artist4_Ze
album_EC79C38A_AA5B_94E3_41E4_26A7173E5FF0.label = t6_artist5_Dieudonné
album_ECCE1C13_AA5B_93E2_41E2_50419D0FE2E4.label = t6_artist6_Barbara
album_DDC4F7C9_C4C9_DF78_41D5_84F73D05881A.label = t7_artist1_Nu
album_DC051582_C4CA_53E8_41E0_259BE9D55E42.label = t7_artist2_Calema
album_DD8C60EA_C4C6_3138_41DB_6939825F96F7.label = t7_artist3_Gael
album_DDBB5EDE_C4C6_3118_41D6_9D12999CF8FD.label = t7_artist4_Hyacinthe
album_DD5328C6_C4C6_516B_41C3_ABEC40DB2C4F.label = t7_artist5_Rijasolo
album_DD090537_C4C6_7328_41E6_E893FEE94962.label = t7_artist6_Kavinash
album_2C017048_16A7_6B6A_41A8_B928B9B2E514_0.label = two-boys-with-fish-2018
album_2C017048_16A7_6B6A_41A8_B928B9B2E514_1.label = untitled 2-2015
album_2C017048_16A7_6B6A_41A8_B928B9B2E514_2.label = untitled-1-2015
photo_827FDFB5_4A69_8A4D_41D0_4AF9A8CFBC1B.label = violence-faite-aux-femmes
photo_827FDFB5_4A69_8A4D_41D0_4AF9A8CFBC1B.label = violence-faite-aux-femmes
album_8042A9D5_9B8B_F403_41E0_FFC3EA1A5159_3.label = virtuous_digital-2017-photomontage

## Popup

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## Skin

### Button
Button_3BA84247_0444_0A15_417E_C746C8924B05.label = <   Back
Button_FA082CC9_C6D8_2D99_41D5_3E75415AE6A5.label = <   Back
Button_95C67309_C6D8_1499_41E8_5258054B031B.label = <   Back
Button_FC91E40F_C6C8_3C99_41DC_1A593F318F40.label = <   Back
Button_BD96C66A_C4CE_3138_41C5_6C7F21A244C8.label = <   Back
Button_A08CDD02_4A58_8E47_41D1_406187CCE5FD.label = <   Back
Button_4104D636_25A0_90D8_41B0_459AE4298EDF.label = <   Back
Button_3B3F5672_0444_0A0C_4186_91BB3AADB7E6.label = <   Back
Button_36355E9E_0444_3A37_4168_63850A299F95.label = <   Back
Button_3BE8C6B3_0444_0A0D_4181_7DD7F76ABBEA.label = <   Back
Button_364C6C2C_0445_FE1B_4162_5F7504B93F43.label = <   Back
Button_2BF134D6_044C_0E34_4192_39EA2D045571.label = <   Back
Button_2A396A9D_044C_1A35_4112_0809E572DB28.label = <   Back
Button_3BA27E1F_0444_1A35_4183_727C5308ACE5.label = <   Back
Button_37FDB69A_0444_0A3F_418A_E5775F9FC8A0.label = <   Back
Button_C4EC62B3_5A58_BA45_41D0_EB2356711EEB.label = <   Back
Button_376C8C5D_0444_7E34_414C_340D0023D710.label = <   Back
Button_379E42BA_0444_0A7C_4188_8662D03273E5.label = <   Back
Button_3EBFD7F7_5BE9_B9CE_41D0_FA5B4539C226.label = <   Back
Button_A2200A24_C4FE_7128_41D9_34940F3EF240.label = <   Back
Button_3E891841_5BE9_B6C5_41C8_E8385A1E0DC7.label = <   Back
Button_8BFB6266_C4CA_5128_41D4_A601D18E9DB9.label = <   Back
Button_F22ECDA4_AAC9_6C27_4195_A9B98D704C7C.label = <   Back
Button_C8515536_AAC8_9C23_41E2_5EADD248E19E.label = <   Back
Button_E480FF2C_AAC8_AC27_41DB_CFE0BAD27781.label = <   Back
Button_2A87C06C_044C_061B_418D_71F41B9541F1.label = <   Back
Button_95D783A5_AA79_9421_41A2_6B8FF116F624.label = <   Back
Button_DA8B480D_5A68_9642_41CF_444B21B95ACB.label = <   Back
Button_E966EDB2_AA58_AC23_41DC_A1FCA8909EFB.label = <   Back
Button_9D12B7CA_AA48_9C63_41DF_7EA5D770D3B4.label = <   Back
Button_58C692D6_4AA8_9BCF_41CF_93688FCA33AB.label = <   Back
Button_58A8F550_4AF8_9EC3_41BC_036C0AE0E3BD.label = <   Back
Button_2A11F91F_044C_0634_415B_1B2876C1F690.label = <   Back
Button_58A8F4F1_4AF8_9FC5_41C2_495F2F2FE0B7.label = <   Back
Button_141940EF_25A1_B148_41C2_BB676D5CA798.label = <   Back
Button_7971D7DC_25A3_9F48_419A_E64E4C715EA2.label = <   Back
Button_888D0193_2328_BFB8_41A5_4686099164CE.label = <   Back
Button_3A00A0D6_044C_0637_418E_AFAAED534A11.label = <   Back
Button_FA26A117_5AE8_B64D_41C3_A464542D05A0.label = <   Back
Button_3CB0DD91_044C_1E0D_418B_E4FC22B73D42.label = <   Back
Button_3CD53EDE_044C_1A34_412F_917CB34FB268.label = <   Back
Button_C77A1C7D_5AB8_8EBD_41B6_52BD35666616.label = <   Back
Button_C7779CB0_5AB8_8E43_41C0_58EC685FE3A5.label = <   Back
Button_45FE0247_0444_0A15_4160_477B6F65995A.label = <   Back
Button_A9A34D79_4AA8_8EC4_41C3_6A1344655F55.label = <   Back
Button_CD3AE992_5AAF_B646_41D4_4CEE4AC42DB5.label = <   Back
Button_5D4BE87B_23F8_AD69_41AC_A5454F803A20.label = <   Back
Button_BD9B942B_4A58_BE45_41CF_76123948197E.label = <   Back
Button_3CA8ABAF_044C_1A14_4179_1AE8F4717546.label = <   Back
Button_FA0301F6_5AE8_B9CF_41A2_29DF74618403.label = <   Back
Button_FA1A81BC_5AE8_B642_41C5_B87C4BFC25CA.label = <   Back
Button_C68CDCE0_5AB8_8FC3_41A8_0151438F078F.label = <   Back
Button_33094415_044C_0E35_415A_1018E26DF7CF.label = <   Back
Button_BECA4A0C_23D9_ECA8_41BD_65F43D9E5168.label = <   Back
Button_3A089452_044C_0E0F_4191_F03A40469956.label = <   Back
Button_33C3C91C_044C_063B_4192_AC8F02F74F28.label = <   Back
Button_3A67E681_044C_0A0C_4186_FFF521D8EBFE.label = <   Back
Button_4F4817CB_044C_0A1D_4188_29D6EEC678CA.label = <   Back
Button_6078A594_25A1_93D8_41A3_FEFF1C66E571.label = <   Back
Button_714648F5_25A0_9158_41A5_A2764847EB2A.label = <   Back
Button_942318E8_232F_AD68_4199_4BD9D93C3092.label = <   Back
Button_F9CDD746_C572_C80B_41DF_8D3BFDFB26C5.label = <<
Button_9F14CC71_AA5F_6C21_41D7_CCAFCB781000.label = <<
Button_0E3E6F91_3ADD_A401_41BD_A23B359E2506.label = <<
Button_0FB44907_3ADC_AC01_41C7_9ACCCCDBEF97.label = <<
Button_2AE32D72_3549_6980_41B1_A11B39AC12D8.label = <<
Button_4D842DFB_21D5_ED27_4178_5F4091B813D6.label = <<
Button_48211E3B_21EC_AF20_41C0_7E126DD09A5B.label = <<
Button_0FB78908_3ADC_AC0F_41C7_4C571EE08793.label = >>
Button_0E3C0F93_3ADD_A400_41BD_2DA2C592C90D.label = >>
Button_2AE27D74_3549_6980_41B0_0373DE6C7B08.label = >>
Button_4D848DFC_21D5_ED21_41B9_4F1141844601.label = >>
Button_4FA279D5_21FB_D560_419A_C5759F03BF00.label = >>
Button_9F2BAC73_AA5F_6C21_41D1_CB6AB52F13F7.label = >>
Button_F9CE9747_C572_C809_41D7_CFE59E34429F.label = >>
Button_5D40E869_23F8_AD68_41BD_D29B3136F5D9.label = Artist Bio   ——
Button_143370C7_25A1_B147_41B4_85418FE60893.label = Artist Bio   ——
Button_2AB4F04B_044C_061D_4188_228D0CA6A1A9.label = Artist Bio   ——
Button_BEC529F2_23D9_EF78_41C1_563DB485961C.label = Artist Bio   ——
Button_942E98D3_232F_ADB8_418B_316C68BF692C.label = Artist Bio   ——
Button_2BE5E4C5_044C_0E15_415F_A98E705FE2AE.label = Artist Bio   ——
Button_2A193906_044C_0617_4192_4FCB2AC8BC79.label = Artist Bio   ——
Button_88B8C17C_2328_BF68_41AF_F35E20AC89D9.label = Artist Bio   ——
Button_378CC29A_0444_0A3C_417D_D07BF39FE7A2.label = Artist Bio   ——
Button_2A2D0A89_044C_1A1D_418C_86D55F05B7AB.label = Artist Bio   ——
Button_4F54B7B6_044C_0A77_4191_20AEF521C851.label = Artist Bio   ——
Button_3CBA2B96_044C_1A34_4165_B8D0559F63A1.label = Artist Bio   ——
Button_3BF8E698_0444_0A3B_417E_97C28E392DDA.label = Artist Bio   ——
Button_C84C851F_AAC8_9DE1_41E4_12A3E06E9EEA.label = Artist Bio   ——
Button_FA732CAD_C6D8_2D99_41DC_C8AFCDC12EDF.label = Artist Bio   ——
Button_36231E7E_0444_3AF7_4187_944E7F5718B0.label = Artist Bio   ——
Button_600CC57D_25A1_9348_41BB_A0891DDB3760.label = Artist Bio   ——
Button_FA23D0FC_5AE8_B7C3_41C3_A23E66F16ABE.label = Artist Bio   ——
Button_45817230_0444_0A0B_418B_5379164EC596.label = Artist Bio   ——
Button_9433F2EB_C6D8_1599_41DD_992AA71FC1B1.label = Artist Bio   ——
Button_3A6BE665_044C_0A14_4179_C3AE0501FCBF.label = Artist Bio   ——
Button_3344DD78_044C_1EFB_4167_42277148C6A4.label = Artist Bio   ——
Button_36788C0F_0445_FE15_4178_B7EA24251F3B.label = Artist Bio   ——
Button_3A1DB43B_044C_0E7D_415D_0E6780A7A62C.label = Artist Bio   ——
Button_E4996F16_AAC8_ADE3_41E4_53901A84B35A.label = Artist Bio   ——
Button_FCF893DD_C6C8_3BBE_41E5_9D9411451B7F.label = Artist Bio   ——
Button_3BB6823D_0444_0A75_4189_0E2D9B441574.label = Artist Bio   ——
Button_BD9F6651_C4CE_3168_41C7_AD0EC6AE1290.label = Artist Bio   ——
Button_3BAE9E05_0444_1A15_4189_7B973D1BC87F.label = Artist Bio   ——
Button_37EAA679_0444_0AFD_418C_4B01BEFB6C8E.label = Artist Bio   ——
Button_715D88E4_25A0_9179_41B9_6A6F4F9BD166.label = Artist Bio   ——
Button_FA15F19C_5AE8_B642_41CC_E9338CA9CE30.label = Artist Bio   ——
Button_A25D0A0A_C4FE_70F8_41E7_973AAA6AC52D.label = Artist Bio   ——
Button_A99A4D61_4AA8_8EC5_41C5_6F75513DE4C6.label = Artist Bio   ——
Button_8BCB5243_C4CA_5169_41B4_380F1D985D58.label = Artist Bio   ——
Button_9524A38E_AA79_94E3_41E2_AAD38B2BBAB6.label = Artist Bio   ——
Button_371A7C3D_0444_7E75_4171_C019E0E62166.label = Artist Bio   ——
Button_3A1420BC_044C_067B_414E_7F410F924E44.label = Artist Bio   ——
Button_33D49907_044C_0615_415B_8AEDA849829D.label = Artist Bio   ——
Button_331DD3FC_044C_09F4_4186_6AFBA841AFAC.label = Artist Bio   ——
Button_F2241D86_AAC9_6CE3_41B1_3997CD1793F4.label = Artist Bio   ——
Button_CD37E96C_5AAF_B6C3_41D1_5FA235C61EB2.label = Artist Bio   ——
Button_E8951D98_AA58_ACEF_41A2_E1C8ABDBDA19.label = Artist Bio   ——
Button_3EB757CA_5BE9_B9C6_41D4_7FDC3EFAE29A.label = Artist Bio   ——
Button_DABE77EE_5A68_99DE_41D1_335B7A8B310A.label = Artist Bio   ——
Button_C7761CC5_5AB8_8FCD_41BA_6112573E91F1.label = Artist Bio   ——
Button_A095ACEC_4A58_8FC3_41D0_417B1808F870.label = Artist Bio   ——
Button_3CD90EC7_044C_1A15_418A_8D4037CF94D8.label = Artist Bio   ——
Button_3BCB265B_0444_0A3D_418C_0E22C141AC36.label = Artist Bio   ——
Button_C7797C64_5AB8_8EC3_41A1_7ED0967D8F6B.label = Artist Bio   ——
Button_3E81C816_5BE9_B64E_41A2_564B0BADD06F.label = Artist Bio   ——
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Button_888E4194_2328_BFB8_41BA_9B98CD88A1C8.label = Next  >
Button_45F9B248_0444_0A1B_4183_1ADE56C359A2.label = Next  >
Button_DA89180E_5A68_965E_41D5_43C424EA2363.label = Next  >
Button_BD90166B_C4CE_3138_41E1_EA7AB07BAE31.label = Next  >
Button_BD96242C_4A58_BE43_41A6_BD7ACF0DD007.label = Next  >
Button_FC9F6411_C6C8_3C89_41DD_C0D51C6CD46C.label = Next  >
Button_58C692D7_4AA8_9BCD_41B7_D8FB8557CA93.label = Next  >
Button_141D50F1_25A1_B158_4181_E20695986665.label = Next  >
Button_5D4B287D_23F8_AD69_41AD_1C9F9940BA27.label = Next  >
Button_714528F6_25A0_9158_41C1_E539D040E787.label = Next  >
Button_F22EEDA6_AAC9_6C23_41D7_1DC97AFAC233.label = Next  >
Button_3A00D0D7_044C_0635_4181_E0D9E42A42FD.label = Next  >
Button_2A86706D_044C_0615_416F_59F7BDD9F14B.label = Next  >
Button_BECD1A0D_23D9_ECA8_419A_3693ACB64071.label = Next  >
Button_376BAC5E_0444_7E34_4176_69963619E6EC.label = Next  >
Button_FA1FE1BD_5AE8_B642_41D3_BB43B8237B42.label = Next  >
Button_3A0F1453_044C_0E0D_4135_3109656E5D56.label = Next  >
Button_E4856F2D_AAC8_AC21_41BD_57AC4908718A.label = Next  >
Button_A221FA25_C4FE_7128_41DE_626D31693130.label = Next  >
Button_3EBC87F8_5BE9_B9C2_41BA_504EC1020CB6.label = Next  >
Button_E9664DB3_AA58_AC21_41E4_4804EF487F17.label = Next  >
Button_FA0011F8_5AE8_B9C3_41CE_84E4BBE26C03.label = Next  >
Button_2A385A9E_044C_1A37_4185_214DC3AAAA9C.label = Next  >
Button_3A66C682_044C_0A0C_4185_8EE851888BEC.label = Next  >
Button_95D113A7_AA79_9421_41A3_3B651711DA69.label = Next  >
Button_58C692D4_4AA8_9BC3_41BD_5899DD346F20.label = Zoom  +
Button_45FF7245_0444_0A15_418D_8D1289D4F91E.label = Zoom  +
Button_3BAB9246_0444_0A17_4191_8E10DEA73A9F.label = Zoom  +
Button_3BE896B1_0444_0A0D_4192_77CA8ED35CE6.label = Zoom  +
Button_BD9A542A_4A58_BE47_4194_674D2BACC7FB.label = Zoom  +
Button_58A8F54F_4AF8_9EDD_41CE_553C8F896195.label = Zoom  +
Button_FA03C1F4_5AE8_B9C3_41D1_22006DDF0F43.label = Zoom  +
Button_141830ED_25A1_B148_41BC_F8E4EA59A383.label = Zoom  +
Button_797167DB_25A3_9F48_41BB_6F157CB720A1.label = Zoom  +
Button_2BF1E4D5_044C_0E34_411E_500AA3927180.label = Zoom  +
Button_888DF192_2328_BFB8_41A9_7EADA2B95F55.label = Zoom  +
Button_95D613A3_AA79_9421_4194_B36AA1B35AAE.label = Zoom  +
Button_41043634_25A0_90D8_41A8_45A1F1692A30.label = Zoom  +
Button_FA1B41BA_5AE8_B646_41D2_1245C04E8294.label = Zoom  +
Button_C8511534_AAC8_9C27_41CD_B2B38FB5FD4C.label = Zoom  +
Button_3B3F6671_0444_0A0C_4125_9B20C98B0A7C.label = Zoom  +
Button_A0937D01_4A58_8E45_41CE_E710565484E3.label = Zoom  +
Button_58A8F4F0_4AF8_9FC2_41C1_9A189D6DE6BC.label = Zoom  +
Button_E966DDB1_AA58_AC21_41BB_92D24EEBA99F.label = Zoom  +
Button_FA27D115_5AE8_B64D_41CB_8FAB3B8C0BD6.label = Zoom  +
Button_3BA20E1D_0444_1A35_417A_980A148638EA.label = Zoom  +
Button_F22DADA2_AAC9_6C23_41E0_867E2BDCE48A.label = Zoom  +
Button_5D4B7879_23F8_AD68_41C0_158226F312B1.label = Zoom  +
Button_9D1267C8_AA48_9C6F_41C8_2403F0A2FE2C.label = Zoom  +
Button_2A39CA9C_044C_1A3B_4191_45D5358AB1C2.label = Zoom  +
Button_A9A42D77_4AA8_8ECD_41C8_4F516B96F9FA.label = Zoom  +
Button_E4801F2A_AAC8_AC23_41DF_313E3532AD63.label = Zoom  +
Button_942358E7_232F_AD98_41A5_2C66A89839CB.label = Zoom  +
Button_8BFBE264_C4CA_5128_41E1_0DFD779B620E.label = Zoom  +
Button_3A00F0D4_044C_060B_417C_C548F412CC65.label = Zoom  +
Button_BD96C668_C4CE_3127_41B9_C2E6B9C0FEEE.label = Zoom  +
Button_FA088CC8_C6D8_2D87_41DD_26250FE026EE.label = Zoom  +
Button_4F4EE7C9_044C_0A1D_4191_960DBF09EAF8.label = Zoom  +
Button_6078A593_25A1_93D8_4178_A2AB1BB241F9.label = Zoom  +
Button_3A653680_044C_0A0C_417E_584BDFA07DB0.label = Zoom  +
Button_A220AA22_C4FE_7128_41B1_268F7EB84A06.label = Zoom  +
Button_3A0F3450_044C_0E0B_4187_0CB1BF3D057E.label = Zoom  +
Button_714698F3_25A0_9158_41BF_6C0285296B42.label = Zoom  +
Button_FC90E40D_C6C8_3C99_41DC_951AD40DA64B.label = Zoom  +
Button_95C14307_C6D8_1489_41DA_8CA479B3F39F.label = Zoom  +
Button_C777FCAE_5AB8_8E5F_41D1_8813B5BE376C.label = Zoom +
Button_C77A6C7C_5AB8_8EC3_41BA_A86C6301F66C.label = Zoom +
Button_2A87306A_044C_061F_4184_48B5544375EB.label = Zoom +
Button_3CA87BAD_044C_1A14_4191_6C905998D954.label = Zoom +
Button_3CD5EEDD_044C_1A34_418F_D956FB44C966.label = Zoom +
Button_364D1C2B_0445_FE1D_415A_490A4C2157A3.label = Zoom +
Button_BEC90A0A_23D9_ECA8_41C0_F3D6955429F5.label = Zoom +
Button_3E88E83F_5BE9_B6BD_41D1_0FBF6CD57ADD.label = Zoom +
Button_37FEE698_0444_0A3B_4180_004E5674DD38.label = Zoom +
Button_3EBF57F5_5BE9_B9C2_41C7_1D5B9327D5A9.label = Zoom +
Button_376C5C5C_0444_7E34_4147_58BA10F1CE34.label = Zoom +
Button_3CB12D90_044C_1E0B_418D_8F5137957EB0.label = Zoom +
Button_36321E9C_0444_3A3B_4187_C952E953ADE3.label = Zoom +
Button_2A1E091E_044C_0634_4179_4E2D262161D0.label = Zoom +
Button_C68D0CDF_5AB8_8FFD_41B3_E98796B90D05.label = Zoom +
Button_DA8B380B_5A68_9646_41B1_BC0D444A1BED.label = Zoom +
Button_379EF2B9_0444_0A7C_418D_FB629CD267E1.label = Zoom +
Button_33169413_044C_0E0D_4190_8E162CBBBA9F.label = Zoom +
Button_C4ECD2B0_5A58_BA43_41BC_AE1882AE755F.label = Zoom +
Button_33C3291B_044C_063D_4189_6D39F991B2E1.label = Zoom +
Button_CD3A4990_5AAF_B642_41C4_42624D449626.label = Zoom +
Button_5207EB90_05C4_3A0C_4180_ECC2D2D2BE6F.label = •  Agnes Buya Yombwe, Zambia
Button_52078B90_05C4_3A0C_4191_B9DF7A45552E.label = •  Cedric Mizero, Rwanda 
Button_5207DB90_05C4_3A0C_4149_C897FC0E9C30.label = •  Fabrice Monteiro, Benin
Button_52001B91_05C4_3A0C_4181_BDCB3EEE92EB.label = •  Juliette Zelime, Seychelles 
Button_52075B8F_05C4_3A14_4172_F9BB178B184E.label = •  Ravneesh Hans, Tanzania

### Image
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### Label
Label_CDD55491_963B_4092_41E2_407C6F4B503F.text = (Clipse Teean)
Label_CF6F7260_960B_C3B2_41DB_BB7E08F5E331.text = (Clipse Teean)
Label_C83CD13F_9605_418E_4184_398E6C8E0A62.text = (Clipse Teean)
Label_2A195908_044C_061B_4182_6AC82BF949E6.text = Agness Buya Yombwe
Label_2A06F905_044C_0615_4183_7DBE145801C5.text = Agness Buya Yombwe
Label_2A1AE913_044C_060C_4156_90738C05C23C.text = Agness Buya Yombwe
Label_2A1B3916_044C_0634_4190_89DBFEC6F2D9.text = Agness Buya Yombwe
Label_3BFC7696_0444_0A37_416F_B65AB1CA1AAC.text = Alaa Satir
Label_3BF8F699_0444_0A3D_418C_FAF1511D2282.text = Alaa Satir
Label_3BF636AC_0444_0A1B_4161_604AD92B159E.text = Alaa Satir
Label_3BF7A6A9_0444_0A1D_418A_5A3DEB6B0EA4.text = Alaa Satir
Label_E8940D99_AA58_ACE1_41A6_696FC2EDB946.text = Aliou Diack
Label_E8972D96_AA58_ACE3_41E1_28D4F3D45AF4.text = Aliou Diack
Label_E890FDA7_AA58_AC21_41E0_088A9C6D2C0F.text = Aliou Diack
Label_797A87C9_25A3_9F48_41C1_3C7319DEE389.text = Ally Jape
Label_797A07C6_25A3_9FB8_41B5_FC06398A26F9.text = Ally Jape
Label_797567D4_25A3_9F58_41B3_6DDC4F022C95.text = Ally Jape
Label_FA17C198_5AE8_B642_41CB_D0AF70D90361.text = Alun Be
Label_FA1B51B2_5AE8_B646_41D4_CFF83B210633.text = Alun Be
Label_FA17E19D_5AE8_B642_41C5_1C99F75F0DC8.text = Alun Be
Label_58C692CB_4AA8_9BC5_41A2_6B26CCC48D98.text = Amina Weira
Label_58C692B9_4AA8_9A45_41BE_22A90D3EC0C3.text = Amina Weira
Label_58C692B6_4AA8_9A4F_41C2_7B3D4EA5D293.text = Amina Weira
Label_3BCFC659_0444_0A3D_4181_5642F0088D6C.text = Anataban
Label_3BCB365C_0444_0A3B_416E_8BCCE1B942FA.text = Anataban
Label_3BC7566B_0444_0A1C_4189_AAF1F428F784.text = Anataban
Label_942918D2_232F_ADB8_418B_FAF39EBFF324.text = Angola
Label_BD9F0422_4A58_BE47_41CE_4AEDE664C35A.text = Apollinaire (Doff) Guidimbaye
Label_BDE4C410_4A58_BE43_4192_A60FFCE42C4C.text = Apollinaire (Doff) Guidimbaye
Label_BDE99406_4A58_BE4F_41BE_782CA651C4AE.text = Apollinaire (Doff) Guidimbaye
Label_C767AC65_5AB8_8ECD_41AE_576E627581F8.text = Armand Boua
Label_C7676C62_5AB8_8EC7_419E_2F1A92384023.text = Armand Boua
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Label_37159C52_0444_7E0F_4192_91BE24238F58.text = Enas Satir
Label_371A0C3E_0444_7E77_4156_4FD7C67A7281.text = Enas Satir
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Label_FA2380FB_5AE8_B7C5_41A9_9EDDC027C96A.text = Eritrea
Label_715D88E3_25A0_917F_41AD_8EA19B6A0EC2.text = Eritrea
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Label_3CE4AEC6_044C_1A17_418F_79BA3ECBF6BE.text = Ethiopia
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Label_3A6BD667_044C_0A14_4172_6A5C621933E9.text = Eva Chikabadwa
Label_3A6E2679_044C_0AFC_4192_400F69EF134C.text = Eva Chikabadwa
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Label_9525B38F_AA79_94E1_41DE_FE8483958FED.text = Fabrice Monteiro
Label_9526F38C_AA79_94E7_41C0_E00472BC417D.text = Fabrice Monteiro
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Label_A5F1DFD6_2298_F97A_41B3_3C38FA2C81D5.text = Facebook
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Label_3BC60662_0444_0A0F_4169_2664C6A9F681.text = Facebook
Label_EEC823BC_86A6_F07D_419F_AC8E2C4267A0.text = Facebook
Label_BEC529F5_23D9_EF78_41A9_37E4A6766281.text = Film: La Familia
Label_BEC769F8_23D9_EF68_41AB_3BA2DCC1F4CB.text = Film: Milu
Label_BEC9C9FB_23D9_EF68_41C0_69CB259456DA.text = Film: Teresa
Label_3E806814_5BE9_B642_41D2_85CFC6F152AC.text = Gabon
Label_BD9CC652_C4CE_3168_41A8_D121845C5349.text = Gael Maski
Label_BD9CE650_C4CE_3168_41DE_68CD59734421.text = Gael Maski
Label_BD934662_C4CE_3128_41DE_E1A6C0AD699D.text = Gael Maski
Label_FA1F11D3_5AE8_B9C5_41CE_0E41EBA882D2.text = Ghana
Label_C77F4C91_5AB8_8E45_41CD_3119B9AAABAE.text = Guinea
Label_8BC8F242_C4CA_516B_41DA_5FBD8D826F1D.text = Guinea-Bissau
Label_363D1E92_0444_3A0F_418E_88D90A333C63.text = Hawa-Jane Bangura
Label_36309EAA_0444_3A1F_4181_B21613A9C1C5.text = Hawa-Jane Bangura
Label_36248E7C_0444_3AFB_417A_DB44C7F6BA77.text = Hawa-Jane Bangura
Label_36231E7F_0444_3AF5_417B_DFFCD7A7FB5F.text = Hawa-Jane Bangura
Label_4586D22E_0444_0A17_4190_EE3031B4A6F3.text = Hem Matsi
Label_4583423F_0444_0A75_4192_EBF05474F43C.text = Hem Matsi
Label_45813231_0444_0A0D_418F_3C69FFACA9A0.text = Hem Matsi
Label_FCF8B3E1_C6C8_3B86_41E6_0215E9803374.text = Hyacinthe Ouattara
Label_FC8933FB_C6C8_3B79_41A4_4B5BBB396CB5.text = Hyacinthe Ouattara
Label_FCFFC3DA_C6C8_3BBA_41E7_DAA23C180EB9.text = Hyacinthe Ouattara
Label_88B4B185_2328_BF98_41B6_EABA3815FAE8.text = Insta: Makinz
Label_88B57186_2328_BF98_41A6_255F6A7C6692.text = Insta: Socrome
Label_88BB9183_2328_BF98_41C1_C7019777CE0F.text = Insta: Tcharo
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Label_C7661C6C_5AB8_8EC3_41B5_5977054C0658.text = Instagram
Label_942348DD_232F_ADA8_41B2_8C5753121B62.text = Instagram
Label_C77EAC97_5AB8_8E4D_41BD_9565744C55DE.text = Instagram
Label_3344FD7D_044C_1EF5_4191_7AA242EE56ED.text = Instagram
Label_FC86F3E8_C6C8_3B86_41BB_94A12C328A2D.text = Instagram
Label_58A8F53C_4AF8_9E43_41D2_AA67C94643C7.text = Instagram
Label_58A8F4DF_4AF8_9FFD_41AC_2E53E483FF39.text = Instagram
Label_2A217A8E_044C_1A17_414A_63547F2EDC82.text = Instagram
Label_BD97D658_C4CE_3118_41DE_D6014E300F3B.text = Instagram
Label_331CD400_044C_0E0B_417C_F9A08B7B6F00.text = Instagram
Label_2A8EC056_044C_0637_4180_DD4AB7231060.text = Instagram
Label_A99FAD6A_4AA8_8EC7_41CF_C0390DD2F029.text = Instagram
Label_3789E2A5_0444_0A14_4175_1A70FF1A8478.text = Instagram
Label_4106262A_25A0_90C8_4165_B4DF136E2AD9.text = Instagram
Label_33C9D90D_044C_0615_418E_C6E08192EC17.text = Instagram
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Label_3A0FB0C4_044C_060B_4180_3CF3D59E7F73.text = Instagram
Label_45825237_0444_0A75_418F_F2D3500D7930.text = Instagram
Label_C4F50296_5A58_BA4F_41A8_2A961BA47388.text = Instagram
Label_95C5B2F2_C6D8_158B_41E8_35DFD057102D.text = Instagram
Label_95DF7394_AA79_94E7_41DF_74443524DAFB.text = Instagram
Label_3CB02B9D_044C_1A34_4176_7FA85D762BD3.text = Instagram
Label_BDE36413_4A58_BE45_41CF_3F55386B6E3C.text = Instagram
Label_A25EAA11_C4FE_70E8_41E4_E9FB27576D54.text = Instagram
Label_FA71BCB3_C6D8_2D89_41B4_10D80965D4BC.text = Instagram
Label_3EBB07DC_5BE9_B9C2_4180_E3620E6A1F07.text = Instagram
Label_DA8647F5_5A68_99C2_41A4_A733E706E4A1.text = Instagram
Label_7974F7CD_25A3_9F48_41B6_3F2E37F638D3.text = Instagram
Label_3BFA569B_0444_0A3D_417A_D65C6DE3E14F.text = Instagram
Label_CD33F971_5AAF_B6C5_41CE_96086DE38B8A.text = Instagram
Label_FA14B1A3_5AE8_B646_41A5_9E88A74DB736.text = Instagram
Label_F22A0D8F_AAC9_6CE1_41E3_49A5A9E70B3C.text = Instagram
Label_8BC0024F_C4CA_5178_41D9_96FAF068B688.text = Instagram
Label_3BA03255_0444_0A35_4161_F8A116DC44E9.text = Instagram
Label_FA1EA1E0_5AE8_B9C3_41C0_4033CBD388D1.text = Instagram
Label_3BA99E08_0444_1A1B_415B_D01B12D568C4.text = Instagram
Label_3719FC48_0444_7E1B_418A_131C7FB716A4.text = Instagram
Label_C7668C62_5AB8_8EC7_41C0_69A3F79E041B.text = Ivory Coast
Label_C7742CC3_5AB8_8FC5_41B9_33A52E18ABE0.text = Jean David Nkot
Label_C68B0CD7_5AB8_8FCD_4195_0DCB972189D5.text = Jean David Nkot
Label_C7772CC6_5AB8_8FCF_41C8_068F3B06260D.text = Jean David Nkot
Label_D92BB0C2_AF97_4755_41D8_AB0EBF59765B.text = Jean David Nkot
Label_A9978D5F_4AA8_8EFD_41B1_4AF5D1879BCB.text = Joseph Obanubi
Label_A9994D62_4AA8_8EC7_4190_5B762670F558.text = Joseph Obanubi
Label_A99DCD6F_4AA8_8EDD_41CC_4297C5BAAC00.text = Joseph Obanubi
Label_BEC339F0_23D9_EF78_41AD_0A3CB2AECF9C.text = Juan Pablo Ebang Esono
Label_BEC749FF_23D9_EF68_41AD_84E89F940854.text = Juan Pablo Ebang Esono
Label_BEC379F3_23D9_EF78_41A3_9D2CD02BFD01.text = Juan Pablo Ebang Esono
Label_2BF924D0_044C_0E0B_4181_92490F87B8F0.text = Juliette Zelime (Jadez)
Label_2BE644C3_044C_0E0D_4185_4A9B8A239113.text = Juliette Zelime (Jadez)
Label_2BE5E4C5_044C_0E14_413C_0121EE6E7D04.text = Juliette Zelime (Jadez)
Label_CD3CC97D_5AAF_B6BD_41A4_B1A902C62258.text = Kani Sissoko
Label_CD37996A_5AAF_B6C7_41CE_E245F9CE517A.text = Kani Sissoko
Label_CD31196D_5AAF_B6DD_41BA_1C391B7EB550.text = Kani Sissoko
Label_FA7F1CAC_C6D8_2D9E_41D0_DAB2E0C968A8.text = Kavinash Thomoo
Label_FA761CBD_C6D8_2DF9_41E5_8544A8DAFCE8.text = Kavinash Thomoo
Label_FA738CAE_C6D8_2D9B_4186_2FC7BC9DB77D.text = Kavinash Thomoo
Label_33D31906_044C_0617_4176_B371F0A5B8AE.text = Kenya
Label_367DEC0D_0445_FE15_4169_D3539327FAC0.text = Kenya
Label_3A13D448_044C_0E1B_4187_4C203595519C.text = Kim Karabo Makin
Label_3A1D643C_044C_0E7B_4172_2DECD6366400.text = Kim Karabo Makin
Label_3A10844A_044C_0E1F_4182_C60A12140ADB.text = Kim Karabo Makin
Label_3A19C439_044C_0E7D_417F_0435DAACA690.text = Kim Karabo Makin
Label_3BB23E03_0444_1A0D_4178_2C6A3C7E7B9A.text = Kresiah Mukwazhi
Label_3BAA7E17_0444_1A35_4164_34D93FB8D28E.text = Kresiah Mukwazhi
Label_3BAE8E06_0444_1A17_4190_CD9CA1BCA460.text = Kresiah Mukwazhi
Label_331C03FF_044C_09F5_4190_6FEFD215F4BE.text = Learn More
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Label_33D7C909_044C_061D_417D_36B3999DE8DB.text = Learn More
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Label_A99BDD63_4AA8_8EC5_41A4_483831C1604C.text = Learn More
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Label_3788F29C_0444_0A34_418E_7752FF4A4956.text = Learn More
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Label_58C692BB_4AA8_9A45_4161_0257B1C37CD1.text = Learn More
Label_C77FCC96_5AB8_8E4F_41B3_D867F8A3F19F.text = Learn More
Label_95CCB2EF_C6D8_1599_41B1_4B3A83683369.text = Learn More
Label_E49A2F19_AAC8_ADE1_41DB_35261657E0EE.text = Learn More
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Label_4580F232_0444_0A0F_4187_0483FA116AB5.text = Learn More
Label_DABF57ED_5A68_99C2_41B2_3B7A52E524E7.text = Lesotho
Label_58A8F4D3_4AF8_9FC5_41D1_D7156B15E9B5.text = Liberia
Label_88B72188_2328_BFA8_41A0_2EF96011C094.text = LinkedIn
Label_942888D1_232F_ADB8_416B_5D1AFAA827AF.text = Lola Keyezua
Label_9428E8D4_232F_ADB8_41BE_7A97C7A42677.text = Lola Keyezua
Label_942D18E1_232F_AD98_41B6_E5CD79F787D1.text = Lola Keyezua
Label_33C9D914_044C_060B_416A_D60191DCF8D1.text = Longinos Nagila
Label_33D4E908_044C_061B_4183_AE7BF8404C12.text = Longinos Nagila
Label_33D0B905_044C_0615_4186_D04644E1FDEC.text = Longinos Nagila
Label_943322EA_C6D8_159B_41DE_D104A9CC153E.text = Madagascar
Label_143170C5_25A1_B1BB_41BC_597311EBB40A.text = Madagascar
Label_BEC789F9_23D9_EF68_41B4_7D14DFEC5174.text = Making of Milu
Label_3A766663_044C_0A0C_4183_4EFA14456A42.text = Malawi
Label_CD37096B_5AAF_B6C5_41B9_0B792F81E934.text = Mali
Label_A0918CFB_4A58_8FC5_41D3_75D1ED1FD1B6.text = Mampuya (Massy) Mayimona
Label_A0953CEA_4A58_8FC7_41B0_E8D8920A1209.text = Mampuya (Massy) Mayimona
Label_A096DCED_4A58_8FDD_41D4_0F2E2A08583A.text = Mampuya (Massy) Mayimona
Label_9D6C27AA_AA48_9C22_41E5_18A9413C9BCF.text = Mauritania
Label_FA7CCCAC_C6D8_2D9E_41D4_346BFB6681D4.text = Mauritius
Label_140980D5_25A1_B15B_41C0_4DBF7A86A599.text = Mbolatiana Raoilison
Label_143570CB_25A1_B14F_41BC_7F0A95C9E3E5.text = Mbolatiana Raoilison
Label_143E70C5_25A1_B1BB_41AF_EE8D6C757DD0.text = Mbolatiana Raoilison
Label_36788C10_0445_FE0B_4190_880ED913E3D2.text = Mia Collis and Cynara Vetch
Label_367C0C0D_0445_FE15_4189_3AA644D9DCDD.text = Mia Collis and Cynara Vetch
Label_36743C21_0445_FE0D_4184_3DC5215368AF.text = Mia Collis and Cynara Vetch
Label_3CDDBED5_044C_1A34_4183_05F6D480EFF1.text = Michael Tsegaye
Label_3CD93EC8_044C_1A1B_4158_B6756342A808.text = Michael Tsegaye
Label_3CE54EC5_044C_1A15_4190_13EDC73C00B8.text = Michael Tsegaye
Label_331853FB_044C_09FD_4191_A52460CA52AA.text = Mozambique
Label_331DE3FE_044C_09F7_417C_67DBDBA843B5.text = Mário Macilau
Label_3311540B_044C_0E1D_4186_90EFEE2A6174.text = Mário Macilau
Label_3319B3FA_044C_09FF_4185_2C54EEC05CA0.text = Mário Macilau
Label_2A29CA87_044C_1A15_4192_36AD73238352.text = Namibia
Label_4586E22E_0444_0A17_4192_92E316A0F6A1.text = Namibia
Label_714088ED_25A0_9148_4195_EFF7240290A0.text = Nebay Abraha
Label_715C98E3_25A0_917F_4157_05E8B6A07F63.text = Nebay Abraha
Label_714238E5_25A0_917B_41B6_565FF397582B.text = Nebay Abraha
Label_5D41B86B_23F8_AD68_41BE_6135DE30D886.text = Ngadi Smart
Label_5D416868_23F8_AD68_41AF_FE7EB38FA895.text = Ngadi Smart
Label_5D4D5873_23F8_AD78_41B0_F3671CE32FB8.text = Ngadi Smart
Label_58C692B6_4AA8_9A4F_41D1_5B7AA74C7553.text = Niger
Label_3EB0E7C9_5BE9_B9C2_41D2_AF6BD489B56D.text = Nigeria
Label_A998AD5F_4AA8_8EFD_41B9_8FFCFD74981D.text = Nigeria
Label_3BBA123B_0444_0A7D_4183_83752C474EE2.text = Nujuum Hashi
Label_3BB6923E_0444_0A77_4190_087166853E2E.text = Nujuum Hashi
Label_3BB3A240_0444_0A0B_413D_56182624B880.text = Nujuum Hashi
Label_8BCEE242_C4CA_516B_41D6_E498136EB0BA.text = Nú Barreto
Label_8BC4C24A_C4CA_5178_41E2_9CA446F2D100.text = Nú Barreto
Label_8BC29259_C4CA_5118_41DA_964905B7F175.text = Nú Barreto
Label_C77C5C91_5AB8_8E45_41C0_24BAF74770CD.text = Omar Diaw Chimere
Label_C77F2C94_5AB8_8E43_41C0_E3E733323131.text = Omar Diaw Chimere
Label_C7723CA5_5AB8_8E4D_41C3_B985F1A6B1B0.text = Omar Diaw Chimere
Label_9D6C47A9_AA48_9C2E_41B7_9ECB94C182B7.text = Oumar Ball
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HTMLText_87D99253_86A5_100B_41D6_7D2C835A245D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:center;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Open Sans';">Produced by WBG GSC Interactive Media Services</SPAN></SPAN></DIV></div>
HTMLText_6618AD95_0444_1E34_418A_CF24E42D3D1A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'NeueHaasGroteskText Pro';"><B>Contemporary African Art at the World Bank</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">Just over a decade ago, the World Bank’s Vice Presidencies for the Africa Region and the Art Program joined forces to challenge the stereotypical image of Africa with a groundbreaking exhibition,  </SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>Africa Now!  Emerging Talents from a Continent on the Move.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"> The exhibition provided an international stage for many young artists such as Angele Essamba from Cameroon, Freddy Tsimba from the Democratic Republic of Congo, or Lolo Veleko from South Africa who now reach incredible audiences with their work - but who were then just emerging.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">Much has progressed since this exhibition and so today we present a virtual display of works with the same celebratory spirit of Africa Now!, but with a contemporary spin. Today’s world is an interconnected one, where contemporary artists work in an expanded field of media, far beyond painting, sculpture and photography to include soundscapes, digital art, conceptual art, street art, and community-based art, for example. Artists are no longer place-based - wherever they choose to live, they play a strong role in engaging with, commenting on, and interpreting the cultures from which they come.  </SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>We Are Afrika: The Power of Women and Youth</I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"> is not limited to African artists living on the continent, nor to those working in the traditional forms of visual art.</SPAN></SPAN></DIV></div>
HTMLText_6683368F_05C4_0A14_418E_9E03074F11CA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:justify;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-line;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'NeueHaasGroteskText Pro';"><B>Introduction</B></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>We Are Afrika: The Power of Women and Youth</I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"> is an exhibition presented by the World Bank Group which celebrates and explores the work of established and emerging artists hailing from across the African continent; from Botswana and Eswatini to Seychelles, Sierra Leone and Tanzania, to name a few.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">A joint initiative by four World Bank departments - the Office of the Executive Director Africa Group 1 Constituency, the Vice Presidencies for the Africa Region, the Gender Global Practice, and the World Bank Art Program – </SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>We Are Afrika </I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">investigates what progress means within many different African contexts, and presents provocative visions of the future. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>We Are Afrika</I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"> is released in alignment with the World Bank’s focus on climate change and the development of the Africa Human Capital Plan, a plan created by the World Bank in 2019 which sets out clear targets and commitments to boost Sub-Saharan Africa’s potential through its human capital—the health, knowledge, skills, and resilience of its people. Citing the continent’s young people as its greatest resource and key to prosperity in a globalized and digitizing economy, the Plan has inspired </SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>We Are Afrika’s focus</I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"> on young voices. </SPAN></SPAN></DIV></div>
HTMLText_3BC7766B_0444_0A1C_4191_08B2689A908B.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">#Anataban aims to engage and mobilize young people to be agents of change, to address pressing social and political issues and participate in ensuring a more hopeful future for their young country. The group spreads its message of peace and solidarity through various forms of public art, including murals, street theatre, roadshows, concerts and exhibitions, focussing on refugee camps and areas most affected by the conflict.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In 2018, #Anataban joined other civil society groups in launching the #SouthSudanIsWatching campaign that was retweeted by influential political and cultural figures during the Addis Ababa edition of the HLRF (High-level Revitalization Forum). It reminded the politicians representing the warring factions that they were answerable to the citizens of South Sudan. More recently, the group has created informational campaigns around Covid19 to spread awareness and combat misinformation about the pandemic.  </SPAN></SPAN></DIV></div>
HTMLText_DA812800_5A68_9642_41D5_4D2D1F198A10.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">'Matlati’s series </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“Body Politics”</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> experiments with the narratives of Bosotho identity as a cultural storehouse. The compositions, layering, and muted color tones of her pieces explore the female Bosotho experience, its rich history, and connects it to the philosophical landscape of Southern Africa. The works also tap into the heritage of decorative pieces in African cultures.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">On her work she states, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“I am inspired by the seamless marriage of the old with the new and explore these concepts through the mediums of photography, and digital collage. My work is driven by experimenting with old forms of knowledge and new technologies to produce works that exist in the digital space of the contemporary art world. My art challenges the ideals of gender and sexuality and seeks to provoke the audience to reassess the quick interpretation of a body's visual cues such as hair and clothing.”</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In pursuing a career in the arts, with exhibitions in Ghana and Lesotho, ‘Matlati also seeks to explore the power of the visual in educational setting, looking at how visual storytelling can help younger generations build literacy and creative problems solving skills and understand their own cultural histories more fully. </SPAN></SPAN></DIV></div>
HTMLText_C4F7A2A4_5A58_BA43_41B3_FD6A2C4A1F21.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">'Matlati’s series </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“Body Politics”</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> experiments with the narratives of Bosotho identity as a cultural storehouse. The compositions, layering, and muted color tones of her pieces explore the female Bosotho experience, its rich history, and connects it to the philosophical landscape of Southern Africa. The works also tap into the heritage of decorative pieces in African cultures.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">On her work she states, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“I am inspired by the seamless marriage of the old with the new and explore these concepts through the mediums of photography, and digital collage. My work is driven by experimenting with old forms of knowledge and new technologies to produce works that exist in the digital space of the contemporary art world. My art challenges the ideals of gender and sexuality and seeks to provoke the audience to reassess the quick interpretation of a body's visual cues such as hair and clothing.”</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In pursuing a career in the arts, with exhibitions in Ghana and Lesotho, ‘Matlati also seeks to explore the power of the visual in educational setting, looking at how visual storytelling can help younger generations build literacy and creative problems solving skills and understand their own cultural histories more fully.</SPAN></SPAN></DIV></div>
HTMLText_140050DC_25A1_B148_41A4_19045680B971.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“I seek to show everything: the beauty of life, experience, human and nature, and more. I hope to inform and educate. Creating my murals is a form of adventure for me. It allows me to share messages to society, accessible to all the world. My goal is to showcase Madagascar in all its authenticity – its social, economic, and cultural aspects – something beyond the way others tend to see Madagascar as a place in eternal poverty. We have so much more, so many opportunities.” </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Having mastered a multitude of techniques ranging from spray-painting, stenciling, and airbrush, to sculpting and welding, Clipse’s style is bold and powerful. She works on a large scale, combining saturated colors, with thick linework. As an eclectic artist, she is constantly experimenting with new techniques, though she usually begins her mural designs by designing them on a smaller scale on paper. </SPAN></SPAN></DIV></div>
HTMLText_F2272D9B_AAC9_6CE1_41D7_913C6579E86E.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“The intention of my working process is to tease out hidden meanings, correspondences and signs, exploring the contentious territory between what is seen and what is unseen, known and unknown. Magnetism, gravity and electricity, the celestial orbits and star cycles are all phenomena ‘discovered’ by science, yet their mysteries have not yet been entirely revealed. It is in this liminal space, between what we know, what think we know and what we do not yet know, that my working process positions me.” </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The pieces </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Cosmos and An Encyclopedia of World History</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> featured in </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>We Are Afrika</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> are a part of her book series project </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Library of the Infinitesimally Small and Unimaginable Large</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> which she began almost a decade ago. This series uses the library as a metaphor for the universe and was inspired by </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The Library of Babel</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> by the Argentinian writer Jorge Luis Borges. Through the act of altering books, Barbara draws our attention to the fact that our understanding of science is mediated through text and language. She sources her collection of books, maps and other found objects from secondhand bookshops and markets. In the selection process she not only considers these objects for their physical characteristics, such as typographical layout, size, wear, and paper quality, but also for their subject matter and history. </SPAN></SPAN></DIV></div>
HTMLText_2A1B1916_044C_0634_418A_0E629250DBF3.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Agness Buya Yombwe is an established painter, textile artist, sculptor, and community organizer from Zambia. Her work focuses on presenting subjects that are often taboo within the African context, such as gender-based violence, in ways that promote productive dialogue and give supporting resources to those afflicted. With the outbreak of COVID-19, Agness began to create a series of works which aimed to sensitize the public to the unfolding circumstances, and public health recommendations.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Inspired to also find new ways to support herself while lifting up others in light of the pandemic, Agness embarked on the creation of a new artistic and educational space called Wayi Wayi Creative Village. In the early part of 2020, Agness founded and begun breaking ground on this new artist and youth space in the Livingstone District in Zambia. The construction process has employed large portions of the local communities and the final result will be a space for youth education at the local level and artistic residencies. “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>My family's livelihood, which is dependent on tourism, was threatened, as was that of entire "cultural" villages in our Livingstone area. How could I redirect my creative energy and my extensive experience in teaching art, mentoring, and building capacity to raise hopes (and income) for all of us?</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Reflecting on her own life experiences, Agness shared, “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>One of the quotes i go by is "Just Do It." Meaning, that instead of worrying, do something about it and also do what you love! In doing what you love, some good will come out of it and it will have ripple effects.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”</SPAN></SPAN></DIV></div>
HTMLText_FA1AF1B2_5AE8_B646_41D0_B0B93CD85B75.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Alun Be’s central concern is African modernity. He says that </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“Africa is not striving to be modern anymore, that has already happened. It is modernity that is striving to be African.”</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> Be’s series </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Edification</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, which features pivotal moments in a young person’s life on the way to achieving individual potential, reflects on technology’s profound impact on society generally, and on African ways of being in particular. Depicting youth navigating and interpreting the world through virtual reality goggles, it refers to the ways in which culture, tradition and the past are connected with technology and the future.</SPAN></SPAN></DIV></div>
HTMLText_3EBB87EB_5BE9_B9C6_41D3_0B04B44BE8ED.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Among her many achievements, in 2016 fadugba won the Grand Prize at the Dakar Biennale in Senegal for her installation </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The People’s Algorithm</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">. This interactive work uses a game format to explore the complex structure and challenges of the Nigerian education system through ideas of chance, strategy, and luck. As in board games like Monopoly, players roll the dice to move along the various sections of the installation, learning facts and choosing between possible solutions to real problems in Nigeria’s education sector. As fadugba says, the work </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“creates a dynamic exchange of ideas between the audience, the artist, and the topic, seeking to activate constructive debate about how to change Nigeria’s education system for the better.” </I></SPAN></SPAN></DIV></div>
HTMLText_C775DCA5_5AB8_8E4D_41B0_9922268D700A.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">As Omar began to paint more seriously after 2006, he found himself drawn towards a mixed technique. On his technique, Omar shares, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“I generally use oil paint for the creation of canvases. With oil paint you can have more subtle color gradients, and the colors blend more fluidly. Regarding abstract backgrounds, I use acrylic paint because its colors are vivid and dry faster. I like to mix "abstract" and "realism" in my works to touch many kinds of viewers. There are people more sensitive to the abstract and others to realism. To give my works more style and particularity, I use this mixed technique.” </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Alongside his painting, Omar maintained an active graffiti practice, enjoying the unique power of the large-scale. Omar was an active member of the graffiti artist group </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The RBS Crew</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> and participated in many acclaimed graffiti festivals in Senegal including </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Festi Graff</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Art Mur</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, and </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Graff et Sante’</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">. Omar’s techniques are frequently distinguished as “wildstyle”, “bloc letter” and “bubble” among graffiti art critics and journalists. </SPAN></SPAN></DIV></div>
HTMLText_E8904DAA_AA58_AC23_41E0_C2E1E9310ABF.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">As a child, Aliou was fond of the outdoors. He would regularly set out to record the proportions, colors, and textures of nature in his drawing books. Diack's works rely on this world: of a forest refreshed by rain in summer, or of a nocturnal insect announcing the evening with its chirp. Textures and materials are an essential part of his paintings. Creating a sandy, earthy and worn surface Diack intends for his images to function as paleolithic frescoes, the primitive motifs emancipated from the contemporary period and becoming timeless. On his subject matter and artistic style, critics have noted </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“The whole action of painting is turned upside down: the work begins with the discovery of seeds, leaves and roots. It is born from the verbs "to crush" and "to sift" and exists thanks to what surrounds it, from dust to the sun. Nature is given pride of place, combining time and species. Through a trace, the world stops to admire the poetry of a life, subtly captured, tenderly affirmed.”</I></SPAN></SPAN></DIV></div>
HTMLText_6077B58C_25A1_93C8_41A5_95C45EE3A3C3.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Azankpo is extremely intentional about the materials he uses in his works. The works are constructed with fractured materials cut from enamel basins and metal boxes. They are then sewn with wire onto pieces of wood to recreate a harmony, and to tell a story. There is much symbology in his choice of materials. Enamel basins, once ubiquitous in West Africa, were cherished objects that accompanied women throughout their lives. Beyond their practical use and aesthetics, they carried personal and political messages. Azankpo sees them as a homage to women, to their strength, and to their role in society. The metal boxes he uses in his works are containers that hold the things which sustain us -food, medicine, and entertainment. They mirror our choices as consumers, choices which are dictated by our vulnerability to advertising. The basins and metal containers are symbols of globalization and meet in his work to tell a universal human story.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">On his work Azankpo states, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“The many layers that you see in my work correspond to layers of meanings. They chronicle the past, capture our present and comment on the future, but they also provide room for interpretation as I believe that each viewer will read my work and messages through her own lens.” </I></SPAN></SPAN></DIV></div>
HTMLText_A25CCA1A_C4FE_7118_41C7_4DDF1020D07C.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Calema is a word with African origins, and references the large, long waves one finds on the west African shore. The duo found a poetry in that name, as when the waves reach the beach, they always seem to bring something. The brothers wanted their music to also bring something - smiles, intense emotion, culture, and the Santomense sun. Their motto was </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>"A winner's secret is to believe in victory and destroy barriers with faith"</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Angolan singer Anselmo Ralph noticed the duo in the early 2000’s and helped them enter the Portuguese music scene. Calema then produced the album "A Nossa Vez". The song reached the top of the charts, being the most viewed music video on YouTube sung in the Portuguese language in 2017. In February 2019 Calema participated in the prestigious Festival da Canção and in In 2021, Calema was featured in a song by Moroccan superstar Saad Lamjarred.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Alongside the warmth the duo hopes their music will bring, they also seek to make positive social change recognizing the importance of family, and community support. Through their work, they were appointed UNICEF goodwill ambassadors to São Tomé and Príncipe. </SPAN></SPAN></DIV></div>
HTMLText_A0972CFB_4A58_8FC5_41B7_DF18A8ECBC58.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Combining elements of modern global culture with traditional Luba people beliefs in a symbolic play, Massy’s paintings are an ongoing quest into the exchanges – material and spiritual – between humans and the universe. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The basket weave motif that Massy uses in his paintings is inspired by the Luba cosmogony where basket serves not only utilitarian and ceremonial purposes but is also central to the myth of creation. The exterior and decoration of a lidded basket represent the model of the universe, while its interior is seen as a depositary of knowledge, a vehicle of communication with the past and the future, and a place of fertility. As the story goes, the First Man had a granary full of seeds on his head. As he moved over the Earth, these seeds spread around and gave birth to different species of plants. Keeping in mind that West African granaries are architectural structures made of woven straw and clay, Massy chooses the basket analogy to speak about the ways in which our choices define the world around us today. By painting people’s heads and sometimes entire bodies as baskets, he reminds us that, like the contents of these mystic vessels, the energies, thoughts, words and actions produced by people are a result of the knowledge received, retained and processed by them. “The basket-head is a symbol of the place that contains knowledge; it is the knowledge that defines the man and makes it possible for him to exist in the way that is described as ‘to know [is] to be.’” </SPAN></SPAN></DIV></div>
HTMLText_A99EDD71_4AA8_8EC5_4190_E583191E5655.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Drawing on his background in graphic design and advertising, Obanubi uses a technique of what he calls “visual bricolage” – constructing images out of diverse photographic and graphic elements. A surrealist mix of reality and delusion, these re/constructions provide the viewer with alternative ways to look at and think about familiar things.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Obanubi’s practice, which synthesizes African culture and the promises of technology, can be placed within the context of Afrofuturism. His </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Technoheads</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> series, which merges motorcycle parts with human bodies, proposes technology as the basis of contemporary human interaction, and suggests African metaphysical concepts of magic and altered reality. Within this ongoing series, the </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Lopsided Tale</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> images were created for the charity WaterAid. They focus on the impact a lack of clean water can have on women and girls, who are usually responsible for the collection of water. </SPAN></SPAN></DIV></div>
HTMLText_3715EC52_0444_7E0F_415D_DE34844018CB.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Enas’s work seeks to de-stigmatize and initiate a conversation around controversial topics in a complex culture like Sudan. These topics include the dominance of an Arab culture over the indigenous African culture; the shame associated with black skin and slavery in an Afro-Arab society; the marginalizing of mental health issues by conservative religious views; and the hopes, highs and lows of the movement to bring about change in Sudan. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Enas says, “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>My work as an artist reflects my journey and struggles as I seek to untangle complex issues of my own identity as an African, black, female, political individual. I have opinions, often unpopular, that I share and express to defy the general consensus often pushed and marketed as truths and facts by the prevailing culture. My work explores the possibility of confronting this power dynamic by simple outspoken opinions that chip away the tyranny of racism, sexism, dictatorships, homophobia and privilege. Through my work I try to encourage the hidden, silenced individual with an unspoken opinion to become aware of their power.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” </SPAN></SPAN></DIV></div>
HTMLText_363D2E92_0444_3A0F_418A_DF300A0AF698.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Hawa-Jane’s work challenges the way in which African women have been traditionally portrayed in art by projecting bold images of confidence, power, strength, elegance and beauty. Having been educated in the West, Hawa-Jane was not exposed to the very rich pre-colonial history of the African continent and its people.She uses art to explore that hidden history and culture, depict an alternate African identity, and represent African women within that context. She is particularly interested in ancient African writing systems. Hawa believes that African Women have to create and preserve their own images and narratives. She sees art as an opportunity to start conversations with viewers, to transfer knowledge, to raise consciousness and create change. Hawa paints primarily in acrylic, developing a style that is akin to a hybrid of pointillism and stippling.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Some of her pieces use a dot technique to evoke a feeling of celestial bodies in the blackness of the universe. In her other works, Hawa-Jane explores how her learning of African history, from the perspective of Western education systems, began with Africa’s “discovery” by European explorers and the implicit assumption that that Africa itself had no written traditions or scripts, that they were uncivilized. Her work asks the viewer to make a deeper investigation into the history of African peoples to discover a very different story. Some of her paintings also incorporate the Bassa script which was used in the area that is now Sierra Leone and Liberia over 500 years ago and is still spoken by descendants of enslaved peoples in Brazil and the Caribbean.</SPAN></SPAN></DIV></div>
HTMLText_3785D2AF_0444_0A14_417E_52B60835192F.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In her black and white series of images capturing the everyday life of Ciza Jerome, Charissa documents moments of joy, acceptance, and love. Ciza Jerome, born differently abled in Kinama, Burundi, is an individual of immense positive attitude and appreciation for his community. Inspired by his spirit, Charissa photographed moments showcasing Ciza’s infections smile, revealing how an entire community can be shaped by one person’s love. </SPAN></SPAN></DIV></div>
HTMLText_FA0361ED_5AE8_B9DD_41B9_4265751E6E4A.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In his recent work, Clottey explores ideas about material culture, social media and identity formation in a series of portraits that draw inspiration from 20th century West African studio photography. In these works, his African and African American subjects assert their agency and personhood, using fashion to “tell stories about themselves, their communities and their continent”. </SPAN></SPAN></DIV></div>
HTMLText_2A200A96_044C_1A37_4163_F0D1210692A2.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Inspired by her heritage, Nghidishange uses familiar local materials such as cow horn and beads made from ostrich eggshells to make sculptural works that explore the place of tradition and gender norms in a contemporary and cosmopolitan society, and express resistance to the ways in which women are oppressed and marginalized. Clad in the iconic black, red and pink of the ondelela fabric of the Oshiwambo people, Nghidishange’s striking, spiky female figures </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Alms Woman</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Hope</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> and </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Persistent</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> occupy space in an assertive manner, persisting in the face of opposition and hardship and demanding respect for their individual autonomy.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Elisia Nghidishange also draws attention to issues of wealth and power in society. </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Horns of False Power</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> is a forceful figure with its repeated, horn-like protrusions. Here, the horns are a symbol of wealth and virility, but the artist undercuts the powerful appearance of this figure through her use of papier-maché rather than stone, clay or real horns. Commenting on the performative nature of power and status, she says, “I used fragile papier-maché horns to portray the behaviour of arrogant people in society”. </SPAN></SPAN></DIV></div>
HTMLText_942CB8E1_232F_AD98_41A0_496D9D4C4790.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Keyezua dedicated her 2019 </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Fortia</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> project to the memory of her father who, like the authors of the masks created for this series, was a disabled man and who was ostracized by the community simply for being different. </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Fortia</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> features a series of photographs of women dressed in splendid red dresses – a modern take on the 17th-century Dutch costume – whom Keyezua photographed in a desert canyon setting. Remarkably, each woman’s head was completely covered by a mask. </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“The women featured in this series,”</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> recounted the artist, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“bear no eyes, noses, mouths or ears – giving a sense of what it is like not to have full use of one’s body. The patterns on the masks are based on tribal drawings which are used as a language to reveal my identity as an Angolan. The donning of a red dress presents disability in a poetic light and invites onlookers to visualize how art can help present disability in a way that empowers vulnerable groups and affirms human dignity.”</I></SPAN></SPAN></DIV></div>
HTMLText_3A10D44A_044C_0E1F_4182_7672A6C624ED.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Kim Karabo Makin was born in Botswana, and  considered ‘stateless’  there because her South African father was not a citizen. She went on to study art at the University of Cape Town, where she is temporarily based. Makin’s art practice is informed by these complications of her heritage, and the sense of dislocation they cause. In her work, she investigates her identity as fluid, across borders, and the tension between individual and collective identity. ​</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Makin’s sculptures are often woven from different shades of  ‘nude’ pantyhose, an elastic, racialized, feminine medium, drawing upon the traditional techniques and patterns of Botswana’s distinct basketry and pottery. Each artwork complicates object identity symbolically, materially and/or contextually - by reimagining symbols of her home in Botswana, while living in and working South Africa, and presents her identity as multivalent: informed by social space. Bringing together representations of the different strands of her socio-cultural context, Makin’s art produces ambiguous object fiction that aims to define her identity as a spectrum; translating materially by a combination of variables. </SPAN></SPAN></DIV></div>
HTMLText_BD92D662_C4CE_3128_41DE_1804BA8969D0.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Maski’s work focuses on the resilience of marginalized people in his city, whom he calls “the superheroes of everyday life”. Believing that in order to survive, these people have to escape reality and take refuge in an imaginary world, he transforms their everyday environments into imaginary landscapes full of visual metaphors. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In Maski’s recent </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Psycho corona</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> series, hand sanitizer, which became omnipresent during the pandemic, recurs as a symbol of cleansing and purifying. Here, it implies that survival in difficult socioeconomic circumstances depends on the ability to cleanse the mind of stress, to wash away harsh realities in order to start again each day. The scuba mask and breathing tubes depicted in these works imply that people are able to survive and breathe despite being submerged in difficulties. In the act of survival lies hope and optimism for the future. </SPAN></SPAN></DIV></div>
HTMLText_714038EE_25A0_9148_41B4_6F5AF3F0F79B.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Nebay composes quiet portraits of a single person in an abstracted space, highlighting the contemplative internal state of the subject. </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The Silence Room 2</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, and </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Untitled</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> each showcase Nebay’s collage work with his careful sculpting of the face and hair. Using newspaper and magazine clippings pieced together and layered with color, the geometric facets and tonal ranges are reminiscent of ancient mosaics. This treatment is nicely juxtaposed with larger, looser areas of collage, where familiar phrases or recognizable imagery mingle with expansive areas of flat color, moving the viewer's eye back and forth across the canvas.</SPAN></SPAN></DIV></div>
HTMLText_5D4D9873_23F8_AD78_41BD_94157296F46B.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Ngadi’s Illustration work is motivated by the representation of minorities, highlighting cultural identity and racial discrimination, as well as themes on feminism and gender roles. Her work seeks to deconstruct mainstream society's preconceived views of what the definitions of "normal", "beautiful", and "right" are.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In her photography, Ngadi focuses on documenting cultures, subcultures, and intimacy. Her work often speaks on how people self-identify and choose to present themselves in front of the lens. Recently, she has also been interested in documenting Black sensuality and culture from an African point of view. She aims to represent a wide array of African people, revealing what it means to be African from a multitude of perspectives.</SPAN></SPAN></DIV></div>
HTMLText_3BAA2E18_0444_1A3B_4188_83F44CACED62.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Of her work, art critics have observed that her exhibitions represent “a theatre of women who are more than physical barometers of the toxicity of a system; women who are fierce protectors of all they hold dear, breaking down walls and surviving at all costs.” Mukwazhi herself observes the financial societal systems at play which impact a female’s ability to be fully empowered. “Financial security is a sensitive topic for most women. Achieving it often leads to society seeing you as a threat to men hence a possibility of not marrying or being labelled a prostitute because you are challenging gender roles and societal norms...An imagined world where we tower over a land of patriarchy… a space of women empowering themselves. It asks how do we get to safe land? It's not the destination but the transport.” Others have noticed how her layered and collage-style works are simultaneously representative of entrapment and transformation - “...in the process of becoming, like a butterfly from a cocoon...the transformation of these materials into symbols of resistance and struggle are characteristic of Mukwazhi’s activist approach to art.”</SPAN></SPAN></DIV></div>
HTMLText_3BB38240_0444_0A0B_4181_138BD0C5A49C.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">On her artwork Nujuum states, “From Somalia’s capital city Mogadishu, I always concentrate on new paintings that spring from the depth of my imagination...many people do not know how to read or write, so they need art to understand the message about peace, equality, and development... I will work hard to spread this message to our people.  This is the only way for me to preserve history and keep it for the future generations. I hope to leave something solid for the coming generations.” </SPAN></SPAN></DIV></div>
HTMLText_36740C21_0445_FE0D_4183_441195140CE5.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">On her photography, Mia Collis states, “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The human element fascinates me. Through my photography I’m inspired by the interplay of light and life and how stories can be told in an instant. I aim to capture narratives that challenge stereotypes and reveal emotion</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">.”    </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The portraits on view are part of “She Shapes The City”, a unique multimedia project created by Mia Collis and Cynara Vetch, Kenya-based photographer and journalist. This project celebrates the power of African women in bringing the positive change to the city of Nairobi. Featuring real Nairobi women - intellectuals, creatives, athletes, and entrepreneurs through image, written text and audio - it is a continuously growing collection of inspiring stories of perseverance, often in almost impossible circumstances, that brings positive change to the identity of the Kenya’s capital. Each photographic portrait a part of the We Are Afrika exhibition is described below. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Alberta Wambua, Executive Director for Gender Violence Recovery Center, 2015   </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Alberta joined the Gender Violence Recovery Centre (GVRC) as a volunteer after she went through a traumatic carjacking and attempted rape. Ten years on and Alberta now heads up the Center as its Executive Director. GVRC is the leading institution tacking gender violence in the region. As well as providing free medical and counselling services for tens of thousands of women and men across East and Central Africa, the center is also at the forefront of training professionals, both in the medical profession and police force, to work with survivors of gender-based violence.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Theresa Njoroge, Champion for Female Convicts, 2015</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Teresa was pursuing her childhood dream, a career in banking, when she was falsely accused of a fraudulent transaction. Sentenced to imprisonment in the High Security Langata Women’s Prison Teresa was forced to bring her 3-month-old baby with her. What began as a loss of career and social standing led to her purpose in life, advocating for Kenyan women trapped in a cycle of poverty and life behind bars. Teresa is the Founder of Clean Start, which equips formerly incarcerated women with entrepreneurial skills and jobs. “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Initially I thought this is the worst thing that could ever happen to me. Going from the banking sector to this dungeon of a place...But then I started noticing the close to 1000 women that I was spending my time with. I started listening to their stories and wondering what brings these women behind bars? I know why I’m here, I’m wrongfully here. What brings them here?</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” said Theresa Njoroge.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Muthoni Ndonga (AKA The Drummer Queen) - Drummer, Song Writer &amp; Entrepreneur, 2015  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Muthoni is a woman who wears many hats: drummer, rapper, singer, entrepreneur but all revolve around a love for music. With her traditional 6-piece set of Ohlanga drums Muthoni makes a dramatic statement on stage by mixing the Luo instrument with modern patterns and strong rap lyrics. This musician set up her own music event named Blankets &amp; Wine in response to limitations with the club and live music spaces in Nairobi. The event exploded and has become the benchmark for live music in the city. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>*Descriptive text for each portrait written by Cynara Vetch  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> </SPAN></SPAN></DIV></div>
HTMLText_3CB59BA6_044C_1A14_4180_FA3B32CD0710.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">On his work Griffin states, “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>My work is a visual anthem of interconnectivity. Everyone, everything, every time. An inevitable concert.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">A rebellious visionary with a bitterly ironic outlook on the ambiguities of urban realities in Uganda, Canon Griffin’s art practice focuses on the creation of tremendously laborious digital photo-collages whose fantastical imagery and multilayered narratives are indicative of the desire to challenge and re-shape existing conventions in the discourse on inequality in post-colonial urban contexts.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Reminiscent of provocative Dadaist photomontages of the early 20th century, Griffin’s collages combine his own street photography with commercial and archival images borrowed from a variety of sources. Masterfully pieced together with the help of digital photo editing, they take viewers to complex, almost dizzying universes composed of disproportionately sized elements, often with distorted dimensions and exaggerated curvatures. These surreal settings are occupied by people, buildings, monuments and machinery of both the present and the past. An attentive eye can discern multiple narrative actions, both explicit and underlying, taking place in each collage. Captivating and unsettling at once, the imaginative works invite a critical examination of the outcomes of all the good intentions, optimism, aspirations and hardships that the prior generations went through, hoping to build a better future for us.</SPAN></SPAN></DIV></div>
HTMLText_E49ECF24_AAC8_AC27_41BA_782AE5D1B4D6.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Pereira is dedicated to photography as a tool for raising awareness, intervention and criticism, whether in the context of environmental policies that endanger the biodiversity balance or in relation to social injustices. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The artist wrote about his photographs in </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>We Are Afrika</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">:  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“Photography is always a sublime opportunity to give voice to silence because at times it is necessary to make silence scream. Scream for social justice, scream for humanity, scream for nature and the environment, scream for abused children and women, for abandoned elderly people, scream for respect for cultures and traditions that are different and strange to us, and, deep down, scream for love. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">I convey all this in silence, through images that mute thousands of words, words lacking sense, lacking soul because of being inconsequential and devoid of humanity, words going after falseness, which only love seizes and deconstructs to reawaken them as pure and genuine. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Photography consists for me in stripping my soul, stripping myself of the pains of this world while confronting them, and revealing the authenticity of my feelings. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Photography, in this context, allows us to grow in humanity and aspire to a citizenship free of geographic, ideological, or spiritual boundaries. I feel this as my own way of being, as a universal connection in which we are, perhaps, only the messengers once charged with the ability to transmit love. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">What I intend to contribute with my images is to take part in the construction of a better world, a world that is socially fair, less unequal, in which love is our compass. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">I wish </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>We Are Afrika</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> to be the voice for the universality of art and being, and an expression of how form and concept can come from a spiritual nucleus encompassing all of us, where there is no room for exclusion. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The differences are admirable in highlighting the diversity and creativity of a culturally interdependent and interacting whole, which only contributes to the enrichment of art as a form of universal expression.” </SPAN></SPAN></DIV></div>
HTMLText_8BC2A25D_C4CA_5118_41E2_DE9CC0004651.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Rather than documenting reality in a straightforward way, Barreto finds more freedom in expressing his ideas in a language of symbols. His art pieces feature a recurrent vocabulary of visual metaphors with special meanings behind the choice of shapes, lines, colors (as well as colorlessness) and materials. Barreto often incorporates texts in his works. Sometimes, they explain the images, sometimes, especially if written in mirrored writing or upside down, they puzzle the viewer – invariably contributing to the artist’s goal to take the audience out of an emotionally neutral, indifferent state, make them think and act. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The recent lockdowns were for the artist an opportunity for an introspection and a reflection on the possibility for the society to start things all over again in a new way: “I live with my two children. My studio is just at the back of my house. I work alone except the times when I make large-scale pieces for which I sometimes call an assistant. Like many artists, I have the habit of locking myself up in the studio. So, with the lockdowns, there wasn’t anyone else except the children and the next-door neighbors to speak with. This would make things calm inside if not for the turmoil and cataclysms all over the world.” It is in this environment that Nú Barreto began creating his visual diary. Making one or more drawings each day, he ended up with over a hundred art pieces through which he explored the problem of space in lockdown and the meaning of liberty while in confinement. Notable among these drawings are images of bottles, each with a familiar ideogram – heart for love, crown for power, chair for comfort, home for protection and so on – locked up inside. They are reminiscent of bottled messages released into the sea without any certainty about who and when might read them. “I did not do anything of this than draw. I was influenced by what I heard on the radio, and I began to integrate the words and numbers I heard in my work… as a testimony of what will define out time.” </SPAN></SPAN></DIV></div>
HTMLText_95CA62FF_C6D8_1579_41DD_78234BFE5DF9.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Rijasolo had returned to Madagascar in 2004 driven by a desire to create a new portfolio of work titled </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Miverina</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, which confronted the challenges of reestablishing an intimate relationship with a place of origin after such a long period of absence. Throughout the development of this new body of work he also worked with the local council in his area to set up a series of photography workshops for emerging young artists from the town of Antsiranana. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Reflecting on current global challenges, Rijasolo shares, </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“Working on the themes of climate change and the Covid 19 pandemic was really a necessity for me: in a developing country, like Madagascar, these disasters directly impact the inhabitants of the country much more than in a developed country where infrastructure and health systems are much more efficient. In Madagascar, when climate change destroys the coral reef and therefore the underwater biodiversity on the southwest coast, several thousand fishermen can no longer work. Likewise, when Covid 19 forces the Malagasy state to close its borders, it causes the dismissal of more than 1 million employees working in tourism."</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> </SPAN></SPAN></DIV></div>
HTMLText_58A8F549_4AF8_9EC5_41D1_358B79B95011.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Sona’s single </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Gambia</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> (2015) celebrates the beauty of her ancestral home and speaks of her devotion to it. Its simple lyrics in the Mandinka language and rhythmical music build upon centuries-old harmonies. This unforgettable musical piece has won the hearts of audiences all over the world thanks to the performer’s charisma and sincerity. To quote a line from the song in the English translation, “Wherever I travel, I shall tell of the wonders of this country. There is nowhere that compares to The Gambia.”</SPAN></SPAN></DIV></div>
HTMLText_58A8F4E9_4AF8_9FC2_41CA_A7BA528390BB.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Taki’s art is deeply personal. Living through four years of war under the protection of local village women, Taki's understanding of color and form came from an optimistic standpoint. Artistic processes could be used to digest the brutality of war by creating beauty from wreckage. In 1994, Taki was reunited with his parents and siblings and continues to use his art to contemplate notions of identity, belonging, and rebirth. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In his piece </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The Boy Who Killed God</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, black abstracted figures hug the bottom left corner of the canvas. They overlay a background of white letters and shapes. This white text is destabilized by a patchwork of pastel-colored squares. The figures and their stretched forms seem ominous and off-putting, as if they have been deeply disturbed. Yet, the heavy use of text, as if to try and explain away any negativity coming from the figures, with the bright background colors taking more space on the canvas than anything else, offers a cheerful sentiment. The image feels at once broken and whole, tense yet hopeful. </SPAN></SPAN></DIV></div>
HTMLText_FC8993FE_C6C8_3B7B_41C3_1EF3368D5C93.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Textiles are among the artist’s favorite materials. Versatile fabrics bought in the local markets of the places he visits and pieces of used clothing often feature in his paintings, installations and sculptures. As Ouattara said, “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Fabrics are like the second skin in which the world lives, they both hide and represent us. Each piece carries the memory of its maker and owner, and, collectively, fabrics represent the soul of the community</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">.”  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In his series </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The Anatomy of Tissues</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> Outtara focuses his attention on microcosmic invisible connections. Composed of colorful tows of fabrics ('</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>tissus</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">' in French) tied by threads in contrasting colors and fitted with openings resembling membranous walls, these abstract sculptures are evocative of enlarged illustrations of tissues in the body. Yet the ties that interest the artist here are not from cell-to-cell but from soul-to-soul to revealing the key links ensuring social cohesion and importance of reciprocal support in times of challenges. </SPAN></SPAN></DIV></div>
HTMLText_3E850830_5BE9_B643_41CC_776230A76501.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Tournesol (Sunflower)</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> series was inspired by the acumen of young women who stand up against the trend in consumer culture that links lighter complexion with social and professional success in order to promote skin-lightening products. Photographs in this series feature women's portraits in black-and-white highlighted with the bright-yellow color of flowers. This color juxtaposition allows Laté to accentuate the natural beauty of the intense and luminous dark skin, which becomes a rarity because of the proliferation of skin bleaching products which not only efface this magnificent beauty but also have harmful health effects. Laté chose the yellow flowers for this project by association with the nickname "jauna jauna" (yellow-yellow) given to women with bleached skin. In </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Tournesol</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, however, the artist focuses on the sunflower’s resemblance to the sun, under whose influence people develop their natural skin colors. Akin to a professional color proofing specification tool used by photographers and printers, the brilliantly yellow flowers tell us that the images are not negatives, that their colors are true - what appears to be black is indeed black, and that it is beautiful.</SPAN></SPAN></DIV></div>
HTMLText_FA27110D_5AE8_B65D_41C3_15328511B7C7.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The Asmara All Stars is comprised of the following musicians and singers: Adam Faid Amir, Adam Hamid, Ali Hassen, Aron Berhe, Brkti Weldeslassie, Dawit Zeragabir, Doc Reggae, Edwardo Giorgio, Faytinga, Hassan Suleman, Ibrahim Goret, Mahmoud Ahmed Omer, Mohammed Ahmed Shaabi, Noah Hailemelekot, Omar Hola, Sara Teklesenbet, Sedik Omar, Solomon Amanuel, Tekle Negassi, Temasgen Yared, Tesfamichael Tkabo, Tesfaldet Leghese, and Yosef Tsehaye. </SPAN></SPAN></DIV></div>
HTMLText_88B7D18C_2328_BFA8_41A7_74FB2CBEB214.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The hallmark of the collective's visual storytelling that builds on Socrome’s style is mural pieces combining achromatic and colorful sections. By placing black-and-white images within an entanglement of vibrantly colored abstract forms and calligraphic arabesques, the artists direct our attention to the core concerns of today’s Comoran society: climate change, youth empowerment, educational reform, preservation of the country’s nature and heritage. The medium of graffiti painting allows this audacious crew of creative first responders to call for action and bring hope. “It makes us happy to intervene where bad things happen and dispel them with the colors of paradise,” said Tcharo about his and his colleagues’ work. </SPAN></SPAN></DIV></div>
HTMLText_95DD039D_AA79_94E1_41DB_5A5460E70875.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The photographic project “The Prophecy” was conceived in 2013 in Dakar, and seeks to reflect the serious environmental problems that Senegal faces and the consequences of excessive consumption. On the project, Monteiro states “The idea was born in Senegal where, noting the lack of environmental citizenship around me, I wanted to tell a story, a tale that would combine animism and ecology to speak better to hearts and then try to contribute to the awakening of children ecological conscience.” Composite characters, inspired by West African masquerades, emerge from oil slicks, garbage dumps and parched landscapes to deliver men a message of caution and accountability. As a continuation of "The African Prophecy", Monteiro's objective is to disseminate the concept around the world and to create a comprehensive prophecy in which all cultures and all continents would be represented. “Every scourge, every problem does not only concern the country where it is treated but all of humanity. Using each other's beliefs and traditions, I seek to build bridges between all for a more global approach to this unprecedented challenge in the history of mankind. The next two decades will be decisive.” </SPAN></SPAN></DIV></div>
HTMLText_BD9E6423_4A58_BE45_41AC_8864BCEBA6CC.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The two themes closest to Apollinaire’s heart are environment and humanity.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">His visual manifesto in defense of the environment is the positive use, as he describes it, of a broad range of materials and items which the present-day society tosses away with an ease greatly superseding the effort once put in their production. For example, the component parts of his compositions are often held in place with the help of a framework of steel wires recuperated from burnt down tires. The most terrifying of these materials, which, unfortunately, is readily available in Chad, is used bullet shells of different metals and calibers. Collected in battlefields of the 21st century, they often feature in Doff’s 3D sculptural murals as soldered together outlines of human figures. As the artist said in an interview, these anonymous figures symbolize “all those who have died in wars across the Sahel – all those who have fallen, friend or enemy, and those who are left behind, crying for them.”  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">One of the ways Doff addresses the theme of humanity is by questioning the way society treats its least powerful members, and in a way, its own future – the children. Child soldiers, street children, children in slavery and refugee children appear as characters of his art pieces. The adults surrounding these children are not only the criminals and manipulators who lure the young ones into the “informal” sector; but there are also the indifferent ones, the people who see what is going on but who do nothing to prevent the loss of childhood by such children. </SPAN></SPAN></DIV></div>
HTMLText_C68A8CD7_5AB8_8FCD_41CD_5C03BD5D8A7C.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The works presented here consist of hyper-realistic portraits superimposed on layers of geographical maps and economic data, and they reference the mining and the mismanagement of Africa’s natural resources. They are part of a recent body of his work called </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Human@condition</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, exhibited in 2021 at Afikaris Gallery, Paris.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Inspired by the maps of Swiss artist Thomas Hirschhorn, Nkot uses maps to establish geographical context, while the portraits layered on top tell individual stories. He sometimes adds a third layer, of text, to convey additional information that helps to drive home the message of the work. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Through the detailed and nuanced depiction of his subjects, Nkot draws attention to their humanity, saying </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“… rather than highlighting pain and sorrow, I focus on the resilience of the people I represent. I’m interested in the moments of joy, and I capture the smiles behind the suffering. I praise the self-sacrifice and strength of these anonymous individuals.”</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> </SPAN></SPAN></DIV></div>
HTMLText_FA748CC1_C6D8_2D89_41E1_7FF8641472F3.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Thomoo’s practice ranges from traditional media like drawing and painting to new media art (installation, photography, and video). He is deeply concerned with socio-political, psychological and environmental issues. In his recent body of work, he reflects on the social and psychological effects of confinement and isolation during the Covid-19 pandemic.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">In the image series </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Rest in Place</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">, a familiar domestic object, the pillow, is placed in empty outdoor spaces where it does not belong. To add to the discomfort, it is covered with alarming media headlines about the pandemic. The images build a sense of the disruption of the everyday, ‘normal’ world that we have all come to feel during the pandemic. The images in the </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>MaNature Revisits</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> series reference the importance that nature took on for many people during isolation, and reminds us that it is crucial for our wellbeing and survival. In this series, the artist portrays himself with leaves, branches and shafts of light, signifying a deep need to reconnect with nature, sky and sunlight, and also to re-evaluate our ways of life and priorities in the future.  </SPAN></SPAN></DIV></div>
HTMLText_C7785C74_5AB8_8EC3_41BD_06186C782CFB.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">To convey unpredictability, anarchy and harshness of this “informal” subculture, Boua paints the children’s figures in broad black brushstrokes, partially blending them with the rugged and distressed backgrounds reminiscent of dilapidated walls covered in bits and pieces of torn off posters. Often painted with tar instead of professional artist’s paint and on salvaged pieces of cardboard instead of traditional canvas the scenes of the street children’s everyday activities arrest the viewers’ attention setting them on a hard quest of recognizing humanity in the grisliness of settings, appreciating the ingenuity and bravery of the underprivileged young ones. “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>I wanted to show their suffering, their way of life so that people are finally aware of this painful reality they pretend not to see.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”</SPAN></SPAN></DIV></div>
HTMLText_C856A52E_AAC8_9C23_41B5_30BDBA1DB4D1.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Wambeti’s paintings celebrate the abundant forest and mineral wealth of his native country. The viewer is beguiled by the rich colors and intricate details but is ultimately unsettled by the visual opposition between the lush foliage and the human-made elements in these works – the roads and houses, the cars and planes that seem to encroach on and threaten this natural wealth, endangering it through deforestation and the plunder of natural resources. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Of the </SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>L’Homme et La Nature</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> series, the artist says: “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The society we live in is in danger and we are the cause... Let's protect nature, this is essential for all of us and the generations to come because if we do nothing, we will suffer drought and our living conditions will be much harsher</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”. </SPAN></SPAN></DIV></div>
HTMLText_4105462E_25A0_90C8_41C1_0AD3088F6B40.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Zivansh is where Zanzibar meets the world. An experimental and innovative design firm, Zivansh is committed to empowering women and showcasing the groundbreaking culture that Zanzibar has to offer. Zivansh takes traditional African art, crafts, prints, and patterns a step further. The studio’s mission is driven by the desire to provide a platform for the work of local artists.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">,Zivansh employs a broad range of artisans, from basket weavers and tailors to jewelers and soap makers.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>With Zivansh, I took a leap of faith. One fine day, I hopped onto a plane to Zanzibar and started my new venture. I didn’t know exactly what Zivansh should be – I am still figuring it out – but I knew I wanted to create a more contemporary design pedagogy for Tanzania and I wanted to empower women at the same time. Today, Zivansh, supports over 200 women and 20 men artisans around Tanzania.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">- Ravneesh Hans, CEO and Founder of Zivansh and Designer</SPAN></SPAN></DIV></div>
HTMLText_3CB95D88_044C_1E1B_4188_BFCA1DB7AEF0.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>As culture continues to dictate our day-to-day lives, we eventually lose our moral values. Ethnocentrism has always been the worst problem to humanity since the genesis of man. Societies are dismantled as new cultures are born, some lose their cultural heritage and assimilated new lifestyles while others are born in a mix of cultures. Often I love to create works that encourage conversations on things that we as a people look upon as our shared culture; that is commodification and consumerism. With fashion and glamour being the primary focus, i mainly draw inspirations from human behavioural changes that occur during exciting events or crises. I am very keen to raise awareness on issues concerning our breaking societies as triggered by discrimination and segregation, eventually transitioning from disintegration to integration and from environmental change to safety. I consider photography to be an inescapable aspect of today’s world where technologies and trends change overnight. It’s on the basis of this notion that i chose to use photography as either an inspiration or a part of my paintings, installations or art performances. This creative process always involves masking of my subject’s face or particular body parts to portray the dichotomy of ethnic and social based identity versus individuality. Essentially my work is purposely created to evoke emotions and to provoke critical thought on societal grievances as well as the triumphs.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Collin Sekajugo, 2017  </SPAN></SPAN></DIV></div>
HTMLText_3311440C_044C_0E1B_4181_CBBFC47A2C0B.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>I have always concerned myself with the relationship between people and their environments. I like to explore the ways in which conditions of labor, cultural heritage and the environment shift over time. How do humans sustain themselves and adapt when their labor, their lives, and by extension, their relationships to one another are affected by these shifts?  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Photography is my language, the way I can react and contribute to sensitive subjects, or those hidden from us. In all my work I try to give dignity to the people I photograph, to create a positive change in their lives through the messages in my photographs.  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>My work is also a personal documentary. I prefer projects that require building commitment and trust, which gives me a better understanding of the conditions of people I photograph and allows me to reveal the beauty that resides in their hearts. I have come from the same culture and the same reality between the agony and joy of life as them. This is why I can get access to places where others do not dare to go and tell stories nobody else tells.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">- Mário Macilau </SPAN></SPAN></DIV></div>
HTMLText_3CDD9ED5_044C_1A34_4192_B9DBB95C329C.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>I have lived in Addis Ababa all my life. The city is around 150 years old, and over the past decade I have watched it change before my eyes. The recent upsurge in new ‘developments’ and ‘redevelopments’ has altered—and to some extent damaged—the social fabric of the city. People who once lived in village-like communities within the city, like Arat Kilo, have now been relocated to apartment buildings, which offer a completely different type of existence. The main street in the Sengatera neighborhood, once the first stop for collecting kindle to make injera (Ethiopian bread), has now been converted into the city’s financial district. Towering high-rises occupied by banks and insurance firms now inhabit this space. Many older people who once lived off washing clothes and selling injera have lost their livelihoods.  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>The neighborhoods of this city used to be a hive of all kinds of social activities. Residents helped one another sharing everything from shiro stew to coffee, from kitchens to bathrooms. Everybody knew his or her neighbor. Now, the very differently structured new apartment buildings have transformed old customs and ways of living. For me it is interesting to observe how people develop new customs within a new system forced upon them.  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>“Future Memories” began in 2006, the result of conversations with friends who worked in architecture...This body of work is my way of capturing and immortalizing what will—or already has—faded into the past. In a sense, the series provides a visual tour through the Addis I knew and grew up in, showing an unfamiliar visitor what I have experienced.  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>With “Future Memories”, I try to reveal the nature of change in Addis Ababa today. I show the histories and narratives concealed within the physical remnants.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">-Michael Tsegaye </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_37E6468F_0444_0A15_418A_2C1E8B73867F.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Most of my paintings are about women, I see them struggling and living a very painful life. Women are abused because they don’t have the power to fight and this touches me deeply and shows in many of my paintings. I also explore happier topics as some women who do live a happy life with their families. I explore the ideas that women can do everything a man does, and have the power. People in Eswatini must start trusting women and giving them respect and power. But women must also make themselves powerful!</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">- Phindile Mamba</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Despite tackling difficult subjects relating to women’s oppression, Phindile uses charming and colorful images to illustrate her strong point of view. Animals feature often; good people are symbolized as cats, doves or sheep and dangerous ones as hyenas or snakes. Flowers, butterflies, and nature bring Phindile much joy in her life and are in most paintings. The husband in the one painting is featured as a leopard, but not a threatening one, now docile and content being carried around by a strong wife. Even in The Leader, the woman has her fist raised demanding power, but the cute sheep soften the message. Phindile is softly spoken and humble but one should not underestimate her power and strength as like many women in Eswatini, she holds the society together. </SPAN></SPAN></DIV><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> </SPAN></SPAN></DIV><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Phindile lives in a patriarchal culture and the art world is male dominated, she now takes great pleasure in telling men in her community that their opinions that women cannot be artists are old fashioned. As a single mother with three children to raise she is now working as a full-time artist. Like the strong women that feature in her paintings she has created a better life for herself and her children through her hard work as an artist. </SPAN></SPAN></DIV><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"> </SPAN></SPAN></DIV><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Text By Aleta Armstrong</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_33C9F914_044C_060B_4175_D299288CA632.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>My work is a continuous process of transformation, moving back and forth between ideas and materials. Looking at how materials can represent an idea, and how an idea can adopt materials thus creating objects of contemplation. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>A curious person, I am not limited to the employment of one medium as a form of representation or manifestation of ideas that I respond to, but my every project I undertake always presents me with a fresh look and approach to creating art. This has led me to collaborate with technicians, artists and artisans to put my work together. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>I am interested in the human person and social, political, economic and environmental conditions that affects existence of human beings. As an artist, my work has looked at different topics; histories of human migration, fashion and status, consumerism and cultural imperialism and art itself. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>I employ repetition and accumulation of objects to create a rhythm that to me represents a continuous visual chant.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">- Longinos Nagila </SPAN></SPAN></DIV></div>
HTMLText_CD33897E_5AAF_B6BF_419E_5CB3C8970CCF.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>This work allows me to speak with the younger generation, to show that woman belongs everywhere and not only in the household… The moment women become aware of the influence they can have on the formation of society; they will be able to influence this society and transform it for the best.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“When the Walls Speak” is a series in which Kani appealed to the symbolism of a wall as a protective yet confining structure to break silence surrounding the cultural norms and practices limiting the freedom, empowerment and integrity of women in today’s Malian society. Each photo is dominated by a woman’s figure in intensely bright, somewhat intimate domestic clothing against the background of a solid wall. The women either face away from the viewer or are shown in profile, as if in a dialogue with an invisible interlocutor. The sharp contrast between the vivid colors of their clothing and the dull hues of the walls forces the eye to focus on the women – their personalities and emotions transpire in the poses even when the faces are not seen. Says Kani, “</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Women face the walls, because, quite simply, women trust walls more than people, because that's what society recommends…The walls are the ones that have our true testimonies.</I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Faithful confidants, not threatening to judge, reject, or point fingers, they know more about the problems of women than the humans themselves…</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">” This series, therefore, is an invitation to a dialogue; it encourages women to break the barriers fencing them in and realize their rich potential.</SPAN></SPAN></DIV></div>
HTMLText_9D15D7BD_AA48_9C21_41CD_5E4A3AED1C96.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“</SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Today, when I look at my work, I understand that my upbringing and milieu not only forged me, but they also became my sources of inspiration. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Whatever materials I use, I find pleasure in them – wire with which to draw, metal with which to color, and clay with which to watercolor. Objects, animals, and humans are the actors of the theater which I set into play in the story of my life. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';"><I>Birds are my symbol of liberty. Sculpting them is like a form of self-therapy. I hide behind a bird to express my desire for freedom, my dreams of the kind of life I don’t have and will probably never have – all the things I cannot say or do. To me, birds are my self-portraits, but once an artwork is created, it lives its own life, so with my sculptures each viewer can interpret them the way they like.</I></SPAN><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">- Oumar Ball</SPAN></SPAN></DIV></div>
HTMLText_4583623F_0444_0A75_4185_5A4069FCEA38.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“Action is what distinguishes the dreamers from the achievers. I learned this from a very young age. I’m a medical technologist, fashion designer, entrepreneur and an activist, and I am very passionate about issues of gender based violence, HIV and AIDS, women’s health and empowerment. I combined my artistic flair and activist practicalities and created my work “Young Bride”. “Young Bride” represents young girls being robbed of their fundamental human rights, and right to education.” </SPAN></SPAN></DIV></div>
HTMLText_2A8ED061_044C_060D_4191_80FBEC7A32A9.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“As an artist, I want to be the voice of those who haven't had the chance yet to be heard, specially of women.”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Cedric feels a deep connection with nature, culture and people, and his inspiration comes from absorbing the emotional and sensory experience of his surroundings. With a talent for seeing beauty in the small instants of the day-to-day life, in his creative work Cedric seeks to draw attention to the women and men of rural and poor areas of Rwanda, and to the value of each individual regardless of age, size, social or economic status.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">Cedric Mizero’s path towards an artistic career began when he was growing up in a small village in western Rwanda. He watched his mother knit clothes and began inventing new kinds of outfits as a game. In his teens, Mizero began tailoring, and in 2012 he moved to Rwanda’s capital Kigali to pursue fashion design professionally. Living in a big city and working in high fashion, Mizero has encountered a culture that idealizes beauty – women’s in particular – but takes it at ‘face value.’ Least intimidated by the glamour aspect of fashion industry, and “never scared to try new things,” in the words of John Munyeshuri, the founder of the Kigali Fashion Week, in 2017, Mizero decided to challenge this culture and become a voice for common people with his Fashion for All project. He launched the project in 2017 by engaging farmwomen to model his dresses on the runway during the Collective Rwanda Fashion Show. Mizero repeated his bold experiment the following year and subsequently organized exhibitions “Strong Women” and “Beauty in the Heart” featuring photo portraits of his impromptu models in fashionable outfits, equipped with typical attributes of farm life – tools, produce, a village bicycle – that were fully gilt. By liberally employing gold and glitter – symbols of wealth, superiority and excess – Mizero encourages the viewers to recognize the dignity, resourcefulness and strength of rural women, a driving force of local economy whose needs are often overlooked and unappreciated.</SPAN></SPAN></DIV></div>
HTMLText_58C692CD_4AA8_9BDD_41D3_138E8165D439.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“For years, women have lived and worked in the shadow of men without having the right to elect their representatives or to express their opinion in the public sphere. Today, they fight for equal rights with men. Trough cultural activism they encourage other women to speak up about their concerns.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14.16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">When I take a look at filmmaking, I see that there are more and more women in this field who are active in expressing themselves, who tell stories based on their own experience. But what hinders the emergence of women artists is the lack of confidence and encouragement in bringing their work to life. When you want to make something, you are afraid of failure, especially in a field that has long been dominated by men. Today, more than ever, female artists need support in their responsibilities as women of culture, without any discrimination in building their careers and forging a better future not only for themselves but also for their families and their communities.” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">--Amina Weira</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p></div>
HTMLText_4F4A27C4_044C_0A0B_418F_DC67D8541A4A.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“I am a Seychellois of multi-ethnic European, African and Asian descent. I live and work in the multi-cultural society of Seychelles. The heterogeneity of the Seychelles human environment has inspired me to work with fabrics as a genus of common denominator bridging all social classes and linking the past to the present. The language I use attempts to go beyond the classical type of western art history-based education that I have received and is in some ways a reaction to it, in that the western tradition seems to deny indigenous values and excludes the work of women.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">I am concerned about the treatment of women and try to explore their emotional, spiritual and social conditions in order to make statements. I use the materials, tools and techniques associated with women and craftwork executed by women: fabrics, patchwork, appliqué, embroidery, needles, sewing machines, thread, all of which I metaphorically or symbolically transform into evocative images reflecting women’s lives and experiences in different contemporary contexts; all of which echoes sauti ya wanawake, or ‘women’s voices’ in Swahili.” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">-Christine Chetty </SPAN></SPAN></DIV></div>
HTMLText_3A6E7679_044C_0AFC_4188_3D206067D9BA.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“I am a sculptor, a painter and ceramist. My art comes in different mediums...I have worked with clay, metal, wood, cement, soapstone, paper and wire in sculpture. In painting, I’ve practiced with oils, acrylics, water paints, earth paints and other innovative materials. I believe in being free with materials and approaches than being conventionally constrained to one medium or approach as expected by academics. I don’t believe that an artist is supposed to restrict himself or herself to one medium in order to be recognizable or to master his or her skills.   </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">My canvases in painting are usually heavy and irregular in shape with some folds because I believe a canvas is supposed to talk before you start painting on it. I let the canvas control me at the same time I control it. I feel flat canvases are less challenging cause they cannot control me.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">I am generally an expressionist and my work is usually a mixture of figurative, imaginary and abstract characters. I love contrasting colors and textures. My art is mostly interpretative with political and social themes.” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">-Eva Chikabadwa </SPAN></SPAN></DIV></div>
HTMLText_BEC729FF_23D9_EF68_41A3_68ADC9C5C3D5.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“I believe that cinema has the power to teach, while entertaining people.  My movies portray social problems, most of all the gender disparities and gender-based violence.  I have seven sisters - my movies are dedicated to them and to all the women, not only in my country, who are treated as objects and are victims of violence by the hands of their husbands.  Women and men don’t know that there are laws protecting women and I want people to be informed.  Cinema is a tool that reaches everyone. When I showed Milu, you could have heard a pin drop, everyone was so captivated by the film. It received enthusiastic support and applause from the audience.  Many of the women identified with the protagonist who was beaten by her husband and gained his respect only when she completed her studies and made a position for herself. Many of the women in the audience felt I had told their stories.”  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">I hope I will be able to raise the funds to transform Milu into a long-form film, one that can continue to teach women to stand up and to believe in themselves.” </SPAN></SPAN></DIV></div>
HTMLText_7975D7D4_25A3_9F58_41B7_50C3A78313DE.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“I like taking pictures and I like to speak. Learning how to make online videos during the pandemic when it was quiet in Stone Town, I had no tours to give but plenty of time on my hands gave me an opportunity to keep doing what I love, remain in touch with old friends, gain new audiences and help the local community.  I don’t do tours, I create experiences!” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">-Ally Jape </SPAN></SPAN></DIV></div>
HTMLText_3A0880CE_044C_0617_418C_E0E67EABDB8D.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“In order to hunger for liberation, we must see ourselves as agents of liberation, as change-makers and leaders. We have absorbed propaganda that feeds our sense of inferiority for so long that it is both necessary and vital for us to radically push our own propaganda – propaganda that will manifest itself into change. This is what Sisini Tunachokiona (we are what we see) is inspired by, a regeneration of imagery that aims to correct what history preconditioned us to believe. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">The digital unretouched images are part of a spiritual imaginarium - inspired by continental traditions of folklore and storytelling where Black bodies transform into the likes of gods and enlightened ethereal beings. Black women as saints, goddesses and guides. An addition towards the movement of reclaiming narrative, starting with sight – when we see and believe ourselves to be powerful,  abundant, and capable of wonder, we start manifesting those beliefs.”  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">- Valerie Amani </SPAN></SPAN></DIV></div>
HTMLText_2BF9D4D0_044C_0E0B_418A_EA28EC8CFEFF.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“Influenced and inspired by the islands nature, my artworks are created from personal interests, curiosities and experiences. I like to explore the connection between science and nature, merging the old and the new, the past and the future, surreal and the real.”  </SPAN></SPAN></DIV></div>
HTMLText_3BF616AC_0444_0A1B_417E_522E284886C0.html = <div style="text-align:left; color:#000; "><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">“While I aspire to be an artist of many talents and I love to try different mediums and techniques to deliver my ideas, illustrations and cartoons remain my main artistic language. Through these mediums, I feel I can get to know myself and the world I live in better, and they also give me the opportunity to appreciate the parts of my culture that I love and criticize the parts I don’t. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">My illustrations very often feature women that celebrate different body shapes, away from body-shaming, and celebrate African hair and features, in contrast with white-washed and Arab-washed beauty standards. The women I draw are purposeful and unapologetically themselves, women that I can see parts of myself in and also aspire to be like.” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="line-height:130%;text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat Light';">-Alaa Satir </SPAN></SPAN></DIV></div>
HTMLText_5C45C1FD_05C4_09F5_417A_D911816F2818.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot. </SPAN></SPAN></DIV></div>
HTMLText_6786C5E7_0444_0E15_418B_BEC675F584FB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">As Africa negotiates its path forward, one of its unique challenges will be the unlocking and harnessing the latent power of women and young people. From a courageous voice speaking from a country recovering from war, to an international star fêted by international galleries; from a muffled voice freeing itself from stifling social norms, to a committed social activist, these are the voices that will unleash the human capital of Africa and raise international awareness on the urgency for climate action in Sub-Saharan African countries. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">We encourage you to take your time as you explore this virtual exhibition, to see what the artists have to say, and the multiplicity of perspective they present. You will discover nuanced questions, and a group of powerful forward-looking visionaries.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:16px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>Curator and Program Manager:</I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"> Marina Galvani  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>Core Exhibition Team: </I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">Juliana Biondo, Naheed Bilgrami, Elena Grant, Marie-Louise Nguza </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:16px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';"><I>Exhibition Soundtrack: </I></SPAN><SPAN STYLE="color:#ffffff;font-size:16px;font-family:'NeueHaasGroteskText Pro';">Asmara Allstars </SPAN></SPAN></DIV></div>
HTMLText_4D9EFDFA_21D5_ED21_41AE_BF20619BD278.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="display:inline-block; letter-spacing:1px; white-space:pre-wrap;color:#ffffff;font-size:20px;font-family:'Poppins Medium';">WATCH ME FLY</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="display:inline-block; letter-spacing:1px; white-space:pre-wrap;color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>Women, Empowered </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Empowerment can be defined as the capacity of individuals, groups, and/or communities to take control of their circumstances, exercise power, and achieve their own goals. Empowerment is also a process by which, individually and collectively, people overcome any sense of powerlessness to be able to maximize the quality of their lives. What does it take to be empowered? And, what does it take to be empowered as a woman? </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To build individual and collective empowerment the World Bank and many other international organizations focus on first securing the existence of key societal offerings: opportunities for decent work, access to basic services, and access to information to enable full participation in the political life of their countries. Within these items is a kaleidoscope of challenges that specifically impact women. For example, to ensure everyone has opportunities for decent work one must consider first gender equality. The barriers women often face in freeing themselves of any kind of mandated domestic responsibilities or roles in many parts of the world are heavy, and prevent many from even thinking they could create a meaningful living for themselves.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Among these artworks are explorations into what it means to function as a community in which the collective supports each individual in becoming their fullest selves. You will find artists who question what it means to redefine yourself both according to and against your history, and who shine a bright light to celebrate women who carry out their empowerment day in and day out to help others. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Hawa-Jane Bangura, Sierra Leone </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Mia Collis and Cynara Vetch, Kenya-UK</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Daniella Charissa Iradukunda, Burundi</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  modupeola fadugba, Nigeria</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Emmanuelle Laté, Gabon</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Phindile Mamba, Eswatini</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  ‘Matlali Matabane, Lesotho</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Enas Satir, Sudan</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Puno Selesho, South Africa</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Kani Sissoko, Mali</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot. </SPAN></SPAN></DIV></div>
HTMLText_0E390F90_3ADD_A41F_41CD_0D2C712C48AC.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';">BREAK THE MOLD </SPAN><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I> </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>Creative Pathfinders </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">The arts can be used to inspire civic and social changes. Often, individuals are able to express themselves most powerfully without words, touching the hearts and minds of others through images. Much of what an artist does is find ways to connect with those who view their works. An artist is a problem solver - how can I communicate my idea in a way that others will understand? It can be difficult to find stakeholders throughout the social, economic and governmental institutions of society that speak to and about their constituent as their absolute first order of business. It is therefore civil actors, and creative minds, that have the responsibility to ensure important conversations don’t go ignored.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">In this section, you will come across artists who confront the practice of child brides through sculpture. You will also learn about art activism and see an artistic collective use street performance to reach people in their backyards to spur important political change. These artists, through their innovative approaches to communication and unapologetic desire to connect with their audiences, are true agents of change. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Anataban, South Sudan</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Taki Gold, Liberia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Ally Jape, Tanzania</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Sona Jobarteh, The Gambia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Ravneesh Hans, Tanzania</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Nujuum Hashi, Somalia </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Hem Matsi, Namibia </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Kresiah Mukwazhi, Zimbabwe </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Alaa Satir, Sudan </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Amina Weira, Niger</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot.</SPAN></SPAN></DIV></div>
HTMLText_F9CB3744_C572_C80F_41E7_F484D272640C.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';">COMMUNAL RESILIENCE</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>Thriving in the age of COVID-19  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">The COVID-19 (coronavirus) pandemic has taken a drastic human toll, its economic and social impacts reverberating globally. The World Bank’s support throughout the pandemic has been focused on helping countries address the crisis and transition to recovery through a combination of saving lives, protecting the poor, securing foundations of the economy, and strengthening policies and institutions for resilience. Overall, building a resilient and inclusive recovery. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">The artists in this section explore what it means to be resilient in times of crisis, and what a thriving recovery looks like. Nú Barreto from Guinea-Bissau took the pandemic as an opportunity for an introspection and reflection on the possibility for the society to start things all over again in a new way. Using a system of universally recognizable symbols, Barreto made drawings each day as a kind of testimony for what will define the time. Musical group Calema from São Tomé and Príncipe took a different approach, producing vocal tracks that were intended to be more extroverted, and spread hope, high energy, and light. All of the artists in this section engage with the pandemic with both a realistic and optimistic lens. These artists reveal the depths of one’s inner, more solitary life while at the same time showcasing the importance of projecting to one’s community a hopeful vision of what it could be. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Nú Barreto, Guinea-Bissau  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Calema, São Tomé and Príncipe</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Gael Maski, Democratic Republic of Congo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Hyacinthe Ouattara, Burkina Faso</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Rijasolo, Madagascar</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Kavinash Thomoo, Mauritius</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot.</SPAN></SPAN></DIV></div>
HTMLText_0FBDF906_3ADC_AC03_41C8_050ED772312F.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';">LISTEN, I SPEAK</SPAN><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>  </I></SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>New African Narratives  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">How do you tell a story? A story is defined by its many elements – who the characters are, where the narrative takes place, and the kinds of triumphs and challenges the characters experience.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Storytelling shapes individual perceptions of what certain realities are, and in aggregate, forms entire understandings of people and places. What happens then when those who tell the story are different than those who are experiencing it? Research has shown that the narratives which are popularized about the African continent – regardless of their truth or point of origin or view – have direct impact on a range of issues, from the amount of investment into Africa to migration patterns from the continent. Many of those who lead the work of evaluating and transforming these narratives are the continent’s creatives. Organizations, such as Africa No Filter, tell African stories with depth, honesty and nuance to shift stereotypical and harmful narratives about their continent.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">The artists featured on this page explore different aspects of the narrative change ecosystem. Videographer Ally Jape from Tanzania started his own channel on YouTube to reclaim the power of local Tanzanians to share their history with their own voice throughout the tourism sector. Eva Chikabadwa, an artist from Malawi, questions the impactof tribal traditions on informing the expression and reception of contemporary African culture. Kim Karabo Makin from Botswana confronts biculturalism in the African continent and the importance of imagination to learn how to present the identity you want the world to perceive.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Valerie Amani, Tanzania</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Alun Be, Senegal</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Christine Chetty Payet, Seychelles </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Eva Chikabadwa, Malawi</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Serge Attukwei Clottey, Ghana</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Apollinaire (Doff) Guidimbaye, Chad</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Kim Karabo Makin, Botswana</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Mampuya (Massy) Mayimona, Republic of Congo </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Joseph Obanubi, Nigeria</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Asmara All Stars, Eritrea</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot.</SPAN></SPAN></DIV></div>
HTMLText_2ADDFD6F_3549_6980_419E_CCE8B13DF3FC.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';">SEE THE UNSEEN</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>Urban Stories </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Globally, 55% of the population lives in urban areas. By 2045, the number of people living in cities will increase by 1.5 times to 6 billion, adding 2 billion more urban residents. Cities are centers of economic power - more than 80% of global GDP is generated in cities.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Cities also contain another kind of power, a social one. Cities – by their very nature – are chaotic and complex, refusing to be fixed in time. At the simplest level, cities are a place of friction, a melting pot of differences in religion, age, and wealth, to name a few. How are these differences expressed? Where can one see and feel this co-existence of opposites?</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Some of the artists you will explore present cities as feelings, places that are defined by the intangible experiences they generate, more than their physical structures. Others showcase cities as the stage of individual struggle and inequality, especially exacerbated by forced migration as caused by climate change. Some of the artworks question the relationship between the individual and an entire urban ecosystem. Who plays what role in such a complicated environment? Michael Tsegaye directly confronts the confusing nature of time in the city, titling his pieces “Future Memories” as if one cannot barely know what is forthcoming, and what has already happened.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">How can we learn to look deeper into urban environments, and find the stories that will unlock our understanding of how to grow well and sustainably, as we move toward the inevitable urban dwellers? </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Nebay Abraha, Eritrea</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Camille Tété Azankpo, Togo</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Armand Boua, Cote d'Ivoire</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Omar Diaw Chimere, Guinea</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Jean David Nkot, Cameroon</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  R. Canon Griffin, Uganda </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Mário Macilau, Mozambique </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Longinos Nagila, Kenya </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Collin Sekajugo, Uganda/Rwanda </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Michael Tsegaye, Ethiopia</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot. </SPAN></SPAN></DIV></div>
HTMLText_9F160C6E_AA5F_6C23_41E4_06DE0CD8CBE5.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';">SYMBIOSIS,</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>Living with Climate Change  </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Our natural world is one of immense beauty and responsibility. Respecting nature is to also recognize how impervious nature seems to our total understanding, while not to our actions. The World Bank Group recognizes that climate change, and its associated poverty and inequality are the defining issues of our age. No country today is immune from the impacts of climate change. According to the Bank’s most recent research, climate change could drive 216 million people to migrate within their own countries by 2050, with hotspots of internal migration emerging as soon as 2030, spreading and intensifying thereafter. Climate change could cut crop yields, especially in the world’s most food-insecure regions. At the same time, agriculture, forestry, and land use are responsible for about 25% of greenhouse gas emissions. The agriculture sector is core to addressing the climate challenge. And while reducing emissions and becoming more resilient are possible, it would require major social, economic and technological changes. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Artists featured in this section of the exhibition are grappling with this very reality through their artwork. Fabrice Monteiro from Benin uses the mythical and the theatrical to capture film-life photographs of nature at it’s most dramatic. He questions the role of mythical storytelling as a cultural tradition that can be leveraged to help better educate communities on managing climate change. Another artist from Senegal uses the natural world – dirt, stones, and sticks – in his actual paintings to pay homage to the world that inspires everything he does. And another crafts intricate assemblages that weave an academic and encyclopedic understanding of nature with a felt one – showcasing natures impact on the one’s head and heart. Through their provocations of and with nature, these artists are pushing us to imagine a greener future.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Oumar Ball, Mauritania  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Aliou Diack, Senegal</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Fabrice Monteiro, Benin</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Zé Pereira, Cabo Verde</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Dieudonné Sana Wambeti, Central African Republic</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Barbara Wildenboer, South Africa</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot.</SPAN></SPAN></DIV></div>
HTMLText_511EA079_05CC_06FC_4179_DF28BADF8898.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';">WALK WITH ME </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins Medium';"><I>Road to Recovery </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">What does it mean to be resilient? </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';"> A thought which classically follows resiliency in the international development sector is climate change, or green initiatives. While resiliency and recovery are often tied to environmental change, they can be much broader.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">In this selection of works, you will see artists confronting this idea of recovery personally – to recover means to reinvent a sense of self on the individual level. Others respond to the idea of resiliency more directly - to be resilient means to generate physical buildings, or new working methods, or jobs that didn't previously exist, and give them to people who never had the chance to experience them before. One artist from Tanzania shows how to leverage her creativity on digital platforms to generate a new source of income for herself. Another artist from Rwanda invites us to reconsider the beautiful gravitas of rural female farmers - how grand and elevated their contributions are to their communities and regions, despite how humble their statures can too easily be perceived.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Recovery is not only the act of making better following a challenge. It is the process of discovering how to perpetually grow, as a state of being in and of itself. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV></div>
HTMLText_4F473812_21AD_52E0_41BF_1EC97F773E25.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins';">WALK WITH ME </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:20px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:20px;font-family:'Poppins';"><I>Road to Recovery</I></SPAN><SPAN STYLE="display:inline-block; letter-spacing:1px; white-space:pre-wrap;color:#ffffff;font-size:20px;font-family:'Poppins';"><I> </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">What does it mean to be resilient? </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">A thought which classically follows resiliency in the international development sector is climate change, or green initiatives. While resiliency and recovery are often tied to environmental change, they can be much broader.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">In this selection of works, you will see artists confronting this idea of recovery personally – To recover means to reinvent a sense of self on the individual level. Others respond to the idea of resiliency more directly - to be resilient means to generate physical buildings, or new working methods, or jobs that didn't previously exist, and give them to people who never had the chance to experience them before. Ravneesh Hans, the creative entrepreneur from Tanzania shows how to leverage her creativity on digital platforms to generate a new source of income for herself. Cedric Mizero, designer from Rwanda invites us to reconsider the beautiful gravitas of rural female farmers. How grand and elevated their contributions are to their communities and regions, despite how humble their statures can too easily be perceived.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">Recovery is not only the act of making things better following a challenge. It is the process of discovering how to perpetually grow, as a state of being in and of itself. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Poppins Medium';">Artists Featured: </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Juan Pablo Ebang Esono, Equatorial Guinea</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Lola Keyezua, Angola</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Cedric Mizero, Rwanda</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Elisia Nghidishange, Namibia</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Ngadi Smart, Sierra Leone  </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Tcharo-Makinz-Socrome, Comoros</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Mbolatiana Raoilison (Clipse Teean), Madagascar</SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Agnes Buya Yombwe, Zambia </SPAN></SPAN></DIV><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">  •  Juliette Zelime (Jadez), Seychelles</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:12px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="color:#ffffff;font-size:14px;font-family:'Montserrat';">To explore the space, click and drag your cursor. To learn more about each artist, click each white hot spot. </SPAN></SPAN></DIV></div>
HTMLText_3B3FD677_0444_0AF4_4173_9DF7F3E8D98E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">#Anataban is an arts initiative in South Sudan, founded in 2016 by a collective of young visual artists, designers, poets and musicians. Tired of the violence and insecurity, poverty and hunger resulting from the conflict between opposing political factions (Ana taban means “I am tired” in Arabic), the group aims to promote greater understanding and solidarity between communities by creating a platform for South Sudanese citizens to speak out about their common economic, social and political problems.  </SPAN></SPAN></DIV></div>
HTMLText_2A994073_044C_060D_4186_345DF45E5A5E.html = <div style="text-align:left; color:#000; "><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Cedric Mizero was born and raised in a small village of Gishoma in the Western Province of Rwanda. Since he was a teenager he enjoyed experimenting with clothes and creating styles that would catch the eye of the community around him. In 2012, he moved to Kigali, the capital of Rwanda, where the local fashion designers and artists supported him in his initial experimentation with conceptual art and fashion . A self-taught artist, Cedric enjoys observing and exchanging with fellow artists and artisans; he learns from their techniques and hard work to stay motivated in his own development. He chooses to mix disciplines experimenting with paint, textures, fabrics, and utilitarian objects allowing himself to navigate freely through feelings and emotions to raise a voice for love through art.</SPAN></SPAN></DIV></div>
HTMLText_FA1AA1C3_5AE8_B9C6_41A4_CFFF826A3667.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">A self-taught photographer with a Master’s degree in architecture from the San Francisco Academy of Art, Alun Be lives and works between Senegal, France and the United States. He is part of a new generation of African photographers who are establishing creative new ways of perceiving ‘Africa’, throwing off the stereotyping colonial gaze and imagining new futures for the continent and its people. His work has explored female empowerment, technology and inter-generationality.</SPAN></SPAN></DIV></div>
HTMLText_2A112926_044C_0617_4188_4A7EDB364544.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Agness Buya Yombwe (b. 1966, Zambia) is a mixed media artist and co-founder of the Wayi Wayi Art Studio and Gallery based in Livingstone, Zambia. She earned her Art Teacher’s Diploma from the Evelyn Hone College of Applied Arts in Lusaka, Zambia. Yombwe’s artistic practice explores indigenous knowledge systems of the Bemba people of Zambia, in particular the sacred emblems and artifacts known as Mbusa that are used in secret initiation and marriage ceremonies.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Her work has been featured in both solo and group exhibitions, and she has undertaken prestigious studio residencies at the Edvard Munch Studio in Oslo, Norway in 1995 and the McColl Centre for Visual Arts in North Carolina, USA in 2002.</SPAN></SPAN></DIV></div>
HTMLText_3BE9D6BA_0444_0A7F_418F_3F05D5B6A953.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Alaa Satir, born in 1990, is an artist, activist and illustrator from Khartoum, Sudan. She graduated in architecture from the University of Khartoum and is currently pursuing an MA in illustration and visual media at the University of the Arts, London, UK. Her first solo exhibition Morning Doodles (2017),  explored feminism, social media and politics.  In 2018, her work was shown as part of a group exhibition promoting women’s rights and challenging gender-based violence. She currently works as an independent graphic designer, illustrator and cartoonist.</SPAN></SPAN></DIV></div>
HTMLText_E967CDBC_AA58_AC27_41C6_EC306F597B33.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Aliou Diack was born in 1987 in Sidi Bougou, in the Mbour region of Dakar, Senegal. He received his artistic training from the National School of Arts in Dakar. His higher education was distinguished by his exploration into the use of nontraditional mediums, those beyond graphite. This led him to harness his fascination for nature, flora, and fauna incorporating the very material of the natural world into his pieces. Diack’s works maintain a sober quality, representative of a primitive and instinctive universe. He has shown in galleries and exhibitions in London, New York, Lagos and Paris.</SPAN></SPAN></DIV></div>
HTMLText_7973B7E2_25A3_9F78_41B0_CB498BAFC03C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Ally Jape is a tourism professional, storyteller and videographer from Tanzania whose work focuses on cultural aspects and heritage of Stone Town, Zanzibar, a UNESCO heritage site which maintains much of its authentic architecture, socio-cultural, and ecological patterns.   </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">At the age of 17, Ally Jape started his professional career in tourism as a graduate of Kawa Training Center, an educational institution preparing Zanzibari Youth for a career in the tourism industry. He acquired many of his skills through specialization courses in marine life, heritage and preservation, as well as by self-learning and teaching. With over 6 years of experience as a tour guide in Stone Town, Zanzibar and as a graduate of a one-year course at the State University of Zanzibar, Ally’s quest for innovation is constantly evolving.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">When travel restrictions induced by the coronavirus pandemic made it impossible for tourists to visit Zanzibar, Ally learned how to make and edit videos with a smartphone to offer virtual tours of Stone Town for people in self-isolation. With an average number of 3,000 viewers per video, in 2020 his contributions to advancing Zanzibar’s tourism sector have been recognized by the National Tourism Champion Of The Year Award. </SPAN></SPAN></DIV></div>
HTMLText_BD9BC432_4A58_BE47_4188_D1F42299C305.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Apollinaire Guidimbaye, artist’s alias “Doff,” is a self-taught full-time Chadian artist working in mixed media with special emphasis on non-traditional art materials and found objects. Nicknamed Doff (“the fool” in the Wolof language) for his brave scavenging expeditions to dump sites in search of scrap materials for his bricolages – rusted metals, electronic equipment parts, discarded clothing items – he gained recognition for the ingenious ways in which he puts to creative use almost any material that others simply dispose of. He has been exhibiting his work since the age 20 in Africa and Europe, and </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>We Are Afrika</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> is his first exhibition in the United States. </SPAN></SPAN></DIV></div>
HTMLText_C77DCC84_5AB8_8E43_41D2_FA39591DFD1F.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Armand Boua was born in 1978 in Abidjan, Ivory Coast, where he lives and works. He graduated from the École des Beaux-Arts and the Centre Technique des Arts Appliqués in Abidjan (the Technical Center for Applied Arts), the Sainte Marie Training Institute, and the Museum of Civilization. Boua specializes in painting that incorporates non-traditional media, including found objects. His pictorial subjects are inspired by daily encounters in the streets of the rapidly developing and industrializing city of Abidjan. The theme of particular concern to Boua is the myths and realities around the influx of runaway children in the Ivorian capital.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Gangs of young adolescents and children who lost their families or escaped from home and are surviving on their own in abandoned urban quarters have been a growing problem in many megalopolises. Lacking the wisdom, care and love of adults, detached from places of birth, deprived of education, often burdened with crime, and relying on minimal resources, these children create their own world with its special moral norms and secret languages. The street language of Abidjan is known as “Nouchi” and it is in Nouchi that Boua, who works closely with street children, gives titles of his paintings.</SPAN></SPAN></DIV></div>
HTMLText_F22C9DAB_AAC9_6C21_41E3_185B798DD712.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Barbara Wildenboer is a visual mixed media artist who lives and works in Cape Town, South Africa. With gallery representation in Cape Town, Johannesburg, London, Lisbon and Luanda, Barbara is an international artist focused on using her creative practice to dig deeper into the mysterious nature of reality and our beliefs about it. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Barbara completed a BA(Ed) with majors in English literature, psychology and pedagogics at the University of Pretoria in 1996 followed by a Bachelor of visual arts from UNISA in 2003. In 2007 Barbara obtained her master's in fine art with distinction from the Michaelis School of Art at the University of Cape Town in South Africa. From 2009-2016 Barbara worked as the head of the Photography Department at the CityVarsity College of Creative Arts where she lectured on theory &amp; discourse and history of photography. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">She has been awarded several international residencies such as the UNESCO Aschberg Residency (Jordan, 2006), the Al Mahatta Residency (Palestine, 2009) and the Red De Residencias Artisticas Local (Colombia, 2011), the Rimbun Dahan Artist Residency (Penang, Malaysia, 2013), L’Ateleier Sur Seine (Fontainebleau, France, 2017) and Hannacc (Barcelona, Spain, 2018).  </SPAN></SPAN></DIV></div>
HTMLText_3CD48EE3_044C_1A0C_417E_B94EFAFAE510.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Born in 1975, Michael Tsegaye lives and works in Addis Ababa, Ethiopia. He received his diploma in painting from Addis Ababa University’s School of Fine Arts &amp; Design in 2002, but soon switched to photography as his principal medium of creative self-expression. His previous experience as a painter has greatly influenced Tsegaye’s photographic work in the ways he approaches composition, uses perspective, and accentuates texture in his images. It is not surprising that his photographs have a painterly feel. He has stated that he does not follow photopapers, instead finding solace and rapport with the painter community in Addis Ababa, which has helped him hone his own craft as a photographer. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Since 2006, Tsegaye has worked internationally with prestigious publishing houses, press agencies and NGOs, including Médecins Sans Frontières and UNESCO, specializing in documentary photography. Tsegaye’s artistic oeuvre is greatly inspired by the history and culture Ethiopia and its sprawling capital Addis Ababa. His portraiture, landscapes and cityscapes are an ongoing visual story of the simple unadorned – and often vanishing as urbanization and technological progress set in – traditional ways of life. </SPAN></SPAN></DIV></div>
HTMLText_3309E41A_044C_0E3F_4182_C431CC75D5E7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14.163934426229508px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Born in 1984 in Maputo, and based in Mozambique and Portugal, Mário Macilau began photographing in 2003 and by 2007 dedicated himself solely to his practice when he traded his mother’s cell phone for his first camera. Central to M</SPAN><SPAN STYLE="font-family:'Poppins Light';">á</SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">rio’s artistic practice are multi-year, research-based photography projects that focus on the working and living conditions of socially excluded groups, such as street children, waste pickers, members of vanishing traditional religions and people from areas affected by major natural disasters.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Macilau is committed to initiating positive change across different cultures, locations and perspectives. Taking portraiture as a point of departure, intimacy becomes the key to unlocking broader perspectives and narratives. Macilau shoots in black and white, using depth of field and natural light to achieve rich compositions of muted tones and textures - sometimes resulting in dark black or underexposed backgrounds – to achieve a nuanced and poetic atmosphere in his images.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">With the ambition to become one of the best young photographers in the world and the mission to bring the voice of the people to the world, his work has been recognized both in Mozambique and internationally.</SPAN></SPAN></DIV></div>
HTMLText_BD907670_C4CE_3127_41A6_9A03495CDA20.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Born in 1990, Gael Maski is a mixed-media artist who lives and works in Kinshasa. Trained in painting at the Académie des Beaux-Arts, Kinshasa, his practice has evolved to embrace other media. Inspired by the 2017 Lubumbashi Biennale, whose theme </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Éblouissements</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> (dazzlements) explored the ways in which reality can be reimagined through images, Maski decided to base his practice on photography. He uses photocollage as a means of blending the real and the imaginary. Maski has been represented by Angalia Gallery since 2019. </SPAN></SPAN></DIV></div>
HTMLText_3B9DEE24_0444_1A0B_4179_B332262B1AEF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Born in 1992 in Harare, Zimbabwe, Kresiah Mukwazhi is a multidisciplinary artist working across photography, painting, sculpture and performance. She studied visual arts and photography at the Zimbabwe National Gallery School of Visual Art and design in Harare, and the Market Photo Workshop in Johannesburg , South Africa. Mukwazhi had her debut solo exhibition, Bedroom Interview with SMAC gallery in Capetown, South Africa in 2018. Her work has been included in numerous group exhibitions, recent shows include: Five bhob – Painting at the end of an era at the Zeitz Museum of Contemporary Art Africa (MOCCA) in Cape Town, South Africa in 2019 and African textures at Osart Gallery in Milan,  Italy 2020. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Mukwazhi is concerned with issues of gender-based violence, exploitation, and abuse in relation to patriarchal norms reinforced by culture and religion. Her work expresses the repression and violence against women perpetuated by these norms. Yet the alluring colors and textures of her works also serve to celebrate the agency and resilience of its subjects. Her intention is “to transform this experience and materials into symbols of resistance and struggle as well as begin a conversation about what it means to be a woman today in a world influenced and controlled by technology and patriarchy. Can culture evolve? What holds us back from emancipation? How can we fight it? What role do men play in Feminism?”. </SPAN></SPAN></DIV></div>
HTMLText_3A0F0458_044C_0E3B_4187_7498FF8D6C54.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Born in Gaborone, Botswana, Kim Karabo Makin is a Master of Fine Art (MFA) student, at the Michaelis School of Fine Art, University of Cape Town (South Africa). Much of her work is informed by her multiculturalism and lived sense of displacement –with particular attention to the role that context plays in identity formation. Makin’s practice at present compounds aspects of her background in Sculpture (her undergraduate major), with her experience in New Media and Radio -having worked on-air at UCT Radio since 2016. Her practice thus combines sculpture, sound and installation, with a research archival base. She has participated in a number of group exhibitions, including Return to Sender(Centre for African Studies Gallery, University of Cape Town, 2015),The Devil Loves When We Loathe Ourselves(99 Loop Gallery, Cape Town, 2018),Formally Known As(AVA Gallery, Cape Town, 2019), the Graduate Exhibition at the RMB Turbine Art Fair (curated by Kefiloe Siwisain collaboration with Maja Marx, Johannesburg, 2019), as well as in two installations of The Botswana Pavilion; No Return(Gallery MOMO, Cape Town, 2019) and Subjective Nationhood(Botswana National Art Gallery, Gaborone, 2019). In 2018, she was also shortlisted as one of the Top 100 finalists in the AbsaL’Atelier. Most recently she was selected to represent The Botswana Pavilion as a Hub Manager at the Creative Hubs Academy (created in partnership with Nesta, British Council and Hivos). She continues to manage The Botswana Pavilion alongside core members, with upcoming projects planned in collaboration with Pro Helvetia (Johannesburg) and the National Gallery of Zimbabwe (Bulawayo).  </SPAN></SPAN></DIV></div>
HTMLText_DA8A8816_5A68_964F_41C7_68346A998B77.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Born in Maseru, Lesotho, ‘Matlali Matabane came to art later in life. She began her professional career in the corporate world, deciding in 2019 to switch full time into the arts. She is now currently enrolled in an Interdisciplinary Arts and Cultural Studies degree at the University of Witwatersrand in Johannesburg, South Africa where she had built a digital media creative practice focused on themes of femininity, Bosotho (those peoples native to Lesotho and South Africa), and representation politics. </SPAN></SPAN></DIV></div>
HTMLText_58A8F4F6_4AF8_9FCE_41B2_A5A2032CB762.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Born in Monrovia, Liberia, Taki creates towering painted canvases reflecting his childhood experience during the Liberian Civil War. Revealing the complexities of war, power, femininity, and identity, Taki brings a raw yet warm sensibility to his canvases. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Taki came to the United States from Africa by way of the Ivory Coast at the age of ten. He earned his Bachelor of Arts from the University of Rhode Island in 2008 and is currently based in Santa Barbara, California. He has exhibited with the Robin Rule Gallery in New York, at the Boulder Art Week in Colorado and is a part of private collections in Los Angeles, Miami and Las Vegas.</SPAN></SPAN></DIV></div>
HTMLText_A222CA29_C4FE_7139_41E8_19766DC7AEF1.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Calema is a music duo from São Tomé and Príncipe, composed of two brothers Fradique and António Mendes Ferreira, born in 1987 and 1992. As many Santomense people, they are descended from Cape Verdeans, Portuguese and Angolans, carrying with them a diverse cultural heritage that has inspired their passion for music. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">The brothers attended primary school in São João dos Angolares, the capital of the caué district, where they were part of the choral group of the Church of Santa Cruz dos Angolares. In 2008 they came to Portugal to pursue their professional degrees on the music industry. Fradique pursued a degree in Multimedia in Évora and António, a degree in Video Production in Lisbon. This began their musical journey and in 2009 they formed their group naming it Calema. </SPAN></SPAN></DIV></div>
HTMLText_4F4EE7D0_044C_0A0B_418C_53D4B717CEFF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Christine Chetty Payet was born in the Seychelles in 1969. She has a BA in Art and Design Education from Sussex University, UK, and an MA in Tertiary Education Management from the University of Melbourne, Australia. She is currently Director of the Seychelles Institute of Art and Design. In 2017 she was appointed as the Chairperson for the Creative Industries and National Events Agency in Seychelles.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Chetty Payet participated in the Dakar Biennale in 2000, and Africa Now! at The World Bank, in Washington D.C. in 2008. She has participated in several group exhibitions in Seychelles, Europe, North America, Asia and Africa. She has received several awards, including 3rd place at the 2nd Triennial of Contemporary Art in Mauritius in 2005. </SPAN></SPAN></DIV></div>
HTMLText_3CB07D97_044C_1E35_417E_6C3FC22EEB39.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Collin Sekajugo is a self-taught artist and arts activist born in Masaka, Uganda to a Rwandan mother and Ugandan father. Orphaned at the age of 16, art offered Sekajugo a way to both earn a living and make a difference in his community, where he had grown up observing extreme poverty and dependence. His mixed media practice includes painting, photography, sculpture, installation, and performance.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Inspired by his mixed background, Rwanda’s history of ethnic conflict, and the consumerism of contemporary culture, Sekajugo explores questions of identity and discrimination, as well as issues such poverty, education, gender, and environmental change. He sees art as a tool of social transformation through engagement with his audience, raising awareness of socioeconomic issues and sharing knowledge and ideas with the underprivileged and disadvantaged. His work reflects his social conscience, highlighting the link between art and community in Africa.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2007, after traveling around Eastern and Southern Africa on a series of study tours Collin Sekajugo returned to Rwanda with a vision of using art to change lives. This mission led him to set up Ivuka, a visual arts space in Kigali, Rwanda. An incubator for creative activities, Ivuka includes a joint studio space for aspiring visual artists and a children’s traditional dance troupe, Rwamakondera (Rwandan horns) that brings together disadvantaged children and teaches them dance as a means of healing, educating and instilling in them a sense of hope for their future.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Inspired by the success of Ivuka, in 2010 Sekajugo expanded his vision of using the arts to catalyze change in the village of Ndegeya in his father’s birthplace in Masaka, Uganda. Today, Ndegeya village is an arts destination that boasts a sculpture park with camping facilities; a village art gallery; children’s library and a youth development center. Additionally, Sekajugo runs the Weaver Bird Residency, a programi for artists and creatives eager to enjoy and seek inspiration from this special village while developing their artistic practices. Sekajugo has travelled extensively in Africa, Europe and North America, participating in international artists' conferences, workshops and residencies through which he is quickly gaining international name recognition. His work has been exhibited at numerous international showcases such as The Cape Town Art Fair, Johannesburg and PIASA AUCTION in Paris, as well as being part of other notable private and corporate collections in the US, Europe, Africa and Asia.</SPAN></SPAN></DIV></div>
HTMLText_379F62C1_0444_0A0C_4177_CDC8CC6107D3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Daniella is a photographer who developed her passion for the craft as a student studying computer and telecommunications at the Iteletique School in Burundi. On her love of photography Daniella states, “</SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Photography is a beautiful thing. Both easy and difficult. We don't all have the same perception of things...from the moment you find satisfaction in taking a photo, that's enough.</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">” Though much of her photographic career has been punctuated by the challenges of being a female in a male-dominated space, she believes that her female perspective is important to furthering the power of her work.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In her black and white series of images capturing the everyday life of Ciza Jerome, Daniella documents moments of joy, acceptance, and love. Ciza Jerome, born differently abled in Kinama, Burundi, is an individual of immense positive attitude and appreciation for his community. Inspired by his spirit, Daniella photographed moments showcasing Ciza’s infections smile, revealing how an entire community can be shaped by one person’s love.</SPAN></SPAN></DIV></div>
HTMLText_C850553B_AAC8_9C22_41BE_31B3CE347AB3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Dieudonné Wambeti Sana was interested in art at a young age. When he was 14, he apprenticed with Michel Ouabanga, an established artist whose naïve realist style and focus on forests and the natural environment remains a major influence on his work. However, Wambeti goes further than his mentor in infusing his interpretation of everyday scenes with traditional myths, folklore and spiritualism, as well as realistic portraits of local people. </SPAN></SPAN></DIV></div>
HTMLText_2A38BAA2_044C_1A0F_4185_CB064D24ADA3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Elisia Nghidishange is a printmaker, sculptor and mixed media artist. Born in northern Namibia, she graduated from the College of the Arts in Windhoek in 2016, and completed her first artist residency in Rapperswil, Switzerland in 2019. In 2017 she held her first solo exhibition </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>The Cost of Wealth</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> at the Goethe-Institut, Windhoek and was part of StArt Art Gallery’s </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Being Here</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">. She has since exhibited in a number of other group and solo shows, and her work is held in private and public collections including the National Art Gallery of Namibia, Arts Association Heritage Trust, Namibia and Iwalewahaus, Germany. In 2021, Nghidishange was awarded 2nd Prize for Sculpture at the 2020 Bank Windhoek Triennial.</SPAN></SPAN></DIV></div>
HTMLText_3E895847_5BE9_B6CD_41D3_FFB0B8D5E537.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Emmanuelle Laté was born in 1082 in Libreville, Gabon. She began her graduate studies at the European Academy of Visual and Graphic Arts in Lille, France eventually obtaining a diploma in architecture from ENSAP Bordeaux in 2012. After several internships in architecture, she founded her own architecture firm 2EL Architects in Libreville. In addition to architecture, Laté pursues a career in fine arts and design, her biggest passion being photography. Her photographs cover a broad range of subjects, from tracing the vanishing architectural heritage to capturing the natural beauty of the human body.</SPAN></SPAN></DIV></div>
HTMLText_376BCC64_0444_7E14_418C_E0A8DE07F59B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Enas Satir, born in 1985 in Sudan, is a visual artist who currently resides in Toronto. She received her Bachelors degree in architecture from the University of Khartoum before going on to work as a designer for Sudanese-based companies Almawja and XPO, Art and Design Magazine. She now works as a graphic designer for the Spirt of Math Schools while maintaining her own freelance design company, Satir Designs. In her work she focuses on issues of race, blackness and African identity and is inspired by the complexity and beauty of her background and home country of Sudan. Her most recent project is one with ceramic artist Erin Candela, a partnership funded by the Toronto Art Council.  </SPAN></SPAN></DIV></div>
HTMLText_3A666686_044C_0A14_4187_EB620894134E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Eva Chikabadwa was born in Blantyre city of Malawi in 1980. She graduated from the University of Malawi with a Bachelors degree in Sociology (awarded in 2003) and Fine Arts (awarded in 2009). As a sculptor and a painter, Eva has exhibited locally and internationally since 2002 with over twenty five group shows and three solo exhibitions. Her work focuses on her cultural background, and the politics and indigenous mythology of her homeland. Her Masters Project at the University of Cape town Michaelis School of Fine Art (2016-2017) focused on colonial and missionary interpretation and representation of African religious practice, particularly the M’bona beliefs of the Man’ganja from Southern Malawi. She is currently a lecturer in Industrial ceramics at the Malawi University of Science and Technology.</SPAN></SPAN></DIV></div>
HTMLText_95D683AB_AA79_9421_41DF_AAE7A58295E2.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Fabrice Monteiro is an Agouda, the descendant of Brazilian slaves with Portuguese names. His background is multicultural: he was born in Belgium, grew up in Benin, and now lives and works in Dakar, Senegal. Monteiro worked as a model for just about a decade before becoming a photographer himself in 2007, after meeting the New York based photographer Alfonse Pagano. Photography came naturally to him. As a professional model, he had developed an awareness of the complexity of composition, lighting and gesture within an image. Now behind the lens, Fabrice Monteiro creates images that sit at the intersection between photojournalism and fashion photography.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">“</SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>The diversity of my origins is my first source of inspiration. Relations between African and Europe have constantly fluctuated between attraction and rejection, empowerment and denial, recognition and anger. They have never been indifferent. The history of the African-European people over the last centuries, that I have inherited the complexity, is my main source of inspiration</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">”</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">-Fabrice Monteiro</SPAN></SPAN></DIV></div>
HTMLText_45F9F24C_0444_0A1B_417D_006FCCC9A7FD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Hambeleleni ‘Hem’ Matsi is a young fashion designer and entrepreneur from Namibia.  With a degree in Medical Technology from Cape Peninsula University of Technology in Cape Town, South Africa, Matsi also consults for the Namibian Institute of Pathology, where she is responsible for running the nation’s HIV rapid-testing quality system. She is a founder of ‘Victims2Survivors’, an organization that educates young women and girls on gender-based violence and works to empower young people to be constructive members of the community.   </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">While her fashion labels have attracted a distinguished clientele, Matsi has also created work centering around social themes such as violence against women and child marriage. Matsi’s Fashion Against Women and Girls’ Abuse collection was showcased in Ghana after winning the Global Women Awards for Innovative Designs in April 2012. </SPAN></SPAN></DIV></div>
HTMLText_3632DEA5_0444_3A15_414D_6920B3596B8B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Hawa-Jane Bangura is a visual artist who lives and works in Freetown, Sierra Leone. She studied Art in the UK and USA and holds a degree in law boasting a successful career as a lawyer at the New York State Bar and later in the corporate sector in Sierra Leone.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2013 she set up an art collective, The Barray, comprised of about 15 local visual artists, to whom she provided skills training and tutoring in art history and contemporary art. In December 2015, she curated and organized the first Barray art exhibition, and the group has continued to exhibit twice annually and until December 2020 it was the only art event in the country. Her work was recently featured on Reuters’ social media platforms.</SPAN></SPAN></DIV></div>
HTMLText_FC9C2419_C6C8_3CB9_41D4_83F4793F5F2B.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Hyacinthe Ouattara was born in 1981 in Burkina Faso. He is a self-taught multidisciplinary gestural abstraction artist who lives and works in Paris, France. His creative process is inspired by bringing to the visible realm the unseen forces uniting all elements in the universe.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In his exploration of omnipresent interdependency, Ouattara organically transitions from one material to another; he experiments with a variety of art forms, from drawing to performance, and compares his process to writing music. Like musical pieces, his creations are born from his emotions and the ‘spirit of the place’ at the moment when he gets to work.  </SPAN></SPAN></DIV></div>
HTMLText_C68C1CE6_5AB8_8FCF_41C4_3CF566802120.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Jean David Nkot is a visual artist born in Douala, Cameroon in 1989. Nkot uses multiple layers in his work to engage with broad themes such as trans-national migration, gender equality and poverty, and also to bring our attention to the lives and stories of individual subjects. Nkot’s work has been included in many prestigious exhibitions, including </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Aujord’hui</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> 2019, curated by Simon Njami and sponsored by the World Bank Country Office at the Cameroon National Museum in Yaounde, Cameroon.</SPAN></SPAN></DIV></div>
HTMLText_A9A26D7F_4AA8_8EBD_41A2_715A34CE13CB.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Joseph Obanubi is a multimedia artist based in Lagos, Nigeria. He received his Bachelor’s and Master's degrees in Graphic design from the University of Lagos. Obanubi's practice consists of digital and tactile experiments, constantly finding balance between image making and graphic/visual design as a communication conduit. </SPAN></SPAN></DIV></div>
HTMLText_BECBDA11_23D9_ECB8_41B4_2A972EB0B00C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Juan Pablo Ebang Esono was born in Malabo, the capital of Equatorial Guinea, in 1981. He studied at the Nucine academy of Valencia, earning a degree in Cinematographic Directing. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">He began his career in theater, and recalls “</SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>I was going to the Centro Cultural Hispano Guineano, which is now called Centro Cultural Español,  we were on foot, at that time there were no roads, no light or anything, we were setting everything aside, with broken flip-flops, and there was a member of the Spanish Cultural Center, who had studied audiovisuals in Spain, and he thought of starting to record our plays.  And that made me decide to study Cinema, as it helps to fix in time one performance...My family was very much against me studying cinema, as they thought it was a carrier for drug addicts and lazy people, it was a difficult journey, but I stuck with it.</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">” </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> Esono directed his first short film, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>No Esta Desnuda</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, in January 2007. It received the prize for the best short feature in the 3rd International Film Festival for Integration in Valencia.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Three years later Esono directed </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Teresa</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, the first medium-length film to be produced in Equatorial Guinea. Based on true events and produced by the National Library of Equatorial Guinea, the plot traces the twists and turns of the lives of three teenage friends. After producing the film, Esono led film classes in several cities and provinces in his country on behalf of the National Library.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2001, Esono directed the short film </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>La Familia</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, receiving "Le grand Prix Africain du Cinema et de la Television" at the Golden Crown Awards in Abidjan. In 2016, Esono directed the 21-minute film </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Milu</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, with a script written by Salvador Maquina.  In September 2020, he was named General Director of Production, Programming, and Compilation of the Audiovisual Historical Archives of Equatorial Guinea. </SPAN></SPAN></DIV></div>
HTMLText_FA0FDCD1_C6D8_2D89_41D3_2BBBD971D9A8.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Kavinash Thomoo is a multidisciplinary artist and art educator who lives and works in Mauritius. Trained in fine arts at the University of Mauritius and Anglia Ruskin University in the UK, he has participated in many national and international exhibitions including the 56th Venice Biennale in 2015. </SPAN></SPAN></DIV></div>
HTMLText_942C08EE_232F_AD68_4194_EB2B16AC13D3.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Lola Keyezua is an Angolan-Dutch photographer and performance artist. She graduated in Interactive Media and Design from the Royal Academy of Arts in The Hague in 2014, and has since lived and worked both in Europe and her native Angola moving most recently to the Philippines. Passionate about engaging as an artist in the development processes in economics, culture and education, she began her creative career with defending the rights of people from underprivileged and discriminated social groups. For her art projects, she bravely enters some of the most precarious locations and situations. “What makes me uncomfortable in our society is what helps me create an artwork,” she said in an interview. The result is a body of work that is always aesthetically accomplished, often provocative, and never timid. </SPAN></SPAN></DIV></div>
HTMLText_33C0F921_044C_060D_4177_F890C6B8BD9D.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Longinos Nagila, born in 1986 in Kenya is an experimental multimedia artist who lives and works in Nairobi. He studied filmmaking in Bari, Italy after graduating from the Buruburu Institute of Fine Arts in Nairobi. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Nagila is inspired by early black-and-white photography, and often transfers images from photographs to paper using paint. Nagila’s practice evolves constantly, but his work is driven by a critique of the processes and implications of industrialization, mass production and rapid urbanization. Nagila is interested in the ways in which Western culture and fashion influence Africa. He challenges the viewer to see the radical contrast between concepts of contemporary Western and traditional African beauty and design. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">He is also a keen observer of the influence of Western capitalism and material values. He uses recognizable symbols from religious iconography or fashion industry’s brand logos, as well as familiar phrases as titles of his works to comment on the co-existence of religion and materialism in contemporary African society.</SPAN></SPAN></DIV></div>
HTMLText_A0929D07_4A58_8E4D_41C8_6BA274B36785.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Mampuya Mayimona (artist alias Massy) is a Congolese painter known for imaginative portraits of people whose bodies are made of woven strips of plant fiber, resembling baskets. Massy studied painting on his own as well as under the artists Mukendi Bamwa and Achille Katemo. However, it is thanks to his participation in the workshop of Patsheli Kahambo, the contemporary symbolist artist from Kinshasa, DRC, Massy decided to embark on a full-time career in the visual arts. </SPAN></SPAN></DIV></div>
HTMLText_1418B0F9_25A1_B148_41C1_607DD741362C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Mbolatiana Raoilison (Clipse Teean) is a graffiti artist, writer, painter, and designer. Her artistic journey began in 2000, and over the last two decades she has become an active voice for females in the street art community. Clipse is a member of The Label Kolotsaina Mainty in Madagascar, as well as the International Business Music of Chambers in Amsterdam, and Rusted Mic Renegades in Spain. </SPAN></SPAN></DIV></div>
HTMLText_364DDC31_0445_FE0D_4183_7D3521740D36.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Mia Collis and Cynara Vetch are Kenya-based photographer and journalist who have founded the “She Shapes The City,” a unique multimedia project celebrating the power of African women in bringing the positive change to the city of Nairobi.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">The adventure began with Mia Collis’ encounter with a Kenyan fashion designer who asked the photographer for a photoshoot of her new collection. Not being a studio photographer, Mia hesitated but eventually agreed to take the challenge on the condition that the collection would be modeled by professional women of Nairobi: intellectuals, creatives, athletes, and entrepreneurs. Cynara Vetch joined the project to interview the women and write their stories.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">The first edition of “She Shapes The City” in 2015 revealed the powerful yet often invisible force of impactful women behind Nairobi’s development. This resonated with people across the city, and, to widen the scope of the project and democratize the conversation, the founders opened up the nomination process so that City Shapers could be chosen and identified by their own communities.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Six years later, the platform shines a spotlight on exceptional individuals. “She Shapes the City” is a continuously growing collection of stories of challenges, perseverance, often in nearly impossible circumstances, and victories. Whilst the interviews give the women the space to tell their own story, the photography sessions act as a celebration of all they had achieved.  “She Shapes the City” that brings positive change to the identity of the Kenya’s capital (and other cities around the world).</SPAN></SPAN></DIV></div>
HTMLText_58C692DC_4AA8_9BC3_41C8_C692EA41F739.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Native of the city of Arlit, Niger, the film director Amina Weira graduated in video editing from the Institute for Information and Communication Techniques (IFTIC) in Niamey, Niger which was followed by a master's degree in creative documentary production from the Gaston Berger University of Saint-Louis, Senegal. She debuted with the film titled Film Music, in 2011 gaining international renown five years later for her whistle-blowing documentary Anger in the Wind (2016) dedicated to uranium miners and the health and environmental effects of exploitation of the mines. To date, Amina Weira has directed four films. Among her sources of inspiration, she counts poetry, Tuareg culture, beauty of the desert and her being professionally equipped to fight for the improvement of the status of women. She admires women who have chosen art as a medium of expression, herself standing at the forefront of feminization in the film industry.</SPAN></SPAN></DIV></div>
HTMLText_2BF1B4DB_044C_0E3C_4132_E383EDF3F50C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Nature lover, artist, designer and entrepreneur, Juliette Zelime, known as Jadez in artistic circles, was born in 1984 and raised in the rural district of Takamaka in southern Mahe, in the Seychelles archipelago.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">After graduating secondary school, in 2003 Juliette attended the Seychelles College of the Arts, where she attained an Advanced Certificate in Fine Art. Among the projects she undertook during her studies, many featured climate change, which initially sparked her interest in the subject.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2005 she attained a Cambridge GCE Advance Level Certificate in Art and, in 2006 she left Seychelles to pursue a Bachelor of Arts degree in Visual Communication at the Central Academy of Fine Arts in Beijing.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2010, Juliette worked as a Graphics Designer at Switch, a marketing agency, before moving to the Seychelles Natural Museum as a Research Officer in 2011. Alongside her full-time positions, Juliette also regularly undertook freelance creative projects, such as the designing and construction of the Emirates Airline float in the 2012 and 2013 editions of the Carnival, and the Air Seychelles/Etihad Airline float in the 2014 edition. In 2012, she also launched her brand, KAJU Seychelles, which produces and sells bags and accessories, designed to reflect a uniquely Seychellois origin with Asiatic undertones.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2013, Juliette left Seychelles, again bound for the Central Academy of Fine Arts in Beijing, to pursue a Masters of Arts degree in Art &amp; Design. During her studies, she had opportunities to create graphics and artworks for the Seychelles and Guyanese embassies in Beijing, as well as for various exhibitions held in China.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Her work has been recognized internationally and, of note, she has won the Best Female Artist in the 2004 edition of the Seychelles Arts Awards and in 2014, and in Beijing, she was awarded the Asia-Pacific African Award in Creativity and Entrepreneurship. She also continues to participate in local and international exhibitions, with the latest one being the Beijing Biennale 2017, making her the first Seychellois to participate in this biennale, as well as the Silk Road International Art Festival in Xian, China, in 2018.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Juliette now lives in Seychelles working as a freelance designer and artist.</SPAN></SPAN></DIV></div>
HTMLText_7147D8FA_25A0_9148_419A_9C413F3E8488.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Nebay Abraha is an Eritrean artist currently living in South Sudan. A bold young artist, Nebay creates mixed-media collages and portraits incorporating materials ranging from charcoal to recycled newspaper clippings. His portraits give voice to the young generation in Ethiopia and Eritrea, contributing to the continent’s larger discourse. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Nebay received his diploma in drawing and painting in 2015 from the Satreb Art Institute in Asmara, Eritrea. In 2018 he moved to Ethiopia, where he taught art and exhibited with other Ethiopian and Eritrean artists. Now based in South Sudan, Nebay continues to exhibit in various locations in Juba, South Sudan, as well as internationally.</SPAN></SPAN></DIV></div>
HTMLText_5D4B4881_23F8_AD99_4199_52FFE362B508.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Ngadi Smart is a Sierra Leonean Visual Artist and Designer based between London, U.K and Abidjan, Côte d’Ivoire. Her practice is comprised of Illustration, Photography and Design. She also works as a Mixed Media artist, primarily in the form of collage art. Her photography has been published on CNN, British Journal of Photography, Vogue Italia, Atmos Magazine, and I.D Magazine. She has also illustrated for The Atlantic, Time Out London, Eastpak, as well as for publishing houses such as Penguin’s Riverhead Books in NYC and London’s Faber’s Children.</SPAN></SPAN></DIV></div>
HTMLText_3BAB324B_0444_0A1D_418A_63216AADB5CA.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Nujuum is a registered nurse by training and a self-taught artist. Her creative practice focuses on producing community-centered artworks as well as helping to incubate the careers of other creative practitioners. She has participated in arts development projects hosted by the European Union and has served as an art instructor at Elman Peace, a non-profit organization, founded in 1990 and is dedicated to promoting peace, cultivating leadership, and empowering the marginalized brackets of society to be decision makers in the processes that ensure their wellbeing.</SPAN></SPAN></DIV></div>
HTMLText_8BF47270_C4CA_5128_41D4_EC97752CA876.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Nú Barreto is an interdisciplinary artist whose practice encompasses painting, drawing, photography, video, and sculpture. Born in Sao Dominos, Guinea-Bissau, he learned to draw at an early age, then studied photography in France graduating from the National School of Image of Gobelins, eventually settling in Paris and gaining worldwide acclaim for his groundbreaking art pieces, among which is the </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Disunited States of Africa</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> series featuring paintings of imaginary all-Africa flags. Deeply concerned with social, political, economic situation of his country as well as of the African continent, Barreto’s body of work is an ongoing bitterly ironic manifesto on inequalities both between and within nations, races, and classes.</SPAN></SPAN></DIV></div>
HTMLText_C4EF82BE_5A58_BBBF_4170_9520E06DB84C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Of her work, its connection to place, and the power of words Puno shares </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>“South Africa has an abundance of human potential. Sometimes all it takes is a transformative conversation to start unlocking the possibilities. My aim is to help people see the world through a creative lens, communicate their own value, challenge social norms, share our African narrative and add a bit of hope to society.”</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> She goes on to say, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>“Pain, decay and injustice are prevalent in the personal and communal and I choose to be a warrior of light that fights back and paints aspirational pictures with words to give us motivation, clarity and courage to keep striving to create a world that is fit for all to live and delight in. That is why I write.”</I></SPAN></SPAN></DIV></div>
HTMLText_C775ACB6_5AB8_8E4F_41C5_E420D2A2C130.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Omar Diaw Chimere is a graffiti artist, illustrator, painter, designer, and teacher. Identifying as a pan-African artist, Omar seeks to use his art to celebrate black culture. Omar’s artistic studies began at the age of eight, when he began sketching and drawing, believing that everything which crossed his mind and eye could be translated to canvas or paper. Of his artistic journey Omar states, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>“all [my] life has been a spiritual gymnastics to reach the heights of art through drawing and painting.”</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Today, Omar lives in Guinea and spends much of his artistic practice teaching young people about the principals of street art. He leads one of the premier groups of graffiti artists in Guinea, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Guinee Ghetto Graff</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">. He uses his artistic talent to transform the aesthetics of neighborhoods in Conkray, as well as other parts of the country. He was the co-organizer of the premier festival for graffiti art in Guinea, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Lassiry Graffiti</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">. Combining realism and clear, quick messaging, Omar recognizes the importance of large-scale murals in positively impacting public thinking. He creates works ranging from the celebration of Panafrican heroes to the building of awareness for tropical diseases and COVID-19. </SPAN></SPAN></DIV></div>
HTMLText_37FC569E_0444_0A34_4170_3F6A5D5BE528.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Phindile Mamba is a self-taught artist from Mbabane, Eswatini who has been painting full time since 2014 after participating in the Livi laBomake (Women's Voices) empowerment project organized by the Yebo! ArtReach NGO to promote a nation-wide dialogue on women’s rights and gender equality through art creation and display. In a men-dominated culture, she dedicates her work to honoring women. A single mother of three, she admits that becoming an artist has empowered her, made her feel free, gave her self-esteem and independence. Her work has been exhibited in group exhibition in Eswatini and South Africa since 2014; she had her first solo show in December 2020.</SPAN></SPAN></DIV></div>
HTMLText_CD441999_5AAF_B642_41C9_9A24995D90EE.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Photographer Kani Sissoko is a graduate of the National Institute of the Arts of Bamako, Mali. Having first discovered the art of photography during an internship at the National Museum of Mali where she documented the collection, she subsequently worked in documentary photography with several international NGOs focusing on the role of women in society beginning to exhibit her work in 2015. Today, winner of numerous professional awards and educator in photography and journalism, Kani challenges the clichés about women both through her career achievements and the subjects she engages with.</SPAN></SPAN></DIV></div>
HTMLText_3CA9DBB6_044C_1A74_4175_9DE1E65D7D7C.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">R. Canon Griffin, born in 1991 in Uganda, is a versatile multimedia arts, graphic design and visual communications professional working in two interconnected areas: digitally manipulated photography, and the preservation of historical visual record of Uganda’s daily life and culture.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Griffin’s journey in the arts began with an interest in digital graphics when he was a high school student. His skills in image editing helped him get a summer job as assistant in a local photo studio, which provided plenty of opportunities to practice post-processing of photographs ordered by the studio’s clients. He subsequently trained in computer science and documentary photography and worked in TV production while becoming increasingly engaged, through his own art practice, in the visual exploration of social, economic and environmental impacts of urban development. His artworks have been regularly displayed at art venues in Africa and Europe since 2011.</SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Griffin is a co-founder of </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>History in Progress Uganda</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, a continuously growing online public domain image resource database of 20th-century Ugandan private photographic collections. He publicizes his own creative oeuvre through his website UrbanUnkindness.</SPAN></SPAN></DIV></div>
HTMLText_4104D63B_25A0_90C8_41B3_33B1916DB432.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Ravneesh Hans is the founder, CEO and principal designer of Zivansh, an emerging eco-friendly design studio in Zanzibar, Tanzania. Born and raised in Arusha, Tanzania with roots in Punjab, India her inspiration emerges from fusing the two rich cultures in the aesthetic of avantgarde design. Her work primarily focuses on contemporary art and fashion with more recent branching out to consultancy for hospitals, private residences and architectural firms. Together with a team of up-and-coming designers, she takes traditional African art, crafts, prints, and patterns a step further through research, style analysis and hi-tech solutions. Her passion is to build a platform for the community of extraordinarily gifted local artists, artisans, graphic designers and digital solutions specialists and share the unique impressions that Zanzibar has to offer with the world.</SPAN></SPAN></DIV></div>
HTMLText_95C6630E_C6D8_149B_41D9_4FF8A02504B7.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Rijasolo was born in France and returned to Madagascar, the country of his roots, in 2004. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2005 Rijasolo was a selected artist for the </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Rencontres de la Photographie Africaine</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> in Bamak and then again in 2019 as the winner of the Paritana Contemporary Art Award. In 2022 he was the winner of the World Press Photo Category “Africa, Long-Term Projects” for his image </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>The Zeba War</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">. His work is inspired by the humanist documentary photography style, in line with the pure tradition of American photojournalism where the photographer is fully immersed in his subject. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Rijasolo now lives and works in Antananarivo, Madagascar. He has a refined and respected artistic style as a reporter-photographer. He worked for the Wostok Press agency to cover the 2007 presidential campaign in France, and in November of that same year, went on to cofound Riva Press (</SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>www.riva-press.com</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">) alongside four other photojournalist colleagues with a goal of bringing an independent, apolitical view to their work. He continues to collaborate with French newspapers and magazines such as </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Libération</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Le Monde</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Paris Match</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> and </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Jeune Afrique</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">. </SPAN></SPAN></DIV></div>
HTMLText_FA03D1FC_5AE8_B9C3_41A5_FB5E8BC84C18.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Serge Attukwei Clottey is a multidisciplinary artist from Ghana who works across installation, painting, sculpture, photography and performance. Clottey has coined the term ‘Afrogallonism’ for his body of work that uses yellow plastic jerrycans (known locally as ‘Kufuor gallons’) to highlight the socioeconomic, cultural and environmental legacies of colonialism. The jerrycans, first used by Europeans importing cooking oil into Ghana, became associated with President John Kufuor at a time of acute water scarcity when they were used by Ghanaians to carry water for everyday use.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Serge Clottey and his team stitch together pieces of these discarded plastic containers and other waste materials to construct elaborate, tapestry-like installations reminiscent of Ghana’s </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>kente</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> cloths. These works express concerns about water scarcity in Ghana, and the environmental implications of the widespread use of plastic in our daily lives. In Clottey’s words, “Any time you see yellow, it represents water... and any time you see the gallon, it represents struggle.” His aim is to raise awareness locally of the large quantities of plastic waste that clog up water systems and endanger wildlife habitats along the coast, and also globally of the need to conserve water. </SPAN></SPAN></DIV></div>
HTMLText_58A8F555_4AF8_9ECD_41C3_C5396CF3FB8E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Sona Jobarteh is a musician, composer, singer, social change activist, and educator of international renown. Member of a </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>griot</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> lineage, she was exposed to storytelling accompanied by the music of kora – a stringed instrument native to The Gambia and neighboring parts of West Africa – since an early age. Breaking with tradition that dates back to the 13th Century, where kora playing has been exclusively a male activity, she has learned to play the kora at a virtuoso level, mastering several European instruments along the way. Her formal studies began at the Royal College of Music and the Purcell School of Music in the UK, and culminated with a degree at SOAS, University of London. Yet it is from her brother and father that she learned about truly expressing herself with music; about being real even if not perfect. These experiences gave her confidence to challenge clichés about success, both on and beyond the stage.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Ms. Jobarteh is the Founding Director of The Gambia Academy, a pioneering institution born from her visionary idea of shifting the center of African Studies back to the continent. Established in 2015 and initially funded with proceeds from touring, The Gambia Academy is aimed at providing world-class education in skills required for success in 21st-century Africa, with a curriculum centered on African music, history, and culture. </SPAN></SPAN></DIV></div>
HTMLText_FA27111D_5AE8_B67D_41C8_C807835ECC3E.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">The Asmara All Stars is a group of Eritrean singers and musicians brought together in 2008 by French music producer Bruno Blum. Comprising of musicians from around the country, the Asmara All Stars are known for their contemporary take on the traditional Eri-jazz sound. Through their live concerts and recorded album, the Asmara All Stars uplift Eritrean music and bring it into dialogue with the rest of the continent. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 2006 Bruno Blum was invited by the Alliance Française to Asmara to play with local musicians. Soon after, the Eritrean Cultural Affairs Office arranged for Blum to audition singers and musicians, with the goal of recording an album of Eritrean music. When word got out, many of Eritrea’s top local and international talent flocked to Admas Studio to join the innovative and exciting music-making collaboration. Following two months of almost daily practicing, the Asmara All Stars started playing live shows and recorded the album Eritrea’s Got Soul. As highlighted by their record label OutHere Records, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>"The Asmara All Star project is all about leaving politics behind and focusing on making exciting music."</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"> </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">The group’s album principal album, </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Eritrea’s Got Soul</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, released in 2010, combines a big band sound with soul, Jamaican reggae, and Eri-jazz. The album’s different musical styles and selections range from beloved Tigre songs to local hip hop, with traditional Tigrigna gwaila beats and Kunama rhythms mixed in. It also includes languages from eight ethnic groups: Kunama, Nara, Bilen, Afar, Saho, Hedaareb, Tigré, and Tigrigna.</SPAN></SPAN></DIV></div>
HTMLText_607F4599_25A1_93C8_4181_CB876B8DE1CD.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Tété Azankpo is a self-taught artist, born in Lome, Togo. His engagement with the arts is characterized by his hands-on approach to making a sustainable living. He began as a welder and metal worker, learning about form, construction and stability. He then moved into the real estate sector, learning how to be a successful agent by creating eye-catching and engaging home advertisements. He finally transferred this knowledge of visual language to become a sign painter, and printer of serigraphs.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">In 1997, Azankpo created a defining piece, debuting his arts career. He erected life-size sculptures made with wood and recycled materials on more than two and a half acres of rugged terrain north of Lomé. Titled </SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Les Épouvantails des Champs (The Fields’ Scarecrows)</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">, this work was the first of its kind in the subregion, engaging nearby youth communities in its creation and attracting visitors from beyond Togo’s borders. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Azankpo soon opened his own art studio, creating works that became immediately recognizable for their sculpture assemblage technique, and use of bright colors and recycled materials. Azankpo seeks to use his artwork to visualize the barriers between people – visible and invisible – that block the path for greater understanding and unity. </SPAN></SPAN></DIV></div>
HTMLText_3A0020DB_044C_063D_4169_43D9DA8BD0FF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Valerie Asiimwe Amani, is an artistic explorer from Dar es salaam Tanzania. Using a multi-disciplinary approach incorporating textile, poetry, moving image and digital collage, she experiments with notions of memory, hybrid spirituality and the complexities of body. She is also a writer, curator and art educator, mentoring emerging artists within her community. </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Her work has been featured in various international exhibitions and publications, including The Main Complaint at the Zeitz Mocaa Cape Town (2018-19), and Magician: Black Bodies and Portraiture at the FFCA in Los Angeles (2020). Furthermore, she has co-authored a multimedia book titled Black Amara – a visual and literary shared journal on life through a Neo-African feminine lens that will be available in late 2021. She is currently (2020/21) completing her MFA at the University of Oxford. </SPAN></SPAN></DIV></div>
HTMLText_888D4198_2328_BFA8_41A3_991FB8341B65.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Yasser Ahamed Said (b. 1988) and Abi Amri Said Bacar (b. 1996), better known in the urban art scene of Moroni as Tcharo and Makinz are Comoran painters, designers, and graffiti artists who have been working together since 2017. Having first encountered street art as fans of Hakim Idriss (b. 1984), artist alias Socrome, an influential artist responsible for the rapid spread of outdoor murals in Comoros, Tcharo and Makinz learned many of their skills from him. The three young men joined forces and have collaborated on countless street art projects since. They first connected thanks to social media at the Swana Studio, the major Comorian multidisciplinary creative lab engaged in product design and art interventions in public spaces and social events. Today, Socrome is Swana’s creative director, Tcharo, the graffiti designer and Makinz is draftsman and illustrator.  </SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Tcharo, Makinz and Socrome leave their marks on walls around the city of Moroni, occasionally venturing into the countryside. Some of their pieces are prominently displayed, as in the case of the murals in the basketball court in Moroni’s district of Magoudjou or at the Ajao stadium on Corniche Road in the Ambassador zone, while others grace the graffiti spots frequented by the youth. </SPAN></SPAN></DIV></div>
HTMLText_E4802F31_AAC8_AC21_41D4_A68741421C14.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">Zé Pereira was born in the city of Mindelo in St. Vicente, Cape Verde in 1964. He is a nature photographer who portrays his country in its most diverse socio-cultural aspects. His works are featured in magazines, books by various authors, CDs covers and on various tourist sites; he is also the author of the large-scale scoreboard at the Amilcar Cabral International Airport on the island of Sal. He has a degree in Public Relations from the School of Business and Governance of University of Cape Verde and a certificate in photography. He is also an amateur writer and poet.</SPAN></SPAN></DIV></div>
HTMLText_3EBD1802_5BE9_B646_41C3_10252822467A.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">modupeola fadugba is a Nigerian multi-disciplinary artist who lives and works between the US and Nigeria, and holds degrees in chemical engineering, economics, and education. Her art practice spans painting, drawing and socially-engaged installation, and is influenced by the six years she spent working in research, policy and administration within Nigeria’s education sector. Her work continues to be informed by statistical, archival, and historical research. </SPAN></SPAN></DIV></div>
HTMLText_9D1E47D4_AA48_9C67_41C4_2829EC8678BF.html = <div style="text-align:left; color:#000; "><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">“</SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>I come from Bababé, Mauritania, an area by the edge of the Senegal River that marks the border between Mauritania and Senegal, the sandy Fouta Tooro. I spent my childhood in the village of Bababé where my parents and grandparents were born. I grew up with my grandmother. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>The riverside is a bustling world: rowboats pass from one bank to the other, women work in houses and courtyards, men go back and forth between houses and fields. Children hang out together, and animals live around and with us. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>My father, photographer and painter Issa Ball, has been a silent teacher to me. As a child, I watched him develop black-and-white photographs of our daily life, as well as make cheerful paintings. When I grew up, he encouraged me to study painting, and this is how painting became my second specialty. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>Like all children in the world, I loved to play. The vast territory, as I then imagined my village, was my kingdom where I spotted iron wire bent and flattened into shapes resembling lettering, scrap metal, colorful cardboard and plastic from all of which I made toys. Goats, horses, birds, people, and carts that populated this miniature world amused me. Other village kids came to see me and asked to make toys for them too. </I></SPAN></SPAN></DIV><p STYLE="margin:0; line-height:14px;"><BR STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-size:14.16px;font-family:Arial, Helvetica, sans-serif;"/></p><DIV STYLE="text-align:left;font-size:14px;"><SPAN STYLE="display:inline-block; letter-spacing:0px; white-space:pre-wrap;color:#000000;font-family:Arial, Helvetica, sans-serif;"><SPAN STYLE="font-size:14px;font-family:'Poppins Light';"><I>It was in this environment that I grew up, and from which I became an artist.</I></SPAN><SPAN STYLE="font-size:14px;font-family:'Poppins Light';">”</SPAN></SPAN></DIV></div>
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IconButton_240D9207_6106_22ED_41C8_E96CB3326F42.toolTip = Fullscreen/exit fullscreen
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## Tour

### Description

### Title
tour.name = WE ARE AFRIKA